It was 50 years ago today…

In case you didn’t know, I come from a place in Australia called Adelaide. We’re famous for a few things. Iced coffee and FruChoc chocolates, for example. And we were the second place in the world to give women the vote. And we’re the capital city of the only state in Australia that was settled by people who were actually on the right side of the law! From a musical point of view, Adelaide’s played a part in the stories of people like AC/DC, Paul Kelly and The Angels — and more recently Sia, I Killed The Prom Queen and Hilltop Hoods.
But Adelaide has claim to another musical milestone — on this day in 1964, we gave The Beatles the biggest reception they’d ever receive. 350,000 people crowded along the streets of the city, which was about a third of the population at the time. And that’s even with the lack of Ringo, who was still replaced by Jimmy Nichol when The Beatles reached here. And my grandparents are in those photos, somewhere… The Beatles played 4 sold-out concerts at Centennial Hall (which is now the Adelaide Showgrounds, where every Adelaidean goes to the Royal Adelaide Show as a kid), over two days. They paved the way for bands who would come to Adelaide in the time afterwards, like The Stones (who came in early ’65) and The Who (who came in early ’68).
And so it was 51 years ago today that The Beatles came to my hometown, and we earnt ourselves a spot on the Beatley map…

All You Need Is The Beatles

Today is a very exciting day for all Beatlemaniacs who reside in Adelaide – it was 50 years ago today, when The Beatles came to Adelaide (excuse lame Sgt. Pepper pun)! I’ve been in an unusually good mood all day, but sadly, my poor friends (whom I’ve no doubtedly overloaded with squeals of, “If only I were alive 50 years ago,” and, “John was here, 50 years ago,”, etc., etc.,) are not sharing the love. But anyway (their loss), I thought I’d do a special 50th anniversary post, jam-packed with YouTube clips, photos, fun facts and more; enjoy!

As most people know, Adelaide nearly wasn’t on The Beatles’ Australian agenda. A verbal deal had been struck up between Ken Brodziak (an Australian tour promoter) and Brian Epstein in 1963, some time before ‘Please Please Me’ rocketed to Number One in Britain. The promoter – unsuspecting of The Fab Four’s future…

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Haddy Grimble* to y’all! (A Christmas post…)

very odd

Well, it’s that time of year again. Christmas time, in case you haven’t noticed. It’s Christmas Eve down here in our rather large, isolated corner of the globe known as Australia, so I decided I should do a post wishing all my followers a very haddy Crimble and a merry New Year**!

Most of you who are reading this might be freezing in the Northern Hemisphere, and experiencing a White Christmas! But it is Summer in Australia, and as usual, Christmas in Adelaide will be in the mid-twenties. (Which is surprisingly cool for Summer…) And I haven’t been in a very Christmassy mood this year. We only put up a few Christmas decorations on the weekend. I haven’t listened to any Christmas songs of my own will, excepting The Beatles’ Christmas Records and ‘Happy Xmas (War Is Over)’. Bah humbug. But anyway, I thought I would prove I am not the Grinch in disguise and do a post on how to celebrate a ‘All You Need Is The Beatles’-style Christmas with an ‘All You Need Is The Beatles’-style Christmas playlist! So here goes…

Those of you who've watched 'George Harrison: Living In The Material World', you'll remember that story about the Apple Christmas Party and the Hells Angels. (Google it.) This is from the same event...

Those of you who’ve watched ‘George Harrison: Living In The Material World’, you’ll remember that story about the Apple Christmas Party and the Hells Angels. (Google it.) This is from the same event…

 

‘Christmastime (Is Here Again)’ — The Beatles!

A Beatles Christmas song! With Beatle harmonies! Yay! tangerinetrees’ perfect Christmas song…

For those of you who don’t know anything about this song, The Beatles released Christmas records every year. But these records were only available to their fan club. This song is from the 1967 Christmas Record, which was originally about seven minutes long. This edit was used in 1995 as the B-side to ‘Free As A Bird’. The Smithereens did a very enjoyable cover, which I will post below:

 

‘Happy Xmas (War Is Over)’ — John Lennon

Hands down my favourite officially released and easily obtainable Christmas song! (The above is my favourite of all time.) The song was based off a 1969 Johnandyoko campaign using billboards reading ‘WAR IS OVER!’ in 11 cities. The mantra chanted by the children’s choir/Yoko is all the more relevant today — war will be over, if we want it. Clearly the governments don’t want it to be over…

But on a less serious note, I need to deal with the subject of Yoko. So Yokes, I love your contemporary art, and I think you were a great influence on John, but you and singing… Erm, you and “singing”… Let’s just say that I wouldn’t encourage to give up your day job.

John sings wonderfully, though. In fact, ‘Happy Xmas’ is one of my favourite Lennon vocals. (Among everything else he ever sang! 🙂 )

‘Wonderful Christmastime’ — Paul McCartney

Okay, so this isn’t exactly Paul’s best. (And yes, I like Wings a lot more than I did six months ago. ‘Band On The Run’, ‘Mrs Vandebilt’ and ‘Call Me Back Again’ are three of my favourite songs. And pretty much all of their good songs are really dance-able.) Yes, it’s a bit cheesy. Yes, I think the lyrics are a bit limited. But anyway, it’s Christmas. And it’s Paul. I’d rather listen to Paul sing a bad Christmas song than, say, Wham! (*shudders*). And I guess I do like this song. 🙂

‘Oh, Little Town Of Bethlehem’ — Belle and Sebastian

Belle and Sebastian are a Scottish indie-pop band that wrote one of my favourite films, God Help The Girl. And they did a Christmas hymn! And it sounds good! Festive sounding guitar…

The Yeah Yeah Yeahs — ‘All I Want For Christmas’

I’ve just started to get into The Yeah Yeah Yeahs, and I found this whilst trying to find a nonexistent Black Keys Christmas cover. (The Black Keys are one of my other favourite bands, by the way.) I dig it! Christmas songs sound strangely good when recorded indie-style…

The Kinks — ‘Father Christmas’

I love The Kinks. And whilst I’d rather listen to ‘All Day and All Of The Night’ or ‘Sunny Afternoon’ than I would the above, I have to admit that it’s pretty damn good for a Christmas song. The overdriven guitars are pretty awesome, too.

