HAPPY (slightly belated) BIRTHDAY PAUL McCARTNEY!

One of my favourite pictures of Paul, as taken by the Lovely Linda... (Image credit: iwasdreamingofthepast.blogspot.com

One of my favourite pictures of Paul, as taken by the Lovely Linda…
(Image credit: iwasdreamingofthepast.blogspot.com)

As you probably know, Sir James Paul McCartney turned 73 a couple of days ago, on June 18th! Happy birthday, Paul! I did mean to post on the day, but I’ve been quite busy with end-of-term assessments, so sorry ’bout that. I haven’t really written all that much about Paul, so today is my chance to muse on all things McCartney…

I’m not much of a Paul person. John has always been my favourite Beatle, and George a close second. And everyone likes Ringo. When it comes to songs, I’ve always found the songs that John and George wrote more appealing to my ears than Paul’s. I’ve always found a majority of his songs to be a little too much on the poppy side for me.

But regardless of the fact that I’m more of a John-and-George gal, I think that Paul is an extremely talented guy! There is no doubt that he is one of the best songwriters ever. Not only is he one half of Lennon/McCartney,  a number of his post-Beatles songs are also certified-classics for very good reason.

Most of my favourite McCartney-penned compositions stem from The Beatles era. Especially from Rubber Soul onwards, Paul was an amazing songwriter. Penning everything from screaming proto-metal rockers to the softest of folky ballads, he was something of a songwriting genius! He definitely deserves the many accolades he receives for his work.

(‘Helter Skelter’) ‘Helter Skelter’ is recognised by most music fans to be one of the first heavy metal songs ever. And whilst I’m not really a fan of the genre in its modern state, I absolutely love this song! The song incorporates Ringo’s thrashing drums, completely awesome guitar performances from Paul and George, a rockin’ bass from John and a screaming vocal performance from Paul! There has been more than a few interpretations of the song over the years; John claimed it was about a, well, helter skelter (an essential part of English fairgrounds), Paul said the helter skelter symbolised “the fall”, and we all know what Charles Manson thought… The song has since become a pioneer of all things hard rock, and is also one of my very favourite Beatles songs!

(‘Blackbird’) And now to the complete opposite… In my opinion, ‘Blackbird’ is one of the most beautiful songs ever written. Paul’s solo voice accompanying his fingerpicked guitar and his tapping foot (and later, some blackbird sounds) is perfection, in my opinion. Paul’s lyrics in this song are some of his best, I think; they are supposedly about the Civil Rights Movement in America. My favourite bit about this song, though, is the guitar. It’s gorgeous. And even after months of trying to play it, I still can’t play it properly… 😉

(‘I’m Looking Through You’) Paul’s songs on Rubber Soul are all super-cool, and this is one of my favourites. Ever since I first listened to the album, ‘I’m Looking Through You’ has always stood out. Whether it be Paul’s great vocal performance, John’s rhythm guitar part, George’s lead guitar part or Ringo’s organ (!) or the folk-rock feel, this song is just all-round great. I particularly like the mono version of this song, as the outro is a little longer, and I especially love the outro…

(‘Here, There and Everywhere’) For me, it’s easy to see why this song was one of both John’s and Paul’s favourite Beatles songs – for it’s one of my favourite Beatles songs, too! This song is simply beautiful. Paul’s vocals are sung gorgeously, and the backing vocals are simply hypnotic! I also love Ringo’s bass-y drums, and the rhythm guitar is great. An all-round perfect song…

(The Abbey Road Medley) This is what I like to refer to as Paul’s masterpiece. Taking up most of Side 2 of Abbey Road, the Abbey Road Medley is nothing short of a masterpiece. Beginning with the epic 4-part ‘You Never Give Me Your Money’, and ending with the philosophical musings of ‘The End’ or brief ‘Her Majesty’ (depending on who you ask), you’ll hear about everything from a few rpgue “Apple Scruffs” climbing through Paul’s bathroom window to a grouchy old guy who sleeps in a hole in the road. Each song is carefully merged into each other by Paul and George Martin, and stylistically, it ranges from raw rock’n’roll to delicate orchestral pop. A perfect final note that will be remembered as one of the most innovative things ever released.

And now for Paul post-Beatles… I’m not a huge fan of Paul’s solo career. However, I’ve since found that there are a whole heap of great songs that Paul wrote after the breakup of The Fab Four, too! Last post, I mentioned my penchant for both ‘Call Me Back Again’ and ‘Dear Friend’. And I think I’ve mentioned my like of ‘Another Day’ and ‘Mrs Vandebilt’ before, too. So here are a couple of songs from Paul’s solo career that I particularly enjoy…

(‘Too Many People’) Despite the fact that the whole song basically denounces John and Yoko, this is one of my favourite Paul songs. Musically. I particularly dig that killer lead guitar, and Paul’s vocals are also great! The acoustic guitar is also awesome. In fact, this is an all-round awesome song, apart from the lyrics.

(‘Band On The Run’) And I’ve always loved this song! I love how it has three parts, and each of them are contrast each other so much. My favourite is the middle part — the rockiest part. I also really love the guitar riff that runs through parts 1 + 2, and it’s one of my favourite things to play. I was pleasantly surprised to hear this pop up in the middle of 2014 film Boyhood, which is my favourite movie at the moment.

(‘Maybe I’m Amazed’) This song is amazing. Pun intended. Paul’s vocals are raw and emotional and just wonderful! And I’ve always been a fan of his piano work in this song. It’s one of Paul’s best known songs, and for very good reason.

And of course, Paul is an amazing musician. It’s a well-known fact that he is one of the best bassists ever. Many Beatles songs featured extremely inventive bass lines due to his genius. My favourites include ‘Dear Prudence‘, ‘The Word‘, ‘Hey Bulldog‘, and ‘Drive My Car‘. Paul is my favourite bassist, along with John Entwistle of The Who.

Other examples of Paul’s musical prowess can be found within some of his lead guitar lines. The solo in ‘Taxman‘ is one of the best examples, and as a guitarist, I find it truly amazing! Paul also played some great breaks on ‘Another Girl‘, ‘The Night Before‘ and (along with John and George) ‘The End’. Paul was also the first Beatle to play an Epiphone Casino guitar, and as the proud player of such a model, I’m very thankful for that. I also very much like Paul’s piano skills, which can be heard on songs such as ‘Let It Be‘, ‘Hey Jude’ and parts of ‘A Day In The Life‘.

And so, happy birthday Paul! As a musician, I find your musical skills absolutely amazing. Thanks for all the wonderful songs! tangerinetrees99 🙂

And now for one more tune…

Advertisements

10 Underrated Songs From The Beatles’ Solo Careers

Image credit: ultimateclassicrock.com

Image credit: ultimateclassicrock.com

You could say that The Beatles’ solo work, as a whole, is underrated. So much media attention is directed towards The Beatles as a whole, and very deservedly so. But the music that each former member created after they split is somewhat overlooked by the general public.

