My Beatles Record Collection Pt. 8 – ‘The Beatles’ (aka The White Album)

Last year, there was an awesome art installation made up entirely of hundreds of White Albums. I didn't get to see it (I don't think it came to my city), but it looked really cool...

Last year, there was an awesome art installation made up entirely of hundreds of White Albums. I didn’t get to see it (I don’t think it came to my city), but it looked really cool…

For Part 8 of this series of posts, it is only fitting that the Beatles album released in 1968 is the focus. That album being, of course, a very famous double album. It’s called The Beatles. But most call it the White Album! The White Album is one of The Beatles’ most well-known releases, and is famous for its unconventional, inconsistent musical style and its nearly-all-white cover. It made number 10 on Rolling Stone’s ‘500 Greatest Albums of All Time’,and number 4 on my ranking of The Beatles’ albums last year. (If I redid the ranking, though, it would probably make number 2 now!)

Apart from arguably being the weirdest album in the history of music (in the absolute best way possible!), The White Album is famous for a few other things. The sessions for the double album marked the first time that the relationship between The Beatles became particularly strained. John, Paul and George would often inhabit three separate studios in Abbey Road, each doing their own separate overdubs for their own separate songs… Ringo quit the band for a few of the early sessions, but was convinced to return by the other three. A few songs on The White Album also “inspired” Charles Manson and his “family” to commit the despicable things that they did… (But that was by no means The Beatles’ fault. It is truly horrible that the wonderful songs that Manson chose to associate himself with will forever be stained by his actions.) Oh, and it includes ‘Revolution 9’. However, the album was one of the earliest rock double albums. It also contains some of the (arguably) greatest songs ever, like the proto-metal of ‘Helter Skelter’, the tender and beautiful ‘Julia’, ‘Dear Prudence’ and ‘Blackbird’, the Eric Clapton solos of ‘While My Guitar Gently Weeps’, the satire of ‘Piggies’ and ‘Glass Onion’, the first Ringo-penned tune (‘Don’t Pass Me By’), and the all-round awesomeness of wonderful songs like ‘Happiness Is A Warm Gun’, ‘Yer Blues’, ‘I’m So Tired’… Not a bad piece of work, boys!

The White Album is also famous for its packaging. The cover is almost completely white, with the band’s embossed name being the only graphic on the front cover. That is, unless, one has a first-edition White Album. Then one would also have a number on the front, telling them what number White Album they own. Numbered WAs are particularly coveted by collectors… Original pressings also included four head-shots of each band member, and a poster with a collage of Beatles pictures on one side and the lyrics for every song. These posters were originally censored, as pictures of John and Paul naked are included on the uncensored version…

My White Album is my only other first-edition Australian vinyl (along with Revolver). In my opinion, two wonderful pleasures in life are listening to those albums on first-ed vinyl… But anyway, here is my White Album!

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Okay. Perhaps my White Album should really be called the White-with-a-coffee-stain Album. Its previous owner/s clearly mistook it for a coaster… Much like my Revolver, the cover is particularly tattered. Not that I care, though. If you look closely, you can see the embossed ‘The BEATLES’ logo. And if you look even closer…

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YES! I have a numbered White Album! I have the the 26,357th Australian White Album made. In Australia, the very early White Albums were numbered with the prefix ‘A’. Numbering went up to about the 3,000,000th WA, too. So I have a relatively low number! Due to the bad condition of the cover, it only cost me $30 AUD. And all the other numbered White Albums I have seen around here have been over 1,000,000 numbers higher. So tangerinetrees99 is a very, very lucky girl!

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This is the top of the back cover. The back cover is completely white, except for that little ‘STEREO’ stamp in the top right-hand corner. Australian stereo White Albums were made in the US, so it is slightly less rare than the UK-made Aussie mono pressings (which apparently only sold around 5,000 units). But I really don’t care!

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This is the gatefold of my album. As you can see, the spine is falling apart, sadly. On the left-hand side of the gatefold, the track-listing is written down in grey text. And on the other side, the head-shots that would have originally come with the album are pictured in black-and-white. My White Album would have originally come with the poster and headshots, but these have been lost somewhere before it reached me… Oh well!

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(The track-listing. What is your favourite song on the White Album? Tell me in the comments!)

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(The headshots!)

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These are the inner sleeves of the two discs. Again, I’m a very lucky girl, as they are the original inner sleeves! As you can see, the sleeves were originally black, probably as some kind of ironic joke! They are falling apart, but I don’t care! They still do a good job of keeping the vinyl protected…

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These are the discs, themselves. The White Album was the first proper Apple Corps release in Australia, as the ‘Hey Jude’/’Revolution’ single was released on both Apple and Parlophone, here.