‘Jingle Bell Rock’ — Arcade Fire

Arcade Fire sound drunk, but I don’t really care. I really like Arcade Fire, and this is just how I’d imagine an Arcade Fire Christmas song to be.

(And finally…)

The Beatles’ Christmas Records!

Every year from 1963 to 1969, The Beatles recorded a short “Christmas record” which was distributed among their fan club. I’ve already posted part of their 1967 Christmas record above, but here are all seven in their entirety. My personal favourite is the 1966 record known as ‘Everywhere It’s Christmas’, which begins at 15:40. But I, of course, enjoy all of the records… John’s wit is in full bloom, and George is also very, very funny. They must have had a lot of fun making these records!

And there you go! tangerine’s Christmas playlist in a (you guessed it) nutshell! And now I’ll take the opportunity to wish you all a merry Chrimble, haddy Grimble and a festal Christmas! Hope you all have a really gear holiday season. Good day sunshine until another day 🙂

*No, I have not lost my ability to spell. I’m referencing a poem in one of John’s books — In His Own Write — called ‘Haddy Grimble, Randoob!’

**Referencing The Beatles’ 1963 Christmas record.

My Beatles Record Collection Pt. 3 – ‘Beatles For Sale’

As pretty much everyone in Australia knows, The (Rolling) Stones played Adelaide Oval last night, so I will post this picture in commemoration. We were actually in the CBD last night to see a movie, and thanks to my dad driving past The Stones' venue, we got to hear them play 'Honky Tonk Women'. Not my favourite Stones song, but there's no denying it sounded good live.

As pretty much everyone in Australia knows, The (Rolling) Stones played Adelaide Oval last night, so I will post this picture. We were actually in the CBD last night to see a movie, and thanks to my dad driving past The Stones’ venue on the way home, we got to hear them play ‘Honky Tonk Women’! Not my favourite Stones song (by a long shot), but there’s no denying it sounded good live.

It’s that time of month again! Time for another installation of ‘My Beatles Record Collection’! And this month, it’s [insert signature Ringo drum fill]…Beatles For SaleBeatles For Sale was The Beatles’ fourth studio album, and was the last to comply by the covers/originals formula that also went for Please Please Me and With The Beatles (though both Help! and Let It Be included covers as well). It was also The Beatles’ first gatefold album (and must have been one of the earliest examples of such packaging), and is the first album on which one can really hear The Beatles start to mature. Bob Dylan’s influence on the group (especially John) is particularly evident, and the bulk of John’s first explorations of confessional lyricism (he was suffering from depression at the time) can be found on this album. The UK cover/back cover are actually two of my favourite pictures of the group (the latter can be found on my school book labels!), but sadly the cover butcherers also known as EMI Australia decided to ruin the cover here. Not many people rate this album particularly highly, but I beg to differ. Some of my favourite Beatles songs are on this album! But onto vinyl…

I have a couple of dream vinyl purchases. Y’know, a numbered White Album, that sort of thing. And one of the things on my dream list is a UK first-edition Beatles For Sale. But sadly, it is exactly what the list suggests — a dream (at the moment). My copy of Beatles For Sale is much like my A Hard Day’s Night — a ’70s “orange label” repressing. With the Australian cover (which means no gatefold). But oh well. I only got it for about 30 bucks (plus sale discount), and it was definitely 30 bucks well spent! The vinyl doesn’t play as well as some of my other records, but there are no skips and the crackle (most of which probably comes from our record player) is bearable. Here are some pictures:

beatles for sale one

Here is that dreadful Australian cover. Apparently the images are from one of the band’s Sydney concerts. On second thoughts, the cover isn’t that bad — it just looks quite ‘yick’ compared to the beautiful British one! It is pretty bad, though, as far as Beatles covers go. I can see why John complained to EMI. (Still better than any One Direction album cover! Hee hee!) My cover actually needs a glue job, ‘cos the original glue across the top edge has perished. A job for me at some point, I s’pose.

beatles for sale two

The back of the record. A similar kind of thing (the sleeve notes, the track listing, the title and the picture) appeared in black on the left side of the British gatefold sleeve. As you can see, there are no backflaps, and if you look carefully, you can see the record is in stereo (like all other Beatles re-releases of the time). The picture is actually quite outdated, if you think about it. It appears to be A Hard Day’s Night era, and The Beatles had ditched the suits and had grown their hair a bit since then. I quite like it, though.

beatles for sale three

Here’s the really interesting thing about the cover — not specific to the Australian version, but who cares. And what is that thing, you ask? Why, Derek Taylor’s sleeve notes! Especially this quote…

It isn’t all currency or current though. There’s a priceless history between these covers. None of us is getting any younger. When, in a generation or so, a radio-active, cigar-smoking child, picnicking on Saturn, asks you what the Beatle affair was all about – ‘Did you actually know them?’ – don’t try to explain all about the long hair and the screams! Just play the child a few tracks from this album and he’ll probably understand what it was all about. The kids of AD2000 will draw from the music much the same sense of well-being and warmth as we do today.

And Derek Taylor must be psychic! Well, he got the Saturn bit wrong (that’ll probably happen in AD3000!), but the bolded sentence is truer than ever. Yes, the kids of AD2000 do draw the same sense of well-being and warmth as they did in the ’60s. And not just 2000. The children of the 2010s do to. And I bet you that the cycle will continue on forever. ‘Cos that is the reality of priceless music.

beatles for sale four

Here’s a picture of the LP with the cover. As you can see, it’s an “orange label” version (most likely late ’70s), and like all Australian pressings (including firsts — I actually have a first-edition Australian), it comes in a plastic sleeve, as opposed to the paper ones found in UK pressings.

beatles for sale five

And here’s Side Two of the LP. Very good condition — not a scratch! It crackles a lot, though, ‘cos it’s so thin and our record player is about as old as The Beatles’ albums. I love our record player dearly, though. Probably my favourite piece of furniture (it’s a proper stereogram) in the house.

And there you go! ‘My Beatles Record Collection’ done for another month. Stay tuned in particular for the next four months, ‘cos many of my more interesting and rare and valuable pieces will feature.