But that’s not to say that The Beatles’ solo careers don’t get attention, too. You’d be hard-pressed to find someone who hadn’t heard the opening bars of piano of ‘Imagine’, or the slide guitar fills of ‘My Sweet Lord’, or the screaming vocals of ‘Maybe I’m Amazed’. But even with this, there are so many great songs from The Beatles’ solo careers that are very under-appreciated. So today, I thought I’d dedicate a list to a few gems in each Beatle’s solo career that I think don’t get enough attention. So in no particular order…

‘How?’ (John Lennon)

John’s pretty piano ballads make up a fair amount of his best-known songs: ‘Imagine’, ‘Love’, ‘Jealous Guy’, etc. But ‘How?’ never seems to quite get the same amount of accolades. Situated near the end of the Imagine album, the piano chords delicately land on the beats, and the violins add a beautifully shimmery extra layer. John’s vocals are also particularly delicate, suiting the overall dainty feel of the song. And like many of John’s songs from the time, the lyrics are quite personal and contemplative, as they were inspired by his Primal Scream Therapy. One of John’s prettiest songs!

‘Ballad of Sir Frankie Crisp (Let It Roll)’ (George Harrison)

George wrote this song about his house, Friar Park, which he purchased early in 1970. The house was originally built in 1898 by a guy called Sir Frank Crisp, hence the title of the song. I think ‘Ballad’ has some of George’s best lyrics; within each verse, the listener is taken around Friar Park and surrounds. Spanning rooms, and gardens, and fountains of perpetual mirth, the words are witty and (like a lot of his songs) spiritual and just gorgeous! The song is wonderful from a musical aspect, too. Laden with reverb and slide guitar and jangly instruments, the song has a beautifully ethereal, dreamy sound to it. In fact, it’s dreamy, full stop!

‘Call Me Back Again’ (Paul McCartney & Wings)

Buried on the second side of Venus and Mars, I came to ‘Call Me Back Again’ after hearing it on iTunes’ free solo-Beatles EP last year. It has since become one of my favourite Paul solo song, and for good reason! Paul’s vocals scream out of the speakers, for one. The saxophones featured prominently in the song are pretty awesome, too. I’m particularly loving the lead guitar, too, which is wonderfully intricate and cool. A great song!

‘Well, Well, Well’ (John Lennon)

There are so many reasons why I think this song deserves way more attention. First of all, John’s guitar is amazing; laden with crunchy distortion and an almost-punk sensibility, it’s wonderful! Same goes for Klaus Voorman’s bass performance and Ringo’s drums. They, too, put on an amazingly rocking show! John’s lyrics talk of spending time with Yoko — of going to dinner with her, of their involvement in political activism. And John’s vocal performance is stunning; in the latter half of the song, he howls confrontationally over the grungy instrumentation. It’s not for everyone, but in my opinion, ‘Well Well Well’ is one of John’s best songs.

‘I’d Have You Anytime’ (George Harrison)

The opening track of George’s masterpiece, All Things Must Pass, George wrote this song with Bob Dylan in late 1968. (Harrison and Dylan wrote a number of songs together during this period.) Their lyrics muse on the friendship that had blossomed between the two, and George sings them in his typically sweet voice. I think that George’s slide guitar performance on the track is one of his very best; beautifully emotive and perfect. His choice of chords is very interesting, too. In my opinion, ‘I’d Have You Anytime’ is a beautiful song!

‘New York City’ (John Lennon)

‘New York City’ is the fifth song on Sometime In New York City, an album I would argue is completely underrated, full stop. And it’s a gloriously rockin’ song! I love the piano and John’s guitar and it has a wonderfully rough sound. John’s lyrics are what makes the song for me, though. A witty recount of him and Yoko’s move to New York, and all the people and troubles that they crossed along the way, I especially like the lyrics! An unfairly underrated rocker that’s pretty awesome, in my opinion.

‘Isn’t It A Pity (Version 2)’ (George Harrison)

Whilst Version 1 is also underrated, Version 2 of ‘Isn’t It A Pity’ is extremely under appreciated, probably because it’s “version two”. The song plays host to one of my favourite guitar performances from George ever, and the organ is also just dreamy! And of course ‘Isn’t It A Pity’ is a great song, anyway. George’s slightly sad lyrics are lifted up by the music, which — in typical Harrison style — is simply beautiful!

‘Dear Friend’ (Paul McCartney & Wings)

This song is heartbreakingly beautiful. Possibly Paul’s most beautiful song (in my opinion), his voice accompanies piano in such a sad yet gorgeous way. Paul’s lyrics are also atypically emotional and personal. He wrote them in response to the war-of-words that had surrounded his friendship with John since the late ’60s, and he sings them in such a vulnerably-gorgeous way. A wondrous song.

‘I’m The Greatest’ (Ringo Starr)

Not being super familiar with Ringo’s solo catalogue, I’m perhaps not the best person to select one of his more underrated songs. But I feel that this song never gets enough attention. Written by John, the song is a satirical take on the history of The Beatles and Ringo’s life, and it never fails to make me smile! Ringo, John and George played on the track, too, which makes it a Threetles song, which is a plus! An awesomely funny song!

What Beatles solo songs do you think are underrated? Be sure to send me a postcard, drop me a line…

Hope you’re having a great day, and good day sunshine ’till next post! 🙂

Nine Of My Favourite Lyrical Beatles Songs

I love these pictures!

I love these pictures!

In my opinion, The Beatles didn’t just write some of the world’s greatest tunes. They also wrote a lot of the greatest lyrics, too! Sometimes in music, lyrics are sadly underrated. But from being a Beatles fan, I’ve learnt that quality lyrics are just as important as the melody. From 1965 onward, their lyrics were particularly wonderful, proving that they were very talented when it came to writing. But even in the early days, there were still a lot of outstanding examples, too! So today, I thought I would pay homage to The Fab Four’s words of wisdom (pun intended), and list my favourite Beatles songs in the lyrical department. Let the list begin…

‘Across The Universe’

Widely recognised as one of The Beatles’ greatest lyrical songs, I can certainly see why. John’s beautiful metaphors and imagery could probably evoke exquisite scenes in the minds of even those who don’t think of themselves as imaginative. John uses words that just sound good together, too. An absolutely sublime piece of work that could definitely hold its own without the music!

FAVOURITE LINES: “Images of broken light which dance before me like a million eyes / They call me on and on across the universe.”

‘Lucy In The Sky With Diamonds’

A song shrouded in controversy, the lyrics of ‘Lucy In The Sky’ create much psychedelic imagery. Inspired by Alice In Wonderland, a drawing by the young Julian Lennon (from which the song takes its name) and (probably) acid, the trippy lyrics create beautiful images of (among other things) newspaper taxis, tangerine trees and marmalade skies, tall cellophane flowers and a girl with kaleidoscope eyes…

FAVOURITE LINES: “Picture yourself in a boat on a river / With tangerine trees and marmalade skies / Somebody calls you, you  answer quite slowly / A girl with kaleidoscope eyes…”

‘Hey Bulldog’

This song’s lyrics are complete nonsense. And that is what makes them so good! Ever since I first heard the song, the different phrases have always captivated me. Whether it be words that probably don’t even exist, or the phrases that end each verse that kind of make sense or just a bunch of words piled in probably just ‘cos, the lyrics in this song are absolutely great!