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And a close-up of Side 1. As you may be able to see, the discs are severely scratched. But they play surprisingly beautifully! Really. Beautifully. The scratches are light enough so that the needle doesn’t skip, and though it crackles a bit, our record player crackles a lot, full stop. There is nothing quite like listening to The White Album on first edition vinyl. It really is an album that needs to be played loud through a good sound system, on an originally-pressed vinyl. Just the way The Beatles intended…

And there is my copy of my second-favourite Beatles album! Next month, I will return with one of the very last studio albums in the series…

Hope you all have a great Easter break! Tomorrow, I’m going to a music festival, which should be heaps of fun… And I’m now on school holidays! Yay! You should be seeing me a little more ’round here than usual. But ’till next post, good day sunshine! 🙂

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My Beatles Record Collection Pt. 7 — ‘Magical Mystery Tour and Other Splendid Hits’

I have always loved the fish-eye lens pictures from The Beatles' brief trip to India in 1966 with a passion. And I think I may have just found my favourite!

I have always loved the fish-eye lens pictures from The Beatles’ brief trip to India in 1966 with a passion. And I think I may have just found my favourite!

And so it is the 1st of March… Happy Autumn (or Spring, if you’re in the Northern Hemisphere)! In Adelaide, the month of March (or really, mid February ’till the end of March) is Festival Season. We have lots of music and arts festivals at this time of year, and it is a really awesome place to be! Tonight, I’m going to see a stage production of The Who’s Tommy (as a part of the Adelaide Festival), and next weekend I will be spending three days at WOMADelaide (a world music festival, with the best food, iced tea and shops, too!)! And in unrelated news, we are playing a Beatles medley in my school concert band! Yay! But onto the post…

‘My Beatles Record Collection’ is back — late… Sorry about that. But alas, this month I will be focusing on a The Beatles’ studio album which never really was a proper studio album — Magical Mystery TourMagical Mystery Tour was released (ironically) on December 8th, 1967, as the soundtrack to the ill-fated “film” of the same name (which I have only watched once. I didn’t hate it, but it was a bit odd…) In countries on which The Beatles were released on Parlophone, it was released as a double EP, complete with a fancy booklet and fancy packaging. But in the land of good ol’ Captiol Records (America), it was released as a full length LP along with the Beatles’ singles from ’67, because EPs were apparently “useless” at that point in time. But anyway, due to its different release methods, it is often debated between Beatles fans as to whether it should be included in the core discography or not. Ever since the ’87 remixes, EMI has included along with the core selection as a studio album as the material was never available on an actual studio album. But I am in the latter camp. Magical Mystery Tour, to me, is a Captiol compilation of a similar ilk to pretty much any Beatles album released in America before Sgt. Pepper. But oh well. As an album, some of the tracks include ‘Flying’, ‘Blue Jay Way’ (my favourite song on the album!), ‘Strawberry Fields Forever’ and the famous ‘I Am The Walrus’ (goo goo g’joob). I’d say it is just as mad and psychedelic as Pepper, and I love mad psychedelia! 🙂

America was not the only place to have a Magical Mystery Tour LP, however. In 1970, the same album was released in Australia, under a slightly different title of Magical Mystery Tour and Other Splendid Hits. But it was not released on Apple, or Parlophone. It was released on a label named World Record Club (exclusively in Australia, according to the back!), which was a mail-order catalogue type thing. I obtained my copy in a cool record shop in Melbourne back in July, and apparently they are quite rare!

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This is the front cover. Note how it is so different to the US/official cover which we all know so well! The picture is a still from the ‘I Am The Walrus’ scene of the film. The font of the title is different, too. But then, the actual title itself is different too, so…

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This is the back cover (obviously!). I actually like the back cover, as it makes it clear to the listener which songs are from the film, and which ones are “other selections”. I find it interesting how some quirky pieces of text which are synonymous with the original EP/LP — like the “‘No, you’re not!’ said Little Nicola” bit underneath ‘I Am The Walrus’, and the production being credited to ‘Big George Martin’ — are included on the back of this version, too! Oh, and that little star in the top right-hand corner says ‘STEREO’, by the way. By the time that MMT was released in Australia as an LP, mono had long been not used for albums. The Beatles were in fact the first popular band to utilise stereo, as far back as Please Please Me. Funny to think how all The Beatles’ albums were packed in between 1963 – 1970. Amazing…

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This is the vinyl itself! The inner sleeve is quite interesting, as it is made of quite thick, translucent plastic — as opposed to the paper or flimsier, transparent plastic inner sleeves of the Parlophone/Apple releases. You can see the WRC record label here, too. According to Wikipedia, WRC was actually owned by EMI from 1965 onwards — which would explain why the inclusion of a Beatles album in one of those mail order catalogues (they usually weren’t included).

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A close-up of the label. The actual text isn’t that different to what one would discover on a regular Beatles release label, though of course the label itself is. Apparently WRC felt a need to point out that it should spin at 33 1/3 RPM…

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And a close-up of the vinyl! It’s in really, really good condition — near mint, actually! The vinyl is still very shiny — to the point where I had to have a few goes to try and not get my iPad reflected on the vinyl! And for a record made in 1970, the vinyl is quite heavyweight. (A lot heavier than the flimsy ‘orange label’ reissues of the same time, anyway…) It plays really well, so I am pleased!