Last night, I went to see a wonderful Spanish film called Living Is Easy (With Eyes Closed). The film (named after a line in ‘Strawberry Fields Forever’ is about a Spanish teacher called Antonio who is an obsessive Beatles/John fan. When he hears that John is filming How I Won The War in Almeria, he makes a trip out there from his town. On the way, he picks up two teenage hitch-hikers, and the film is basically about their adventures and Antonio’s many plans for meeting John. As long as you don’t mind reading subtitles, I highly recommend it! Google it for more information.

AND IMPORTANT NEWS FOR AUSTRALIAN READERS: A HARD DAY’S NIGHT IS COMING TO AUSTRALIA! Yay! After I thought for so long that it wouldn’t. AHDN is screening in its beautiful remastered glory as a part of the British Film Festival. If you’re Adelaidean like me, it’ll be on at the Palace Nova Cinema on November 9th at 7:30pm. Check the Film Festival’s website if you live elsewhere. But anyway, we’ve already got tickets, and I’m really excited! If you’ve been reading since the beginning, you’ll know how much I wanted to see the film on the big screen, and now I have the chance! I’ll be sure to write all about it after I’ve seen it. I guess last night will go down in my mind as the night I saw a fabulous film, found out A Hard Day’s Night was coming to Australia and heard The Stones play live.

And this Wednesday is the Rodriguez concert! I, too, am really excited about that! My first big concert! Yay! I’ll write all about it next weekend. But for now, good day sunshine! 🙂

My Beatles Record Collection Pt. 2 – ‘A Hard Day’s Night’

My 'A Hard Day's Night' LP. Also my LP of the album which has the cover that serves as the background for this blog.

My ‘A Hard Day’s Night’ LP. Also my LP of the album which has the cover that serves as the background for this blog.

Hey Bulldog (well, it has to go first sometimes)/Jude/all who care to read,

Only one more week of Term 3 left (then just one more term ’till the end of the year)! And yet more beautiful weather in good ol’ Adelaide! After being out and about, and then making considerable progress on my song (more on that later), I haven’t gotten around to posting on here until 5:00 on a Sunday night. Sorry.

But anyway, it’s ‘My Beatles Record Collection’ time again! And yes, I have noticed that a lot of my posts lately have been slightly self-centred, and I will try and un-self-centre them in the holidays. But anyway, it’s a month since I did With The Beatles (the earliest record in my collection), so now it’s time for the next record (as far as The Beatles’ chronology goes) – A Hard Day’s Night.

Unlike my With The Beatles, my A Hard Day’s Night is not some first-edition foreign-pressed mono LP. My A Hard Day’s Night is only an Australian stereo re-pressing (like two other of my records – my first-pressings and re-pressings roughly split about half-and-half). But here’s some background info:

In Australia, The Beatles were (obviously) released on Parlophone until Apple Corps. entered the picture. But (I’m not sure if this is the case elsewhere) re-pressings of Parlophone-released Beatles albums were still released on Parlophone after 1968. But they weren’t released on the black-and-yellow label (or even the special Australian black-and-silver label) – they were released on something known as the ‘orange label’.

Dun dun DUNNNN....

Dun dun DUNNNN….

The ‘orange label’ was used for re-pressings from 1969 to the early 1980s, and is featured on several records in my collection (including my Beatles Box – yes, mine is released on Parlophone, not Readers’ Digest. If you don’t know what I’m talking about, go Google it). As far as I know, it was used in Australia only. After studying this website (The Beatles’ Australian Records Labelography), the above appears to have been pressed in either 1969 or 1979.

‘Orange label’ records are okay, but I am on the definite look-out for first-edition versions (excepting the Box – that is first edition) of all the ‘orange labels’ I have. Why? The ‘orange labels’ are very flimsy, as Australian records from the ’70s became of a lesser quality than their ’60s counterparts. Apparently this is because many of the record factories went across the ditch to New Zealand, so all the LPs produced locally are thin and sensitive and don’t work too well. Fortunately, there are barely any scratches on this one, so it actually plays better than I thought (though it still crackles more than my thicker ones). But I’ll shut up now and upload some pictures so you can all see for yourselves (please excuse the quality – lighting isn’t too fab):

The back - complete with the original sleeve notes! But alas, no backflaps...

The back – complete with the original sleeve notes! But alas, no backflaps…

Yes, it's in stereo. You may notice that the number that tells you what number in the pressing it is is not there. This is true for all Australian Beatles records - they are seemingly set out differently to their British counterparts.

Yes, it’s in stereo. You may notice that the number that tells you what number in the pressing it is is not there. This is true for all Australian Beatles records – they are seemingly set out differently to their British counterparts.

Told ya' it was Aussie! Well, to be exact, it's New South Welsh... Considerably up north from here.

Told ya’ it was Aussie! Well, to be exact, it’s New South Welsh… Considerably up north from here.

The cover without the plastic slip over the top. You probably can't see it in this picture, but the cover is actually made from a different kind of cardboard to the original pressings.

The cover without the plastic slip over the top. You probably can’t see it in this picture, but the cover is actually made from a different kind of cardboard to the original pressings.

This was taken in an attempt to show you how flimsy the record is, but it doesn't really work unless I compare it with one of my first pressings (and I can't be bothered). But you get the picture. And you can go behind the scenes of 'AYNITB' if you look extra carefully at the laptop screen.

This was taken in an attempt to show you how flimsy the record is, but it doesn’t really work unless I compare it with one of my first pressings (and I can’t be bothered). But you get the picture. And you can go behind the scenes of ‘AYNITB’ if you look extra carefully at the laptop screen.

Side 2 of the record, top view.

Side 2 of the record, top view.

So there you go – my A Hard Day’s Night in a…cardboard box! 😉

I updated my iPad to iOS8 on Friday! And yes – those of you who know me IRL will know I completely avoided updating to iOS7, so I’m being slightly hypocritical by liking it so much, but stuff that! My favourite bit of iOS7/8 (it was a 7 feature, but I only got it with 8) is iTunes Radio. I’ve been listening to The Beatles channel all weekend! Did you know that The Beatles are the only artist to have their own proper channel, as compared to an ‘artist’ channel?