FAVOURITE LINES: “Big man / Walking in the park / Wigwam / Frightened of the dark.”

‘In My Life’

The lyrics for ‘In My Life’ are beautiful! John  talks of his affection for those who have disappeared. But he has never loved anyone like the “muse” for this song. His love for people that went before pales in comparison. But he will never forget those who he has loved before…

FAVOURITE LINES: “And these memories lose their meaning / When I think of love as something new / Though I know I’ll never lose affection / For people and things that went before.”

‘Within You, Without You’

I reckon that this is George’s lyrical masterpiece. The words discuss how humans are only very small; that love could save the world; how the only person who can change themselves is them… Very deep.

FAVOURITE LINES: “When we find it, to try our best to hold it there with our love / With our love, we could save the world, if they only knew.”

‘Piggies’

I love this song! The piggies are of course the posh 1960s conservatives who loved looking down upon youth. George mocks them wonderfully  — he sings of how they always have “dirt to play around in”, and of how they didn’t care of what was going on around them…

FAVOURITE LINE: “Clutching forks and knives to eat their bacon!”

‘For No One’

This is my favourite song ever written by Paul. The lyrics are especially powerful. Lamenting the end of a relationship, Paul sings of how it all went wrong, of how he and his partner fought; of when his other half left him, and of how he will never forget her… Quite sad.

FAVOURITE LINES: “She wakes up, she makes up / She takes her time and doesn’t feel she has to hurry / She no longer needs you.”

‘Blackbird’

The lyrics of ‘Blackbird’ are quite simplistic, but are nonetheless symbolic. Paul encourages the bird to learn to fly, and to learn to see with its various differences. The blackbird has been waiting all its life for the upcoming moment to arise. It then flies into the dark, black night, presumably to face the moment… Supposedly about the Civil Rights Movement.

FAVOURITE LINES: “All your life, you were only waiting for this moment to arise.”

‘The End’

Ironically, this is the last song that all four Beatles recorded together. Paul wrote the song, and decided that he wanted to end the cycle of solos with a meaningful couplet. And so he wrote two of the most beautiful lines of The Fab Four’s catalogue! The couplet has an air of finality to it, and is a poignant listen near the end of a poignant album. As with ‘Within You Without You’, very deep…

FAVOURITE (AND ONLY!) LINES: “And in the end, the love you take is equal to the love you make.”

So hard to chose just nine! Which Beatles song do you think has the best words? What is your favourite Beatles lyric? Be sure to tell me in the comments!

Hope you’re all good, and I will post again soon! ‘Till then, good day sunshine 🙂

The Craziest Beatles-Related Conspiracy Theories…

PLEASE NOTE: I do not believe any of these conspiracy theories. I did not create them. This post isn’t to be taken too seriously…

Conspiracy theories. There’s a lot of them, about every single thing you could imagine. So it will be no surprise to you that there are a whole host of Beatles conspiracies! Sure, nearly every music fan has heard of Paul’s “death” in 1966, but the fun doesn’t stop there. Here are a few of the best theories concerning the Fab Four..

1. The infamous ‘Paul Is Dead’

Apparently proving that Paul was 'replaced' (hmm)...

Apparently proving that Paul was ‘replaced’ (hmm)…

Okay. Probably the most famous Beatles conspiracy. Also the oldest. And the one with the most clues. The ‘Paul is Dead’ conspiracy first reared its ugly head in 1969, after some slightly delusional college students in the US decided, after listening to Abbey Road, that there were many clues proving that Paul was DEAD. It runs like this: on the 9th of November, 1966, Paul supposedly got into an argument with John, George and Ringo and drove off angrily. He, however, crashed his car and was killed. And, of course, the other Beatles decided that this death needed to be covered up to spare the public the grief of just telling them. Paul was replaced with “William Campbell”, and clues telling of Paul’s death were included within every Beatles release from then on. Some of these were: “Paul”‘s bare feet on the cover of Abbey Road; the number plate on the Volkswagen Beetle on the cover of Abbey Road, LMW-28IF; the line ‘the walrus was Paul’ in ‘Glass Onion’ and his walrus costume in Magical Mystery Tour; the indecipherable speech at the end of ‘I’m So Tired’, supposedly saying ‘Paul is dead, man — miss, miss, miss him’ when played backwards; the various phone numbers that can apparently be made from the stars on the cover of Magical Mystery Tour, that were rumoured to be answered by various funeral parlours if rung in the ’60s; and a patch that Paul is wearing in the gatefold picture of Sgt Pepper that reads ‘O.P.D.’ (an acronym for ‘officially pronounced dead’). You can read more clues here.

William Campbell, or Faul, obviously went on to write some of “Paul”‘s best songs, come up with the entire concept of Sgt Pepper, and after The Beatles broke up, started and disbanded Wings. To this day, he loiters on this Earth, claiming to be the real Paul McCartney… 😉 And you know what? The Beatles weren’t even recording on the 9th of November, 1966. Making the entire conspiracy a piece of rubbish!

2. ‘The Fib Four’

The 'tapes' of the Fib Four

The ‘tapes’ of the Fib Four

In 1971, a guy named Martin Lewis compiled a Beatles bootleg discography, naming not-yet-released tunes for ’70s fans to wonder about. Among these were ‘That Means A Lot’ and ‘If You’ve Got Trouble’ (both on Anthology 2), and the infamous ‘Carnival of Light’. Also among these songs were four numbers named ‘Pink Limitus Shirt’, ‘Colliding Circles’, ‘Left Is Right (and Right is Wrong)’ and ‘Deckchair’, all ‘outtakes’ from late 1966. ‘Pink Limitus’ was written by George, ‘Deckchair’ a member of Paul’s ‘granny music’ creations, and both ‘Left Is Right’ and ‘Colliding Circles’ were John’s. These songs were stored in the Abbey Road vaults, in case The Beatles needed some cash, pronto. They were never found, thus leaving devout fans of yesteryear to ponder over.

And there’s good reason why these ‘songs’ have never been found. They never existed in the first place! Turns out that Lewis couldn’t find enough outtakes to fill out the discography, so decided to create a bunch of outtakes to take up some space. These became known as ‘The Fib Four’, when everyone worked out they didn’t actually exist. Lewis later became a well respected Beatles scholar, believe it or not.

3. The Beatles were created by The Illuminati to brainwash the youth

No, John and Paul weren't just being cheeky. Apparently.

No, John and Paul weren’t just being cheeky. Apparently.

According to this theory created by some dude named Dr John Coleman, The Beatles were not an actual band. They were, in fact, formed by The Illuminati. Their songs and actions were written and scripted by their ‘bosses’ with the sole intent of brainwashing the youth. The Coleman dude supposedly “proves” in his book (yes, book) on the conspiracy that The Beatles were a “psychological operation” created by The Tavistock Institute. Their creation apparently advanced the Illuminati’s goal of creating a Brave New World-esque ‘New Age Movement’ which “introduced soft drugs to middle-class American youth” and brainwashed them into rebellion. Clues for this conspiracy include the above pictures involving devil-ish hand-symbols, the band’s shadowed faces on the cover of With The Beatles, ‘Lucy in the Sky with Diamonds”s supposed references to Lucifer (or Satan!)…

Now, I think this is fairly obviously a load of rubbish. Though I can’t exactly disprove it (nobody has actually come out and responded), so… 😉

4. ‘The Lennon Prophecy’

The conspiracy's book. Yes. Book.

