Looking Through A Glass Onion

The promo picture for the John tribute I went to last night...

The promo picture for the John tribute I went to last night…

...and me before the show.

…and me before the show.

Well, it’s a lovely day today! It’s meant to get to nearly 30 degrees (Celsius) here in Adelaide, which isn’t so nice (there are northerly winds), but the sun is warm in a good way if you soak it up from the safety of your house. We’ve also been painting our house lately, and my room is next! Yay – no more disgusting salmon and baby-pink walls (yes, there is a mix. The house was renovated in the ’80s last)! Oh, and I listened to Sgt. Pepper earlier today – I forget how hypnotic that album is. It may not possess the same magic as I feel Revolver does, but I still am completely and utterly mind-blown by it. I am actually not listening to The Fab Four right now – I’m listening to Tame Impala’s debut EP. ‘ Half Full Glass of Wine’ is the song currently playing, to be exact. I’ve been really digging Tame Impala lately – for those of you who don’t know, Tame Impala are an Aussie modern-day psych rock band, and I think their lead singer sounds a bit like John. But anyway…

Last night – thanks to my godparents buying me a ticket for my birthday a couple of weeks ago – my mum, godparents and I went to see ‘Looking Through A Glass Onion’! ‘Looking Through A Glass Onion’ is a John tribute performed by actor/performer John Waters, with a guy called Stewart D’Arrietta on piano. And yes, for those of you who are too Offspring nuts (like me), it was the same John Waters who played Darcy, Nina’s dad-then-not-dad. (And for those of you who have no clue whatsoever as to what the hell I’m talking about, Offspring is a quirky, popular Australian drama that documents the life of Nina Proudman and her slightly-eccentric family. In fact, I think my mum is watching Offspring re-runs right now.) Yes, yes – now I’ll get on with it, and tell you all about the show! Apologies for the lack of pictures, as — quote — “use of cameras and recording devices is [was] strictly prohibited.” We were lucky enough to be sitting in the second row, though, which was fab!

(And now I’m listening to a playlist of the Black Keys’ new album Turn Blue! I have also been digging the Black Keys lately.)

So, we (obviously) arrived at the Dunstan Playhouse – where it was being held – and bought programs/CDs (thank you to my godparents for buying me the CD!) and stood ’round for a bit whilst the doors were not open. And soon enough, we were in our seats, and the lights were dimmed. D’Arrietta walked on stage and started tinkering out a tune called ‘Scouser’s Lament’. And then finally, John [Waters] appears on stage, and starts talking – in the most accurate John impersonation I’ve ever heard! It was almost as if the magical man was in the room (I wish!)… We soon find out that Waters is acting as John [Lennon] — without the dress-ups, though — and that the monologue is set on the night of December 8th, 1980, when comments such as, “That fan’s been waiting there for five hours,” and, “Ooh, he’s got a book – wonder what it is? Looks like the Catcher In The Rye,” are made.  I think we all know what happened later that night. If you don’t, Google it. I don’t really feel like writing about what happened. But the show soon became less sad, when ‘A Day In The Life’ began (just John’s bit, obviously).

The show was basically “John” recounting his life in a sort of monologue manner, with some of his most famous songs inserted when needed. There were two acts (despite the fact there was no interval – not that I care 🙂 ), presumably split up by the Beatle years and the solo years. The monologue (much of which was comprised of actual John quotes) touched on everything from his friendship with Paul to losing his mother, the groupies to being a star from Liverpool, and the songs played ranged from ‘You’ve Got To Hide Your Love Away’ (after talking about Dylan’s influence on him) to ‘Nowhere Man’ (before discussing the racial discrimination Yoko was subject to in the British press), ‘Norwegian Wood’ (groupies) to a medley of ‘Julia’ and ‘Mother’ (well, the loss of his mother), Come Together (the break-up) to ‘How Do You Sleep’ (his friendship with Paul), and ‘Beautiful Boy’ (Sean) to ‘Jealous Guy’ (the Lost Weekend). Seriously impressive lighting was used throughout the show, ranging from a green background during the ‘cellophane flowers of yellow and green’ of ‘Lucy In The Sky With Diamonds’ to a pinkish-red background during ‘Strawberry Fields Forever’ and shadowing in ‘Working Class Hero’.

Soon enough, ‘Isolation’ from John Lennon/Plastic Ono Band (the second-to-last number) was played – with the most impressive lighting of the show (i.e. blacking out the entire stage except for one horizontal strip show Waters’ head – it was amazingly effective). And after that, we returned to the subject of that night. John notes that the fan is still there, and makes a comment about him looking upset at John. John then talks about how he’s probably lived in the man’s living room half his life, but that doesn’t mean he knows him or anything. Then the final chilling speech is made – John hopes that the man won’t do anything bad, ‘cos “dogs can bite, y’know.” And then the room went black. Stewart D’Arrietta tapped out gunshots on his stompbox. And it was obvious what had happened. I must admit I got a little misty-eyed.

But despite the tragedy, there was still one number left. Waters sung the obligatory ‘Imagine’ with minimal lighting, perhaps indicating that John is safe now. I don’t know – that’s how I interpreted it, though. Waters and D’Arrietta then took a bow, and then made their way outside for an artist signing! I got my CD, ticket and program signed, which I’ll show below.

To conclude, I really enjoyed ‘Looking Through A Glass Onion’. Really. Enjoyed. It. As with the others, it can’t be compared with the WAC or the Beatle Boys (‘cos they’re all so different), but I loved it equally. It was fab to be surrounded by a group of fellow Lennonites (or maybe even people who’ve just discovered the kind of magic that is John Lennon), and both Waters and D’Arrietta were very talented. Once again, thank you to my godparents for buying me tickets!

Here is my signed program, CD and ticket!

Here is my signed program, CD and ticket!

(And just a couple of other things…)

I have a new song on SoundCloud! Well, in reality, I recorded it last Monday and Tuesday and uploaded it on the net on the Wednesday, but I haven’t put it on here ’till now! Please like/comment on/repost it, follow me and/or share it with your friends. If you’re on SoundCloud, feel free to drop me a PM – I’d love to hear from you! The track is a cover of The Beatles ‘The Word’ (Rubber Soul), and I recorded all the instruments myself on GarageBand (and no, I did NOT use the Smart Instruments – I played actual guitars/actually sang myself). Here it is, and enjoy!

Oh, and I finally finished my own song! I’ve finally got a complete set of chords, melody AND lyrics! Yay! As soon as it’s finished (the recording, rather) and up on SoundCloud, I will upload it here.

That’s all for now, but I’ll post again on either Tuesday or Wednesday, ‘cos it’s now holidays! Woo-hoo! Good day sunshine 🙂

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