And I’ve made some more progress with a song I’ve been trying to write! As you may or may not know, I’m an aspiring alt. rock singer/songwriter/muso, under the alter-ego name of Sadie of Kirkcaldy (‘Sexy Sadie’ and ‘Cry Baby Cry’ mashup). Up until now, I’ve only done Beatles covers, and now I’ve made some progress with my own song! I can’t upload it on here now – a) it’s not finished; and b) it’s not on Soundcloud, which is the only way I can upload it here – but I’m fairly sure the song’ll be called ‘Whimsy’, and it uses a children’s xylophone (yes, you read right – but it actually sounds really good) and an acoustic capo-ed guitar (played in E with D-major chords), and I will eventually add melody/harmony vocals, a lead guitar and some kind of percussion. I wish I could upload the template for it that I made earlier today, but sadly I can’t; I promise ‘All You Need Is The Beatles’ will be the first place I’ll share it, though!

As I said above, only one more week until holidays! Then you’ll get posts every three – or even two, if I can be bothered – days! Yay – maybe then I’ll get some of my ideas down before I forget them! And this time next week I’ll have seen ‘Looking Through A Glass Onion’, which I am really looking forward to (thank you to my godparents for buying me a ticket for my birthday!) But until then, good day sunshine 🙂

 

A couple of poems for y’all…

Hey Bulldog/Jude/all who care to read this,

Today is an absolutely BEE-YOO-TIFUL day in Adelaide! It is 25 degrees – 25! I can’t remember the last time it was warm… Yeah, yeah, yeah, I’m fully aware that Adelaide weather gets to just under double that in Summer (I believe the highest temperature last Summer was something ridiculous like 48 – except we were in Singapore at the time…), but 25 is enjoyably warm, so I can truly sing ‘Here Comes The Sun’ (perhaps George is looking down!)!

Now onto something OTHER than the small-talk-ish topic of weather… I haven’t posted a poem in donkeys’ years, have I? (Nor have I listened to my favourite Beatles solo album, Imagine, in a while, either, so I’m currently doing that, too. ‘Jealous Guy’ – my fave John solo song – is currently playing.) I had two poems in the vault (oh, tangerinetrees99 – BE DONE WITH THE CLICHES!), and I really could not decide between the two as to which I should post – and that is why there will be two poems today!

The first is called ‘the café’, and I wrote it this morning after coming back from my guitar lesson and brunch in town. Really, it is about my experience in the café (which – I might add – I’ve been to a-million times before, but had some kind of non-religious epiphany today) this morning: sitting in the sun, reading a beatnik anthology magazine, sipping iced tea, eating a croissant, y’know – all that stuff. I really like this poem, and I am proud to proclaim it is the first good remotely happy poem I’ve ever written (my teacher last year forced me to write one, but it was rubbish)! Usually, my poetry is very sad and dark and depressing, ‘cos I write when I’m sad (among other things), but sitting in the sun/café this morning (and possibly reading that magazine – The Canary Press, it was called) was kind of like a muse, and I knew I just had to write about it. And just a note about the formatting – yes, I do know about correct grammar, and that you do have to capitalise the start of sentences, and in poetry, you generally start new lines as, well, new lines. I just thought I’d break the rules – and put the poem in ‘align right’ – and I’m pleased I did! So, well, here it is – enjoy!

the café.

by tangerinetrees99, 30.08.2014

sitting at a table, the
heat-tinged sun beating down. nibbling
at a toasted croissant, dusted
with olive oil. sipping
a jam jar of iced tea, the
ice seeping through the glass. folky
blues playing in the background. humming
‘here comes the sun’, an
apt name for this saturday. chatter,
chatter, chatter. little
girls dancing to lilting twelve-bars. smartphones
ringing. bohemians
drifting through,
their skirts trailing slightly behind. dropping
out from all the noise. reading
a year-old issue of the canary press,
the pages amber through tortoiseshell imitation ray-bans. curly
hair darting about in the wind,
the ties on the nineteen-sixties shift-dress flitting ahead. thinking
about the story in front of my blue eyes, pondering
what to do. but
suddenly i recall something, an
old friend who has seemingly come back to play:
happiness.

And now for Poem #2… ‘I Don’t Get This Debate’. At school at the moment, we are studying poetry in English! Fairly early on this term, we spent a little time looking at thematic poetry – the theme being ‘Kids vs. Adults’. We spent the lesson studying a couple of poems, plus ‘I Don’t Wanna Grow Up’ – the latter involved listening to Tom Waits and The Ramones (separately). We were then going to write our own poem a bit like the above, but that all fell through. But I – however – had a fabulous idea for mine, and wrote it down directly after that lesson about a month ago! I really didn’t get the debate, so I exaggerated my life a bit (just the slightest bit. Sarcasm may or may not be intended.) and wrote a poem called, well, ‘I Don’t Get This Debate’. Hope it makes you laugh, ‘cos it’s meant to be funny! I’ve already showed it to my school’s writer-in-residence – who thought it was funny, and loved it – my mum – who also loved it (thanks!) – and a few friends – ditto (again, thanks!), but apart from them, you are all the first to see it (you were certainly the first to read ‘the café’). So – like the above – enjoy this funny, cheeky, and a little bit naughty (if I say so myself 🙂 ) poem!