The conspiracy’s book. Yes. Book.

Oh dear. I’d forgotten about this one. Basically, the entire theory resides on this: John, in a desperate attempt to become more famous than Elvis, made a pact with Satan on the 8th of December, 1960. This pact expired in 1980, hence what happened… The clues for this theory include John’s placement on the back cover of Sgt Pepper, the cover of Abbey Road, and many examples of backmasking. And why do these clues all sound familiar? Oh yeah, that’s right. They’re all Paul Is Dead clues, too. You can read more about this one here.

I think we can quite safely say that this, again, is a load of rubbish. I mean, if you’re going to create a conspiracy, at least be original about it!

5. ‘The Beatles, as they were presented to us, never existed’

"Proof" for John.

“Proof” for John.

This is my favourite conspiracy of them all… The Beatles never existed! They were, in fact, played by a heap of different clones over the years! And clones, of course, can only be 95% – 99% accurate. Don’t believe the “researchers”? Luckily for you, they’ve compiled a bunch of photo comparisons, showing differences in height and eyebrows. And ears. And eyes. And guess what? They’ve also created a forum, just so you can discuss this — and all the other conspiracy theories which are definitely true! (Not.)

This theory got a lot of publicity late last year (I think it went viral on Reddit). I just went onto the website to find a picture for this post, and the actual website no longer shows proof! The website now only shows a page telling the reader to ‘please conduct your own personal research before believing what anybody says about anything’, and how all the articles written about their theory last year are not true and are ‘hatchet-jobs’. But thankfully, the forum still exists, and all their research will forever be preserved there. (You can find the website and forum here.) Again, I think we can quite safely say this is not true. Clearly the “researchers” have never heard of shoes, differences in posture and the ageing process…

And there we go! Have you heard of a particularly crazy Beatles conspiracy? Don’t forget to tell me in the comments!

I will be able to post a lot more than I have been very soon, so I should get my next post up (the next installment of ‘My Beatles Record Collection’!) here in less than a week! Yay! But until then, good day sunshine 🙂

Some awesomely random little-known Beatles factoids…

Filming the music clip for 'Penny Lane'... I love this picture!

Filming the music clip for ‘Penny Lane’… I love this picture!

I’ve had this idea for a while, but I decided to type it up this week! Ever since I first got into The Beatles, I’ve been really interested in interesting bits of trivia concerning them, and today, I will be writing about a few of my favourites. Many of my sources will be from my Beatle-y book library, or from various websites. And if you have any interesting facts of your own, please send me a postcard/drop me a line in the comments below! But for now, here is my list…

  • The Beatles, at one point, were asked to do the voices for the vultures in the film adaption of The Jungle Book. John’s reaction when asked? “There is no way The Beatles are going to sing for Mickey [expletive] Mouse!” Apparently the vultures are still Beatles-inspired, though (I haven’t actually seen The Jungle Book…)
  • John, however, actually came up with a Beatles film idea! He wanted The Beatles to make an adaption of The Lord of The Rings! Apparently J R R Tolkien vetoed it, as he didn’t like the idea of The Beatles playing the characters in his books.
  • By now, it is well documented that none of The Beatles could read a note of sheet music. But Paul (always proud of this fact) was, in fact, the only Beatle who ever tried. He took a few music lessons from Jane Asher’s mother in the mid-60s, though gave up after a very short while due to lack of patience.
  • One of John’s dreams in life was to write a children’s book much like Alice In Wonderland (one of his favourite books!) when he was old and retired. Sadly, he never got the chance. 😦
  • It is rumoured that each verse in ‘Come Together’ is about a Beatle. The theory says that verse one is most likely about Ringo, verse two about George (though some say verse one is George and verse two is Ringo), verse three about John and verse four about Paul. Though no-one really knows if this is true.
  • The first time John wore his iconic granny glasses (excepting the times he was forced to wear them as a child, before he got his Buddy Holly frames) was in the scene in Help! where The Beatles are in the airport, about to head off to The Bahamas. It’s kind of funny how all four Beatles in that scene look the spitting image of what they would look like later on in their lives…
  • Whenever The Beatles played in America, one of their contractual obligations (requested by them, I might add) was that they were never to play to a segregated audience! How cool is that?
  • Both John and Paul had cats named Jesus.
  • In 1964, a song called ‘Ringo, I Love You’ was released by someone named Bonnie Jo Mason. Bonnie Jo went on to become Cher… And who produced that song, you ask? Phil Spector. Who of course has many Beatley connections himself.
  • There are two people who do the voice of “George” in Yellow Submarine. A guy named Peter Batten was the original voice, but he was arrested during the making of the film, and was replaced by another guy by the name of Paul Angelis (the voice of “Ringo” and the Chief Blue Meanie).
  • Ringo and his wife, Barbara Bach, have been together the longest out of any serious relationship involving a Beatle. Though Olivia and George were together 20 years, and Paul and Linda were together 29 (and they would probably all still be together)…
  • David Gilmour (of Pink Floyd) owns the drawing that inspired ‘Lucy In The Sky With Diamonds’.
  • You know that infamous John quote — “Ringo isn’t the best drummer in the world. He isn’t even the best drummer in The Beatles!”? John didn’t even say that. It was actually said by a comedian called Jasper Carrott in 1983.
  • George was the first person to use the word ‘grotty’! The ‘grotty shirts’ scene in A Hard Day’s Night was, in fact, the first time the word was used. For all you Americans, ‘grotty’ has remained a popular Briticism (and Australianism!) since.
  • Apparently Nico (of The Velvet Underground and Nico fame) was at Brian Epstein’s Sgt Pepper party. She listened to ‘A Day In The Life’, and thought that the first bit and the orchestral climax were beautiful, but that the “stupid little pop song” in the middle ruined it. She told this to Paul — whoops…
  • It’s rumoured that Jim Morrison was at the session for ‘Happiness Is A Warm Gun’, and that he sang on various parts of it. Though this has never been proven.
  • Brian Jones played on numerous Beatles songs! He sang on both ‘Yellow Submarine’ and ‘All You Need Is Love’, played oboe on ‘Baby, You’re A Rich Man’ and saxophone on ‘You Know My Name’. In turn, John and Paul sang on The Stones’ song ‘We Love You’.
  • Paul played bass on Donovan’s 1967 song ‘Mellow Yellow’.
  • Before John and Yoko bought Tittenhurst Park, John rented a flat in Montagu Square from Ringo. When John and Yoko moved to New York, Ringo bought Tittenhurst Park!
  • In 1979, The Guinness Book of World Records  gave Paul a rhodium-plated disc for being the bestselling artist of all time. Due to his immense sales, platinum was insufficient enough!
  • John was the last Beatle to learn to drive. He passed his driving test on February 15th, 1965, at the age of 24.
  • On ‘All You Need Is Love’, George and Paul experiment a bit, instrument-wise — Paul plays a double bass and George plays a violin!
  • And unsurprisingly, The Beatles are the best-selling artists of all time, with at least 2,303,500,000 certified units sold!