I Don’t Get This Debate

Really? Kids versus adults?
I absolutely do not get this debate.
Yeah, I get that you all think adulter adulthood is all
Bills, bills, bills; ‘Honey, did you get dinner?’; loans, loans, loans; ‘No, I didn’t – you told me to get breakfast.’; think, think, think; ‘Oh my God – how could you?!’; blah, blah, blah. Oh, and you have to be – gasp – mature!
(That may or may not be sarcasm.)
And you all must think that those tower-toppering tall-as-a-tower shouting-hotspots known as adults think that you’re all
Procrastinate, procrastinate, procrastinate; ‘Barbie, what dress do want to wear to your wedding with Ken?’; tantrums, tantrums, tantrums; ‘What – you’ve broken up with Ken?’; chasey, hide-and-seek, NOT MORE IRRITATING GAMES; *sobbing*; blah, blah, blah.
(Well, you must have something in common with your elders, if ‘blah, blah, blah’ is an item on both lists…)
But – onto the point – what on flipping Earth is all the commotion about? Why does this debate even exist?
I mean…this could just be me, but:
I’m allowed to stay up almost as late as the parentals.
(Sup, dude – I don’t have parents, I have parentals.)
And I’m kind of allowed to swear.
(Why the  f  Hell aren’t you?)
And I’m allowed to watch some as many “adult” TV shows and films as I like.
This is why my favourite films are rated M XXX.
And I can sometimes play my music as loud as I like, and the parentals aren’t bothered.
Oh, and I listen to music on vinyl, too.
Which makes me seem as old as the parentals, too.
(They’re never bothered – I know, ‘cos they never tell me to turn it down. See below for PROOF!
*Revolver playing really loudly*
“Turn that down! Are you trying to get freaking Tony Abbot to hear ‘Taxman’, or something?” – that’s Mum.
“No. I just like it loud.” – me.
*Exasperated sigh from parental.*
See? SEE?)
And the parentals trust me so much, they don’t even bother giving me internet-related restrictions.
Want proof?
I’ve been sitting here, all day, writing this poem (and checking my faux Facebook account, and posting on my faux Instagram account, and Skyping a blackmail note to my Dad using my fake Skype account…), and I haven’t yet been told to get off! Not even once. But – if I say so myself – I’ve got a really good reason to b-
“GET OFF THAT LAPTOP! YOU’VE BEEN ON THERE ALL DAY!”
Bloody hell.
“AND DON’T USE THAT WORD!”
Sigh. I get this debate.

Hope you have a gear rest of your day, wherever you are Across The Universe, and if you’re Adelaidean, be sure to enjoy this luv-err-ly weather! Good day sunshine (literally!) 🙂

Another fab Friday night in my life (pun, again, intended)!

The stage display of the Beatles tribute I went to last night - taken during interval.

The stage display of the Beatles tribute I went to last night – taken during interval.

Last night, my parents and I attended a slightly-impromptu Beatles tribute (not that I’m complaining)! As you might remember (or know – depends if you’re an Adelaidean or not), there is a lift-out in the Saturday edition of The Advertiser called the SA Weekend, the set-out of which got a bit of a makeover a few months ago. One of the changes made at that time was a page named something to the effect of ‘Go Out, Stay In’. The ‘Go Out’ bit includes a list of concerts, exhibitions and events in general, and the ‘Stay In’ bit includes a list of books, movies and albums of the week (yes – The White Album was once the Vintage Album of the Week). I don’t normally look at the ‘Go Out’ bit (too busy looking for more Beatles albums on the ‘Stay In’ side!), but luckily my mum did! A day after I posted on here last, Mum came into my room with the ‘Go Out’ page, indicating at a part advertising a Beatles tribute involving Glenn Shorrock of The Twilights/Little River Band, and Doug Parkinson of The Questions – two very important figures in Australian music. There was a catch, though – it was a school concert! The performance was held in the auditorium of Westminster School, and the orchestra/bands/choirs/etc. that performed were all students. Though, as I learnt last night, that if you didn’t know that they were my age, you might have thought they were professionals! The groups were almost surprisingly good, and I think they did The Fabs justice.

The gig started with one of the big bands doing a ‘Sgt. Pepper Medley’, though in reality, the songs involved were ‘Got To Get You Into My Life’ (Revolver), ‘Come Together’ – with some groovy improv. from the resident guitarist and a couple of saxophonists – (Abbey Road), and, well, ‘Sgt. Pepper’s Lonely Hearts Club Band’ (okay, I could have just typed ‘Sgt. Pepper’), though it seemed more like the reprise than the actual song. On the big screen at the back, a picture was projected for each song – which I liked a lot. For this, the gatefold of Pepper was put up.

The next song was an acapella version of ‘I Feel Fine’, which was very cool! This was probably my one of my equal-favourite performances. ‘I Feel Fine’ is from their utterly-gorgeous folk-rock era (yes, I admit I would probably use ‘utterly-gorgeous’ to describe any of their eras, but still…) – one of my favourite parts of The Beatles’ career – thus I really liked hearing its ‘vocal jazz’ arrangement. The other school-exclusive performance that I liked very much was the other ‘vocal jazz’ arrangement of ‘Drive My Car’, which – too – is folk-rock Beatles (it’s on Rubber Soul), and sounded cool with the harmonies added for acapella’s sake.

The Beatles weren’t the only band to have their songs played that night – Glenn Shorrock played some of his Little River Band songs, too! Before interval, he played ‘Emma’ (which I didn’t realise was LRB until last night) and ‘Curiosity Killed The Cat’ (ditto). And then, in the second half, he sang ‘Reminiscing’ (interestingly was one of John’s [Lennon – though I assume you know who I mean when I write ‘John’!] favourite songs during the last years of his life – I can see why! ‘Reminiscing’ is also my fave LRB song), ‘Help Is On It’s Way’ and ‘Cool Change’ (ditto with ‘Emma’ and ‘Curiosity Killed The Cat). It was quite amazing, really, seeing that!

In the second half, plenty of The Fab Four’s stuff was played, too, but with either Glenn or Doug Parkinson (or both!) on vocals. ‘In My Life’ and ‘Eleanor Rigby’ were played with full string arrangements; ‘Let It Be’, ‘Dear Prudence’ (yes, I was surprised, too – but very happy!), ‘With A Little Help From My Friends’ (the Joe Cocker version, though) and ‘Golden Slumbers/Carry That Weight/The End’ (complete with the solos), however, were played with full orchestra, band AND choir arrangements! I was very happy to hear ‘Dear Prudence’ – not particularly well-known when compared with ‘Hey Jude’ – and, of course, the latter part of the Abbey Road medley! In fact, I was incredibly surprised to hear ‘Golden Slumbers/Carry That Weight/The End’, ‘cos they make up a bit of an obscure gem that only Beatles fans are aware of!

It was slightly inappropriate to take pictures – due to the fact much of the audience was there to see their kids perform – but I did manage to get a picture in interval, so that is what the stage looks like! I have actually performed on that stage, before – each year, there is a string/concert-band competition called ABODA, in which my string ensemble performs in each year (usually the concert band I’m in does too, but this year we can’t). In fact, ABODA is next week, and I’ll be heading Violin Two!!