And there we go! Some interesting Beatles facts for you all! Have you got a favourite Beatles factoid, or did I leave something off my list? Please drop me a line in the comments below!

Hope you’ve all had a great week! Today is a public holiday in Adelaide, and I’m off to the third and final day of WOMADelaide in a few hours. I’ve seen some really great acts, like Swedish indie-folk act First Aid Kit, Welsh musician Gruff Rhys (who was in Super Furry Animals), blues virtuoso C W Stoneking and a really cool Adelaide band called Max Savage and the False Idols… Oh, and I’ve been changing the appearance of ‘AYNITB’ a bit! I’m still messing around with backgrounds and headers, but please tell me what you think… Good day sunshine ’till next week! 🙂

My Beatles Record Collection Pt. 6 – ‘Revolver’

This is the 'Rubber Soul' cover, unstretched and uncropped. Also just turns out to be one of my very favourite Fabs pictures... :-)

This is the ‘Rubber Soul’ cover, unstretched and uncropped. Also just turns out to be one of my very favourite Fabs pictures… 🙂

And ‘My Beatles Record Collection’ returns for another month… Part 6 already, eh? Doesn’t feel like it’s been going that long at all! But anyway, this month we have a particularly special album. In many circles, this deservedly-lauded masterpiece has taken over from Pepper as being regarded as The Beatles’ best album. It arguably began the trend of of “arty” album art. It made number 3 on Rolling Stone’s 500 Greatest Albums (though it topped the same magazine’s ‘Favourite Beatles Album’ readers’ poll). It turns out to be my favourite album of all time. Not to mention the fact that the creator of Mad Men paid $250,000 to feature the last track of this particular album on an episode of the TV show. Thus, I can only be referring to…Revolver!

Sessions for Revolver began in April 1966, after Brian Epstein’s plans for a third film were vetoed by The Beatles. (A third film would not be seen until the — depending on your view — masterpiece and/or complete disaster known as Magical Mystery Tour.) It was decided that the film would be replaced with the release of an LP, which would be one of only two new Beatles releases that year. During this time, The Beatles started using the studio almost like another instrument. EMI engineer Ken Townsend invented artificial double tracking whilst engineering the recording of the album. The album also marks the first time The Beatles went full-out psychedelic, with psychedelic elements evident on nearly every track. The album also included a backwards guitar solo on ‘I’m Only Sleeping’, the first “samples” on ‘Tomorrow Never Knows’, much baroque instrumentation on many Paul tracks on the album, revolutionary (and just dead awesome!) drum parts from Ringo on most songs and the first real crossover of Eastern and Western music on ‘Love You To’. It is also the only album in which the balance of power between John and Paul — from a tracklisting point of view — is completely equal, and marks the time when George really becomes a very talented songwriter. The album was almost ignored at the time of release — overshadowed by John’s ‘Jesus’ quote — was probably one of The Beatles’ least successful albums at time of release. But anyway, Sgt Pepper and Abbey Road are certainly the most iconic Beatles albums, but Revolver is probably the most revolutionary of them all. Though it is very much underrated by the general public, it is often regarded as the best Beatles album by many Beatles/music fans/experts. And very much deservedly so.

Revolver has been my favourite Beatles album since February last year (just before I bought the vinyl featured in this post), but this particularly came to light about seven months later. I remember listening to the album on this particular vinyl after school one night. I reckon it got to the solo in ‘I’m Only Sleeping’ before that particular listen affected me so profoundly that I would never think about The Beatles in the same way again. I read a study conducted mid last year that said that music can get the listener high, and I think that is what happened to me that night. Of course I had called The Fab Four my favourite band for over a year, but it was only then that, for the first time, I really knew what that meant. But anyway…

revolver 1

This is the cover of my LP. If you look closely, you’ll see that it’s a bit tatty to say the least. (There are a few rips in the spine, and bits of the cover have fallen off around the other edge, leaving only the brown cardboard underneath.) But I don’t really care. I think that it gives the record a bit of a story, a bit of charm.

revolver 2

This is the back cover of the album. (I really love the photo session from which the photo on the back originates! Bob Whitaker was so talented. And George’s jacket & John’s shirt are gorgeous.) As you can see, it — like the front — isn’t in particularly good condition, either. The vinyl has seemingly marked it over time. But oh well. The vinyl is an Australian pressing, as shown with the text along the bottom of the cover.

revolver 5

But it’s not just any Australian pressing — it’s a first Australian pressing! One of my only two first Australian pressings, I might add. (Though I recently obtained a third-pressing black-and-gold Please Please Me that I’ll have to go back and do after I’ve finished the studio albums.) The backflaps have a glossy finish much like the front cover, which is contrast to the matte finish of the back. And on a different note, have a look in the right-hand corner — where the catalogue number is on all UK pressings. There, you will see two catalogue numbers; one for the mono pressings (PMCO 7009) and one for the stereo (PSCO 7009). The actual catalogue number is on the label of the actual record, so you’ll see in a couple of photos down whether it is in mono or stereo…

revolver 3

Here’s the actual vinyl. There are quite a few light scratches on both sides, but the record plays near perfectly. Also note the black-and-gold label! The vinyl is probably one of the heaviest in my collection, due to it’s first-pressing-status. Maybe why it plays so beautifully… (But then, the album is — in my opinion — the most beautiful album ever released. I’m not sure it would matter that much to me whether it crackles or not.)

revolver 4

Close up of the label. And the catalogue number is PMCO 7009, meaning that it is in mono! Yay! First-pressing, Australian and mono! (Though it doesn’t have “remix 11” of ‘Tomorrow Never Knows’, as they were only found on the British first pressings.) The original owner has seemingly scribbled their name on the yellow ‘PARLOPHONE’ title — P Bunn. P Bunn looked after their album quite well, I must say.

And there we go! ‘MBRC’ for another month! Next month, tangerinetrees will be focusing on the very first Beatles compilation album, with arguably one of the coolest covers ever designed…

Oh, and I went busking with my guitar on Wednesday, and made $8.70AUD. I also got stuck with a man who tried to sing the various Beatles songs I was playing, but couldn’t really sing. But oh well. $8.70 is a lot more than most artists earn on Spotify. It was a good experience.

Until next post, good day sunshine! 🙂

My Favourite Beatles Covers

The Beatles filming the promotional videos for 'Rain' and 'Paperback Writer' -- also hiding behind cellophane... The back cover of 'Revolver' is from the same group of shots.

The Beatles filming the promotional videos for ‘Rain’ and ‘Paperback Writer’ — also hiding behind cellophane… The back cover of ‘Revolver’ is from the same group of shots.