And so to sum it all up, the concert wasn’t the WAC or The Beatle Boys, but it was a fabulous night! The school groups acted really professional and were really good, and it was a delight to see Glenn Shorrock and Doug Parkinson perform, too. If only my school did Beatles tributes…

I hope you’re having a fabulous day/night/whatever time it is wherever you are on this vast globe, and good day sunshine! 🙂

LOOK WHAT CAME IN THE MAIL YESTERDAY!! (a.k.a. Thank You Mr. Postman Pt. 3)

Here it is - the sacred BluRay!

Here it is – the sacred BluRay!

I was going to post yesterday, about a Lennon-y happening in Adelaide that my mum discovered via her Facebook Newsfeed, but something stopped me from doing so (not that I’m complaining!). My mum was driving me home from school, and was telling me that she had checked our mailbox (which is usually my job, but she had done it earlier that day). I asked her if there was anything for me – I wasn’t expecting her answer, as the expected arrival date (according to Amazon – where I ordered it) for what came was August 4th. So, Mum implied that there was something for me, but it was addressed to her. I quickly clued on – my beautiful A Hard Day’s Night BluRay had landed in our letterbox! I squealed (as you do), and as soon as we arrived home, I ran through the house and found a cardboard box on our dining-room table. I reached into the box, and the above package came out. And that package is now going to receive a bit of a review from me!

THE PACKAGING

The British edition of A Hard Day’s Night – unlike its Australian counterpart – comes in a fancy slip-case, not unlike the ones that come with the official Apple Corps releases of Help! and Yellow Submarine. The words ‘THE BEATLES’ and ‘A Hard Day’s Night’ are embossed, and stick out in comparison to the rest of the box. On the front cover, there is a famous still from the ‘Can’t Buy Me Love’ scene, in which they are chased around London. As many people will know, the cover was changed a few times, for which I am glad. If you have not seen the original cover (designed by some graphic design franchise called La Boca), be thankful – it was absolutely ATROCIOUS. But back onto the design that was used – on the back of slip-case, there is – obviously – the blurb, the credits, a list of the nine (nine!) special features and all the jargon-like information to do with the way it appears on the screen. Amongst that, though, is two rows of pictures from the A Hard Day’s Night album-cover photoshoot – however, some of these pictures are outakes that never actually appeared on the cover! Inside the slip-case, there’s nothing special (apart from the disc!) – just a standard BluRay cover, with the same appearance as the case it came in. Sadly, the BluRay does not come with a booklet, like Apple Corps releases of the other Beatles films and the US release of the above, but I don’t really mind. Oh, and the case feels nice, too – it seems almost waxy.

 

THE DISC

Oh my – A Hard Day’s Night in HD; oh my, does it look good! I used to watch AHDN through an unofficial, not-particularly-fabulous quality YouTube video, so seeing it so sharp was quite an experience. And I swear that certain parts of the film were cut out on YouTube, meaning that – despite the fact I have seen the film a good five times – last night was the first time I had seen it in full! I haven’t checked out the special features yet, but they look really good – I especially like the sound of the In Their Own Voices thing (’64 interviews with John, Paul, George and Ringo + behind-the-scenes footage) and the interview with Mark Lewisohn (the author of Tune In – or in other words, a keen Beatleologist). So to sum the above paragraph all up, I thought that film was fab enough the first times I saw it – now that I’ve seen it in HD, I love it even more!

Here some pictures of my copy – excuse the quality, as it is growing dark:

The side

The side

The back of the slip-case

The back of the slip-case

The BluRay case

The BluRay case

Inside the case, where the magic is kept!

Inside the case, where the magic is kept!

So as you can see, I’m very, very, VERY happy with the beautiful A Hard Day’s Night, especially now that I have my own copy (it has been out-of-print Down Under for about ten years)! And if you don’t already have a new remastered copy of this fab film, make sure you get one – you won’t be disappointed!

And as for that Lennon-y happening, there is an art exhibition of official prints of John’s work in Adelaide at the moment 🙂 ! I don’t really have time to write about it now, but I will be visiting in on Saturday thus will write about it then. For now, though, here is the link to their website, and be sure check out the exhibit if you’re a fellow Adelaidean! I knew that Johnny was a talented artist (for goodness’ sake – he went to Art School!), but I never knew he was that good until I saw the pictures on that website. Wow, John – you really were a genius (not that we didn’t all know that already)!

Oh, and I ordered  Let It Be off Ebay last night, so I will soon own all five Beatles films! I am really looking forward to seeing it, though – I know most people would find it depressing and boring (I might find it the former, as the band is falling apart – but I really still want to see it), but it sounds really interesting. And it includes the Rooftop Concert – come on; who doesn’t love that?! Until the weekend, though, good day sunshine from me! 🙂

A ‘Good Night’ (pun intended) at The White Album Concert!

 

The promotional poster for the gig.

The promotional poster for the gig.

And me before the show, in my White Album shirt (which was my only Beatles shirt until last month!). Yes, and I do wear things other than Beatles shirts...

And me before the show, in my White Album shirt (which was my only Beatles shirt until last month!). Yes, and I do wear things other than Beatles shirts…

 

Hey Bulldog/Jude/all,

Well, as you have probably gathered, I went to a gig last night. And that gig was none other than the critically-acclaimed White Album Concert! As I explained in my previous post, The White Album Concert is made up of four well-known Australian musicians (Tim Rodgers of You Am I, Chris Cheney of The Living End, Phil Jamieson of Grinspoon and Josh Pyke, an ARIA-Award-winning singer/songwriter – a soloist, too, unlike the other three) singing/playing the entirety of The Beatles (better known as The White Album), along with a 17-piece band. The show was toured once before – in 2009 – and has been travelling around Australia since the 13th of this month. As you can probably guess, Adelaide had one of their last shows – the second-to-last, to be exact. The show was held in the Festival Centre – our fancy theatre where a lot of shows are held (also the second-biggest venue in SA).

After being forced to park on the other side of town (the CBD isn’t particularly big, though – one could probably drive from one side to the other in ten minutes) due to the premiere of a play in the Dunstan Playhouse and some soccer match, we finally came to the Festival Centre. We (or more specifically, my Dad – thanks!) bought a program, which can be seen in the picture above, and, soon enough, we had entered the theatre and the lights were dimmed.