When I first became a Beatles fan, I hated Beatles covers more than I hated One Direction. I vehemently detested them. But as I slowly realised that I was being rather hypocritical as I was making really bad (Really. Bad.) covers myself using the Smart Instruments on GarageBand (this was before I started playing guitar), I began to appreciate good Beatles covers more and more^. And over the past few months, I’ve discovered that plenty of my other favourite artists have done Beatles covers. And now I really love listening to reinterpretations of some of my favourite songs! I decided today that I would compile a list of my favourites, an idea I’ve had for a while, and so here it is. I’ll start off with my favourite Beatles cover of all time…

‘She Said, She Said’ — The Black Keys

This gem came off The Black Keys’ — made up of Dan Auerbach (guitar and vocals) and Patrick Carney (drums) — very first album, The Big Come Up, which was released in 2002. (The album was recorded in the basement of the house that Carney rented, by the way.) ‘She Said, She Said’ is my favourite Beatles song, and I love how the Keys turn the psychedelic masterpiece into a wonderful bluesy rocker. The guitar is amazing, and Auerbach’s distorted vocals match the style very well. This was also the song that introduced me to The Black Keys in the first place, so I have two things to thank it for! This is not the first time the Black Keys have been mentioned on this blog, and it certainly won’t be the last…

‘Run For Your Life’ — Arcade Fire

This is a live cover, but it’s still damn good, in my opinion. It highlights the heaviness of the original (something which isn’t really shown all that much) and they really rock it. Well done, Arcade Fire. (Arcade Fire are an indie pop/rock band from Canada, by the way. They rose to notoriety with their first album, Funeral, though I think the 2010 The Suburbs is their best.)

‘I Saw Her Standing There’ — Edward Sharpe and The Magnetic Zeroes

Sort of a bluegrass reinterpretation of the first song off The Beatles’ first album, I really like this cover. Edward Sharpe and the Magnetic Zeroes (an indie folk band from Los Angeles) covered this song as a part of an album titled Beatles Reimagined. As with The Black Keys’ cover of ‘She Said She Said’, Edward Sharpe’s (a.k.a. Alex Ebert) voice really lends itself to the style of the cover. A job well done, I must say.

‘Oh! Darling’ — Florence and the Machine

I found this cover whilst bumbling around YouTube one day, and it’s really good! Florence and the Machine stay quite faithful to the original, but Florence Welch’s amazing voice gives the song an entire different feel. The lead guitar runs with that awesome reverb are also really enjoyable… 🙂

‘Hey Bulldog’ — Dave Grohl

This cover came out of a certain Grammys tribute from about a year ago (was it really that long ago?!), and this is definitely my favourite cover to originate from the night. Dave and the backing band really rock one of my favourite Beatles songs out really hard. Those drums, the guitar, the keyboard… It almost could be a Foo Fighters song!

‘Happiness is a Warm Gun’ — The Breeders

The only Breeders song I’ve heard is this particular cover, but it certainly makes me want to go and check out more of their stuff! This cover gives the song a more grungy feel, though — as with Florence and the Machine — still stays quite close to the original. And a female singer! Yay!

‘I Wanna Be Your Man’ — The Stones

Is this really a cover, or is it not? Of course, John and Paul wrote it, but The Stones released the song first. For the purpose of this list, I’ll call it a cover. But anyway, The Stones’ version of this song has the distinction of being the only Beatles cover I prefer to the original, though The Black Keys’ cover is my favourite cover. (Sorry, Ringo.) That really awesome slide guitar shows how good a lead guitarist Brian Jones was. (I wish I could play like that!) And Mick Jagger’s vocals are completely wild. Really groovy version. (This was also the song that gave The Stones their first hit. George recommended them to Decca after good ol’ Dick Rowe of the same record company told Brian Epstein a couple of years earlier, ‘Guitar groups are on the way out, Mr Epstein…’ Hmm… No comment.)

And finally, the last cover…

‘Dear Prudence’ — Siouxsie and the Banshees

I have many music-related things to thank my mum for. (Introducing me to The Velvet Underground and The Violent Femmes would be two examples.) This cover is another example. Almost a year ago, I was listening/playing ‘Dear Prudence’, and Mum remembered that Siouxsie and the Banshees had covered it. We played the cover on YouTube. I believe it was the first Beatles cover I ever liked. So thank you, Mum!

And so here we go! Got any other Beatles covers you like? Feel free to use the comments section below! And ’till my next post, good day sunshine! 🙂

^ Of course, there are still some really bad ones — not mentioning any names, *cough*OneDirectionJustinBieberMileyCyrusblahblah*cough*…

A Mad Day Out!

In The Beatles' fandom, we don't have 'Where's Wally'. We have 'Where are The Beatles'.

In The Beatles’ fandom, we don’t have ‘Where’s Wally’. We have ‘Where are The Beatles’.

Sorry for not posting in over a week! I’ve been holidaying in Melbourne (involving lots of shopping, more additions to my Beatles t-shirt/vinyl collection and a Jacqui Lambie sighting!) since Saturday, and got back a couple of nights ago, but I’ve found some time to post today. And by the way, welcome to 2015 on ‘All You Need Is The Beatles’! I’ve got a feeling the next 12 months are going to be really awesome for this blog, with heaps of Beatle-y posts as usual, plus some stuff on a few of their contemporaries & some stuff on the 21st-century indie music scene. Not to mention the month-long first birthday party for this blog to be held in June… 🙂 But alas, here is a post I started a few weeks ago and decided to finish today!

Whilst there are a heap of instantly recognisable photos taken of The Beatles pre-Sgt. Pepper/White Album (most of which are taken by an insanely talented man who was the band’s official photographer from 1964-1966 & lived in Melbourne where he hung out with the likes of Germaine Greer, Mirka Mora, John and Sunday Reed and Barry Humphries/Dame Edna/Les Patterson for a few years before that, Bob Whitaker), arguably the most iconic behind the Abbey Road photoshoot (and perhaps the Sgt. Pepper one, too) is one of the band on July 28th, 1968. John, Paul, George and Ringo were in the midst of the White Album Sessions. They weren’t getting on so well. But they clearly got on well on this particular day… The day of the Mad Day Out photoshoot! Below are some of my favourite images from that day (and some not-so-serious captions… 😉 ) — enjoy!

John is wearing his Apple Rooftop coat! (Well, it was actually Yoko's...) And their poses create a groovy effect...

Gorgeous coats, John and George. Where can I purchase garments of such a variety? (“Well, you would need a time machine, for one… Or more money than you’ll probably accumulate in your entire life…”)

Hiding in the hollyhock...

Hiding in the hollyhock…

Boy, you've been a naughty boy(s)...

Boy, you’ve been a naughty boy(s) / you let your face grow long You sat on the grass when you have clearly read a sign telling you to do the exact opposite…

Whistling and Martha (perhaps John is whistling 'Martha My Dear'? Oh wait -- the song didn't exactly exist at that point in time, and John didn't exactly play on the song either, so...)

Whistling and Martha (perhaps John is whistling ‘Martha My Dear’? Oh wait — the song didn’t exactly exist at that point in time, and John didn’t exactly play on the song either, so…)

Iconic image! See -- I told you so... ;-)

Don McCullin (the photographer): “Y’know, boys, this picture I’ve just taken. I’ve got a feeling that this’ll become one of the most iconic images taken of you.” The Beatles then shake their heads: “Nah, Don. We’ve still got that picture of us walking across that zebra crossing to be taken in a year.”

'GET OUT!'

‘GET OUT! WE DON’T WANT NO CAMERAS!’