The show was begun with the band playing ‘Can You Take Me Back’ (the unrelated coda at the end of ‘Cry Baby Cry’, if you are not familiar with the title), before Chris Cheney ran onto the stage, and began playing ‘Back In The USSR’! This was followed by the entire contents of the first disc, each song being covered by either Cheney, Jamieson, Rodgers or Pyke. And then, twenty minutes after the last strum of ‘Julia’, the second half again started with Cheney – this time, though, playing ‘Birthday’. After the end of ‘Good Night’, however, the show did not finish – all four musicians came together (pun intended) to cover ‘A Day In The Life’ and a reprise of ‘Revolution’ (and most of the audience stood up and danced/sang at this point – including me)! And I should probably add that by the entirety of the White Album, I mean the entirety – this means their repertoire included ‘Wild Honey Pie’ and ‘Revolution No. 9’ (which didn’t sound much like the real thing – thankfully… But then, I listened to the entire track for the first time yesterday, and it was nowhere near as bad as I thought. I found John and George’s (non-edited) voices quite comforting, though – not sure I would have listened to the whole thing otherwise…)!

I don’t have a stand-out favourite performance, as all the covers were so darn good! I was, however, incredibly impressed by the fact that the White Album version of ‘Revolution’ was performed specifically as ‘Revolution No. 1’, and that the single version of ‘Revolution’ was kept for the encore. If I did have to choose a favourite bit, though, it would probably be ‘Cry Baby Cry’ (sang by Josh Pyke), ‘Rocky Racoon’ (Pyke, again – I don’t normally like this song too much, but it sounded like a ‘Oh! Yoko’ and ‘Racoon’ mash up!), ‘Everybody’s Got Something To Hide Except Me And My Monkey’ (Tim Rodgers), ‘Long, Long, Long’ (Pyke, again), ‘Yer Blues’ (Phil Jamieson) and Chris Cheney’s guitar-god moment, ‘While My Guitar Gently Weeps’! Other favourites included their versions of ‘Martha My Dear’, ‘I’m So Tired’ and ‘Happiness Is A Warm Gun’, but to be honest, I really didn’t do too much favouring!

And did I prefer The Beatle Boys to the WAC? As with above, I really cannot choose, as they were both so different. (On a random note, I’m listening to Anthology 3 at the moment, and the acoustic version of ‘While My Guitar Gently Weeps’ has just come on – I forgot how beautiful the demo is! I prefer it to the real thing…) As we all know, The Beatle Boys dressed up in the suits and boots and had their hair cut in moptops and put on Scouse accents – and what a great job of their tribute they did! The WAC was completely different, though – no dressing up, no accents (though Tim Rodgers did make a ‘rattle your jewellery’ joke in a Liverpudlian accent), no haircuts – just a night of electrifyingly-good music, sung by four relatively-famous musos. So again, I have no preference – let’s just say that they were both two of the best nights of my life! But this time, however, I took a lot of pictures, and only one video (0f ‘Cry Baby Cry’), so I will have something to show you of my own, for once – we were sitting in Row E of the dress circle, so I was in the perfect position to get some full stage shots! See below for my pictures and some YouTube clips of the concert in other states:

white album one

white album two

white album three

Note all the psychedelic lighting - I couldn't quite capture the beauty of them in single shots, but I tried! The acoustics were also amazing - it was so loud, but God, did it sound good!

Note all the psychedelic lighting – I couldn’t quite capture the beauty of them in single shots, but I tried! The acoustics were also amazing – it was so loud, but God, did it sound good!

white album five

The whole band!

The whole band!

 

The promo.

‘Birthday’

‘Revolution No. 1’ (gives you a good idea of the atmosphere – everyone singing!)

 

So there you – a review of my lovely night! I think I posted this last time, but here is the link to their website, so please check it out! Hope you’re all having a great day, wherever you are, and good day sunshine! 🙂

I Saw The Beatle Boys Standing There

With 'Paul' and 'Ringo'...

With ‘Paul’ and ‘Ringo’…

 

And 'John' and 'George'...

And ‘John’ and ‘George’…

 

Last night would quite easily qualify for one of the best nights in my entire life. Excluding the George Harrison tribute show I saw earlier this year, an Etype Jazz show I saw five years ago (both of which are a part of the Adelaide Fringe, so I don’t count them), and my annual trip to WOMADelaide, I saw my first rock concert; a Beatles tribute called The Beatle Boys, at Adelaide’s Thebarton Theatre!

The Beatle Boys are an Australian Beatles tribute from Newcastle, NSW, and they are currently going around Australia and New Zealand, recreating The Beatles’ ’64 tour of Australia and New Zealand, as a part of the 50th anniversary celebrations. Unlike some of the other tribute bands I’ve heard of, they weren’t tacky (i.e. they didn’t wear fake-looking wigs; they actually had their hair cut in a moptop, or Arthur – as George called the infamous ‘do in A Hard Day’s Night!) and they weren’t deadly serious about the entire ‘We-have-to-be-exactly-like-The-Beatles’ thing. In fact, the show was a bit tongue-in-cheek; the guy who played Paul put on exaggerated facial expressions, and there was no shortage of jokey Beatles references! According to their website, they’ve been playing for 26 years, and have played everywhere from Swaziland to Canada. Two years ago, they did a ‘rooftop concert’ on top of the Museum of Contemporary Art in Sydney, which I just watched on YouTube, and is really cool (I then proceeded to watch Let It Be music clips, and then daydream about the future day it is released on DVD/BluRay; it was supposedly going to be released last year, but that clearly didn’t happen!)!

Last night, their gig consisted of two parts, separated by an interval; the first part was a recreation of The Beatles’ Melbourne concert, with the addition of ‘This Boy’ (which was only played here, in Adelaide). Before the band appeared on the stage, a collection of footage showing The Beatles arriving in different cities around the country, and songs recorded by John, Paul, George and Ringo/Jimmie’s support acts were shown/played on a screen. Finally (as excitement built up), the lights dimmed, the final support act’s song faded, and The Beatle Boys ran onstage. They did a great job with their version of The Beatles’ concerts from 50 years ago; in some aspects, it was an almost-exact replica of the footage I have seen (Scouse accents and all), and in others (as I said before) it was very tongue-in-cheek, and not-at-all serious. They encouraged us to scream (when they weren’t playing!), dance, clap, sing and generally be a Beatlemaniac – naturally, I did all of the above things!