'This is a very rare parrot of the...um...er...well...SQUAWKING variety,' say the two leading parrot experts, John Lennon and Paul McCartney.

‘This is a very rare parrot of the…um…er…well…SQUAWKING variety,’ say the two leading parrot experts, John Lennon and Paul McCartney.

Aww! And...

Aww! And…

Aww, again! Anyone who thinks that The Beatles hated each other need to take a look at these pictures...

Aww, again! Anyone who thinks that The Beatles hated each other need to take a look at these pictures — they were clearly very close.

Yo we's is da Beatle gansters! (Or perhaps how The Beatles would introduce themselves if they really were gangsters...)

“Yo. We’s is da Beatle gansters!” (Perhaps how The Beatles would introduce themselves if they really were gangsters…)

The man in the above picture has now started an exclusive internet forum dedicated to those who involved themselves in The Beatles without knowing. Notable people who've refused to join include the man on the cover of 'Abbey Road', a masterpiece recorded by (according to him) 'four kooks'.

“The man in the above picture has now started an exclusive internet forum dedicated to those who involved themselves in The Beatles without knowing. Notable people who’ve refused to join include the man on the cover of ‘Abbey Road’, a masterpiece recorded by (according to him) ‘four kooks’,” reports the deadly serious blogger, tangerinetrees99.

No, you four. I don't think it's possible to swim through concrete...

No, you four. I don’t think it’s possible to swim through concrete…

And finally, my favourite picture from 'Mad Day Out'! Peeping out from behind that hollyhock...

And finally, my favourite picture from ‘Mad Day Out’! Peeping out from behind that hollyhock…

And there we have it! Got any more Mad Day Out pictures/funny captions you want to add? Feel free to put them in the comments below… I’ll get back to doing more musically-orientated posts next time, but today I felt like showcasing one of the most famous photo sessions arguably of all time. And by the way, this is tangerinetrees99’s 50th post! Woo hoo! Until next post, good day sunshine! 🙂

P.S. And thank you to Quirky T for mentioning ‘AYNITB’ in their latest post! You can check out their awesome blog — all about music! — at https://guitartrain.wordpress.com/!

Nine Underrated Beatles Songs

The sun is up, the sky is blue... (It looks a little cold, though!)

The sun is up, the sky is blue… (It looks a little cold, though!)

Today I thought I’d do a bit of an essential post for a Beatles blog; my list of what I think are the most underrated Beatles songs! Many people who know me (either in real life or online) will know that my favourite Beatles songs are the slightly less known ones. (And yes, I do realise that’s a very hipster-ish thing to say. I don’t mean it that way.) And I chose the number nine ‘cos, well… And as with the post I did on my favourite Beatles songs nearly seven months ago, this is only a small selection of my opinion. And it’s only my opinion. But alas, here is the list, in no particular order!

‘I Call Your Name’ (Long Tall Sally/Past Masters — 1964)

This song was only released on a now relatively obscure EP, which saddens me. (Apparently it was kept from A Hard Day’s Night because it sounded too similar to ‘You Can’t Do That’. Which I also love.) It’s such a rockin’ little groover that’s too often not recognised. I especially love the rhythm guitar (it’s almost a kind of ska beat! John really was a genius…), that riff that kicks off the song and John’s vocals. I feel it kind of shows the direction in which The Beatles were headed (i.e. slightly harder rock than, say, the poppy Merseybeat of ‘I Want To Hold Your Hand’), and I find it a really good song to rock out to. Ahh, the joys of being a Beatles fanatic…you get to know really awesome songs like this! (The Mamas and Papas also did a fine cover of this song, which I really like.)

‘Yes It Is’ (B-side to ‘Ticket To Ride’/Past Masters — 1965)

Gosh, those harmonies! As much as I love the ‘I Want To Hold Your Hand’ B-side ‘This Boy’ which is somewhat similar (John claimed in 1980 that the former was meant to be a rewrite of the latter), I prefer ‘Yes It Is’. (And ‘This Boy’ isn’t actually all that underrated compared to other Beatles songs, which defeats the point of this list.) There are some quite interesting chord progressions (especially near the end), and I also especially love that volume pedal that George is using on his guitar — ‘Yes It Is’ (and ‘I Need You’, from Help!) were two of the first examples of pedal usage, in fact! But those gorgeous John/Paul/George harmonies always take the cake, for me — those three could sing like angels!

‘Happiness Is A Warm Gun’ (The Beatles — a.k.a. The White Album — 1968)

 

Okay, so I admit this song is far from underrated within the Beatlemaniac community, but the general public are somewhat deprived of this masterpiece. As someone online once pointed out, it’s a cult classic. So we shall refer to it as that. But anyway, this song is an utter masterpiece. To quote some YouTube comment contributor, the structure covers the history of rock’n’roll, to an extent. John’s vocal range is on full show, here, with him reaching from a G2 to a C5. And we all know about my great love of the guitar solo at 0:44! The time signatures are absolutely incredible, also — especially for someone with no formal musical training. I got Hunter Davies’ new book for Christmas, and the manuscript of this song has the times written next to the appropriate lyrics; I found this particularly interesting. Something that makes this song even more interesting, though, is the rumour that Jim Morrison supposedly met John at Abbey Road during the recording of this song, and sang on the ‘Mother Superior jumped the gun…’ bit. I’m not sure as to whether there is any truth to this rumour, but it would be very cool if there was…

‘Long, Long, Long’ (see above)

Buried deep in The White Album — just after the cacophonic, proto-metal ‘Helter Skelter’ and ending Side 3, if you’re listening on vinyl — ‘Long, Long, Long’ isn’t all that well-known. I think it’s beautiful. From the gentle strum of the guitar to the slightly weird (in a very, very good way!) ending, I declare it one of my fave White Album tunes. I reckon George is one of the most underrated songwriters of all time.

‘Old Brown Shoe’ (B-side to ‘The Ballad of John and Yoko’/Past Masters — 1969)

As with ‘I Call Your Name’, it almost seems that nearly nobody knows this song. Many fanatic Beatlemaniacs know it, but you really can’t have been a casual fan to have heard it. Or is that so? Whilst I was still being introduced to The Beatles via a friend way before I even owned an album, she discovered this song on The Blue Album, so I suspect it might have been one of the first Fab songs I heard. But then, I only listened to it properly in July and had basically no recollection of it, so… But anyway, this is another George composition. A flat out rocker. That bassline must be one of the best in rock history (George played it, believe it or not), and that solo is stellar. The lyrics are quite interesting as well.

‘For You Blue’ (Let It Be — 1969/1970)

A groovy twelve-bar originating from the ill-fated Get Back Sessions, and yes, it’s written by George. The lyrics aren’t mind blowing but George sings them really well (the switching between normal singing and falsetto!). And I really, really love that slide solo done by John. A fun one to strum out to on guitar (and to jam over, as well).

‘The Night Before’ (Help! — 1965)

I still remember the first time I heard this. November 2013, the night after receiving the Help! DVD my mum had ordered. I remember dancing rather madly to it whilst trying to watch the screen. (Help! is my favourite Beatles film, by the way.) A week or so later, we had a fair at my school with a karaoke station. Guess what song I did? And that night, we bought my first collection of vinyls — The Beatles Box. I listened to Disc 3, Side 2 as soon as we got home, just so I could hear this song. One of Paul’s fine compositions, I think. I especially love John’s rockin’ electric piano (which I can play!) and the vocals — from all parties. Not to mention that I love the Salisbury Plains scene in the film mentioned above…

‘She’s A Woman’ (B-side to ‘I Feel Fine’/Past Masters — 1964)

Another B-side. Another amazing song. Okay, the lyrics are rubbish, but check out that rhythm guitar! It’s almost overdriven…and that rhythm (x2x4) is seriously cool. Not to mention Paul’s “Little Richard” vocals…!

‘You Never Give Me Your Money’ (Abbey Road)

As with ‘Happiness Is A Warm Gun’, ‘You Never Give Me Your Money’ is a cult classic in that it is not completely unknown but it’s popularity pales in comparison to that of, say, ‘Hey Jude’ or ‘Let It Be’. (I will safely assume that this song would have been much like those mega-hit Beatles tunes if it had been released as a single.) ‘You Never Give Me Your Money’ is could also be called Paul’s ‘Happiness Is…’ whilst referring to the fact that it, too, is made up of different sections (the almost-classical piano “concerto”, the boogie-woogie doo-wop, the heavier guitar solo/’one sweet dream’ and the ending guitar motif/’One, two, three, four, five, six, seven’). My favourite of these is definitely the guitar solo at 2:10, plus the ‘One sweet dream’ part it leads into. This song marks the beginning of the ‘Abbey Road Medley’ quite fittingly, as the song itself is almost a medley within itself.

And that’s my post for tonight! What do you think are The Beatles’ most underrated tunes? Feel free to drop me a line in the comments. Oh, and today is the last day of 2014 for me, so I’ll take this opportunity to wish you all a very happy new year and all the best for 2015. Good day sunshine for now! 🙂

Haddy Grimble* to y’all! (A Christmas post…)

very odd

Well, it’s that time of year again. Christmas time, in case you haven’t noticed. It’s Christmas Eve down here in our rather large, isolated corner of the globe known as Australia, so I decided I should do a post wishing all my followers a very haddy Crimble and a merry New Year**!

Most of you who are reading this might be freezing in the Northern Hemisphere, and experiencing a White Christmas! But it is Summer in Australia, and as usual, Christmas in Adelaide will be in the mid-twenties. (Which is surprisingly cool for Summer…) And I haven’t been in a very Christmassy mood this year. We only put up a few Christmas decorations on the weekend. I haven’t listened to any Christmas songs of my own will, excepting The Beatles’ Christmas Records and ‘Happy Xmas (War Is Over)’. Bah humbug. But anyway, I thought I would prove I am not the Grinch in disguise and do a post on how to celebrate a ‘All You Need Is The Beatles’-style Christmas with an ‘All You Need Is The Beatles’-style Christmas playlist! So here goes…

Those of you who've watched 'George Harrison: Living In The Material World', you'll remember that story about the Apple Christmas Party and the Hells Angels. (Google it.) This is from the same event...

Those of you who’ve watched ‘George Harrison: Living In The Material World’, you’ll remember that story about the Apple Christmas Party and the Hells Angels. (Google it.) This is from the same event…

 

‘Christmastime (Is Here Again)’ — The Beatles!

A Beatles Christmas song! With Beatle harmonies! Yay! tangerinetrees’ perfect Christmas song…

For those of you who don’t know anything about this song, The Beatles released Christmas records every year. But these records were only available to their fan club. This song is from the 1967 Christmas Record, which was originally about seven minutes long. This edit was used in 1995 as the B-side to ‘Free As A Bird’. The Smithereens did a very enjoyable cover, which I will post below:

 

‘Happy Xmas (War Is Over)’ — John Lennon

Hands down my favourite officially released and easily obtainable Christmas song! (The above is my favourite of all time.) The song was based off a 1969 Johnandyoko campaign using billboards reading ‘WAR IS OVER!’ in 11 cities. The mantra chanted by the children’s choir/Yoko is all the more relevant today — war will be over, if we want it. Clearly the governments don’t want it to be over…

But on a less serious note, I need to deal with the subject of Yoko. So Yokes, I love your contemporary art, and I think you were a great influence on John, but you and singing… Erm, you and “singing”… Let’s just say that I wouldn’t encourage to give up your day job.

John sings wonderfully, though. In fact, ‘Happy Xmas’ is one of my favourite Lennon vocals. (Among everything else he ever sang! 🙂 )

‘Wonderful Christmastime’ — Paul McCartney

Okay, so this isn’t exactly Paul’s best. (And yes, I like Wings a lot more than I did six months ago. ‘Band On The Run’, ‘Mrs Vandebilt’ and ‘Call Me Back Again’ are three of my favourite songs. And pretty much all of their good songs are really dance-able.) Yes, it’s a bit cheesy. Yes, I think the lyrics are a bit limited. But anyway, it’s Christmas. And it’s Paul. I’d rather listen to Paul sing a bad Christmas song than, say, Wham! (*shudders*). And I guess I do like this song. 🙂

‘Oh, Little Town Of Bethlehem’ — Belle and Sebastian

Belle and Sebastian are a Scottish indie-pop band that wrote one of my favourite films, God Help The Girl. And they did a Christmas hymn! And it sounds good! Festive sounding guitar…

The Yeah Yeah Yeahs — ‘All I Want For Christmas’

I’ve just started to get into The Yeah Yeah Yeahs, and I found this whilst trying to find a nonexistent Black Keys Christmas cover. (The Black Keys are one of my other favourite bands, by the way.) I dig it! Christmas songs sound strangely good when recorded indie-style…

The Kinks — ‘Father Christmas’

I love The Kinks. And whilst I’d rather listen to ‘All Day and All Of The Night’ or ‘Sunny Afternoon’ than I would the above, I have to admit that it’s pretty damn good for a Christmas song. The overdriven guitars are pretty awesome, too.

‘Jingle Bell Rock’ — Arcade Fire

Arcade Fire sound drunk, but I don’t really care. I really like Arcade Fire, and this is just how I’d imagine an Arcade Fire Christmas song to be.

(And finally…)

The Beatles’ Christmas Records!

Every year from 1963 to 1969, The Beatles recorded a short “Christmas record” which was distributed among their fan club. I’ve already posted part of their 1967 Christmas record above, but here are all seven in their entirety. My personal favourite is the 1966 record known as ‘Everywhere It’s Christmas’, which begins at 15:40. But I, of course, enjoy all of the records… John’s wit is in full bloom, and George is also very, very funny. They must have had a lot of fun making these records!

And there you go! tangerine’s Christmas playlist in a (you guessed it) nutshell! And now I’ll take the opportunity to wish you all a merry Chrimble, haddy Grimble and a festal Christmas! Hope you all have a really gear holiday season. Good day sunshine until another day 🙂

*No, I have not lost my ability to spell. I’m referencing a poem in one of John’s books — In His Own Write — called ‘Haddy Grimble, Randoob!’

**Referencing The Beatles’ 1963 Christmas record.