The second part consisted of “more than eleven songs,” as the man who played John joked, including material right from 1962 to 1969. They played everything from ‘Love Me Do’ to ‘Get Back’, ‘I Should Have Known Better’ to ‘Revolution’, and ‘Day Tripper’ to ‘Back In The USSR’. There were some very funny jokes in this part, including ‘Paul’ remarking, “The White Album is my favourite album, ’cause we could do whatever we wanted!” I did a lot of filming of both halves, so once I’ve downloaded them off Mum’s phone, I’ll pop them on here, so you can see the band yourself. It’s not quite the same as seeing them live (which – trust me – is quite an experience), but you’ll get an idea of how good they were!

After the show, The Beatle Boys came out to the foyer, and the majority of audience lined up for photos and/or signatures. As you can see above, I got pictures with them all, and as you can see below, I got them to sign my ticket. They were all really nice men, and they were quite impressed with my gorgeous John-and-Paul tee from last weekend! Just think – what a gorgeous job ‘Beatles impersonator’ would be. I can think of almost nothing better than playing John for a group of like-minded fans; sadly, though, this is impossible because I am a girl, so I’ll happily be content with my dream of being a musician when I leave school.

I’ll just upload the rest of my pictures – after that, good day sunshine, until I upload the videos of the concert (tomorrow, maybe)!

My signed ticket!

My signed ticket!

Outside the Thebarton Theatre (or the Thebby, as locals call it)...

Outside the Thebarton Theatre (or the Thebby, as locals call it)…

Waiting, waiting, waiting...

Waiting, waiting, waiting…

 

It was 50 years ago today…

Today is a very exciting day for all Beatlemaniacs who reside in Adelaide – it was 50 years ago today, when The Beatles came to Adelaide (excuse lame Sgt. Pepper pun)! I’ve been in an unusually good mood all day, but sadly, my poor friends (whom I’ve no doubtedly overloaded with squeals of, “If only I were alive 50 years ago,” and, “John was here, 50 years ago,”, etc., etc.,) are not sharing the love. But anyway (their loss), I thought I’d do a special 50th anniversary post, jam-packed with YouTube clips, photos, fun facts and more; enjoy!

As most people know, Adelaide nearly wasn’t on The Beatles’ Australian agenda. A verbal deal had been struck up between Ken Brodziak (an Australian tour promoter) and Brian Epstein in 1963, some time before ‘Please Please Me’ rocketed to Number One in Britain. The promoter – unsuspecting of The Fab Four’s future fame – had booked the four for concerts in Melbourne, Sydney and Brisbane. Adelaide had been left off the list.

A few weeks later, ‘Please Please Me’ ruled the charts in Britain, and John, Paul, George and Ringo performed on Sunday Night At The London Palladium, to hordes of screaming girls; Beatlemania was born! Meanwhile in Australia, Ken Brodziak was unsure whether his deal with Epstein would be fulfilled – to his luck, it was, and The Beatles were scheduled to perform in Melbourne, Sydney and Brisbane in June 1964. But something was missing – The Fab Four would not be coming to Adelaide…

A little later, Bob Francis (a relatively-famous South Australian DJ on 5AD) heard that The Beatles were touring Australia, but skipping Adelaide. He was not happy, and set his mind on bringing The Beatles to the Festival State. He set up a petition, which gathered thousands of signatures, and after much lobbying from him and other Adelaide fans, John, Paul, George and Ringo were set to perform four concerts here, over the 12th and 13th of June. Despite the fact that Ringo was hospitalised with tonsillitis and pharyngitis, thus unable to come to Australia before the others made their way up to Melbourne, Adelaide still managed to make Fab Four history, by giving them the largest reception they would ever receive, of somewhere between 300,000 and 350,000 people (over half the population at the time)! And for that, us Adelaide-ean Beatlemaniacs are very grateful.

YouTube Clips

 

 

This is a clip of bits and pieces of footage from ’64, released this year especially for the anniversary by EMI Australia.

 

 

This one’s of The Beatles’ Adelaide press conference – I haven’t watched the whole thing (shame on you, so-called ‘hardcore Beatlemaniac’!), but I’ve seen some bits; John has some really funny jokes, in it!

 

 

And well, here it is – the strangely-prophetic John Lennon quote from the Adelaide press conference that featured upon the end of When The Beatles Drove Us Wild, that made me cry. As I said last post, what a tragic irony. Rest in peace, John – love you to bits!

 

 

And this one’s a little lighter than the last – fragments of John, Paul, George and Jimmie’s Adelaide gig! I can just imagine being in the audience, that day – the atmosphere just seemed so electric, even from a YouTube clip!

 

Photos

The Waving Beatles

Not in Adelaide (Ringo’s in it) but anyway – I love the photo (for no apparent reason), so who cares?!

Oz Beatles Crowd

Here’s photographic proof of why Adelaide is so cool…

the beatles in adelaide three

Performing live…

the beatles in adelaide four

Front page of The News (Adelaide’s former evening newspaper) on B-Day.

the beatles in adelaide five

Too-cool-for-words people greeting an incredibly-cool city…

 

Fun Facts

Did you know…

  • Australian politician Bob Katter was among a group of Beatle-haters who pelted eggs at The Beatles in Brisbane.
  • Ian ‘Molly’ Meldrum was kicked out of The Beatles’ Melbourne concert for being ‘too hysterical’.
  • Jimmie Nicol – Ringo’s replacement – says that ‘being in The Beatles was the worst thing that happened to him’, and now lives as a recluse in London.
  • The Beatles almost cancelled their trip to Australia – after Ringo fell ill (the day before The Beatles embarked on their 1964 world tour) a loyal George refused to play with a replacement, though was eventually convinced (how sweet!).

 

This time tomorrow, I will be enjoying a Beatles tribute – put on by tribute band The Beatle Boys – recreating their Australian tour; it should be loads of fun, and I will report on Saturday! But for now, I’ll pause the White Album (but ‘Julia’ is so beautiful – and sad, too) and enjoy the special hour of Beatle-y fun that local radio station Cruise 1323 AM will be putting on in half an hour. But anyway, enjoy this special ‘birthday’ (pun on song playing off the White Album currently – see if you can guess what it is!) in Beatles history, and good day sunshine!