And there we go…done for another month. I am especially looking forward to doing this month’s ‘MBRC’, as it is time for a very special double album. And I am lucky enough to have an equally special pressing of this album…

Oh, and yesterday (February 28th) would have been the 73rd birthday of my favourite Stone, Brian Jones! Lately, I have been doing a lot of reading on Brian (and The Stones). Amongst other things, Brian was a huge influence on The Stones in the early days, and he was an amazing multi-instrumentalist who made many good Stones songs great. I shall write a proper post about him at some point in the future, but for now, I shall post a few pictures of him below. Happy birthday, Brian!

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I’ll go back to my normal blogging schedule next week, I think. I have a great Beatley idea which has been in the works for a very good while, and it shall see the light of day next week! But until then, good day sunshine 🙂

Review of a Recent Release: ‘The Velvet Underground’ 45th Anniversary Deluxe Edition (CD format)

The album in question. Definitely worth purchasing if you love the VU!

The album in question. Definitely worth purchasing if you love the VU!

Today I thought I would do a non-Beatley post (don’t worry — I’ll go back to my usual muses next post!) centering around the most recent re-release of one of my other favourite band’s four albums. And that band, you ask? Why, the Velvet Underground!

If you have never heard of the Velvet Underground, they are a highly influential band from 1960s New York. Whilst they were barely known at the time when the band was still together, they are now recognised as one of the most innovative bands ever (especially in the punk and indie genres). The band consisted of Lou Reed (vocals, guitar), John Cale (electric viola, piano, bass — among other things), Sterling Morrison (guitar) and Maureen Tucker (drums/percussion). John Cale — despite being one of the two founding members — was kicked out of the band by Lou Reed and replaced with Doug Yule.

The Velvet Underground is the Velvets’ penultimate album, preceded by the Andy Warhol-produced masterpiece The Velvet Underground and Nico (which featured German singer/musician/actress/model Nico on vocals for four tracks) and the protopunk White Light/White Heat, and followed by the more commercial Loaded. It was the band’s first group minus John Cale, and is particularly known for influencing indie bands in later years. Two of its better-known tracks include ‘Pale Blue Eyes’ and ‘Candy Says’.

This year, the album celebrates its 45th birthday. As with all the other Velvet Underground albums, The Velvet Underground was re-released on its 45th anniversary in both a ‘deluxe’  format (a double-disc CD with a booklet) and a super deluxe format (the very-expensive six-disc package with an actual book, also being available on vinyl). My mum and I were in JB Hi-Fi (the big entertainment shop in Australia — I don’t like the place nearly as much as I like the second-hand record stores and indie retailers littered around Adelaide, but if the place sells music, what is there — asides from cash — to lose?!) the other day and I discovered the deluxe CD hidden between a VU best-of and Loaded. It became one of the many CDs we have bought at that place within about a week… 😉

The two discs and booklet come nicely packaged in a matte-finish three-way-gatefold CD case. The front cover is identical to the original release (excepting a translucent sticker running across the bottom reading ‘DELUXE EDITION’), however, the back is only the tracklisting/credits in a fairly stock standard font on a fairly stock standard background (still looks effective, though.) The gatefold features images of the original tape labels (underneath the two discs) and a picture of the band recording the album. The booklet slides nicely into the middle slip of the gatefold (on top of the latter image). It discusses the background, making and success of the album, and –separated by more pictures of the band — also the live aspect of The Velvets. I found the packaging really appealing; the inclusion of a booklet and the three-way gatefold reminds me of the packaging of the 2009 stereo (Beatles — did you really need to ask?) remasters!

And as for the discs themselves…Disc One is the album itself. But there are two mixes of the album! The one used in the deluxe edition is the better-known ‘Val Valentin’ mix, mixed by the MGM/Verve recording engineer of the same name, but Lou Reed also created another mix highlighting his parts (Sterling Morrison later nicknamed this the ‘Closet’ mix). Whilst I’ve heard plenty of tracks from White Light/White Heat and Loaded (plus the entirety of The Velvet Underground and Nico), the only song from this album I’d heard from this album prior was ‘Pale Blue Eyes’. I really enjoyed the album itself, my favourite songs being ‘Candy Says’ and ‘What Goes On’.

However, my favourite part of the album was the second disc! The second disc featured live recordings of The Velvets at a venue called The Matrix (somewhere in New York??) on the 26th and 27th of November, 1969. Apart from alternate versions from the album tracks (the live version of ‘What Goes On’ is awesome!), this disc also includes live versions of songs like ‘Heroin’ and ‘I’m Waiting For The Man’, and even songs which would be later released on Loaded, like ‘Sweet Jane’ and ‘Rock & Roll’. There is also a very entertaining segue-way from Lou Reed… This disc was really amazing to listen to, and definitely worth any VU fan’s time!

Here are some pictures I took of our copy:

The front

The front

The back

The back

One CD and an image found on the back of the right slip of the gatefold

One CD and an image found on the back of the right slip of the gatefold

The casing fully open, with the CDs and booklet intact

The casing fully open, with the CDs and booklet intact

The CDs and booklet

The CDs and booklet

The empty casing

The empty casing

And yeah, I know it’s cliche, but I’ll give the The Velvet Underground: 45th Anniversary Deluxe Edition a five out of five. The packaging is really attractive, and the music is about ten times better!

And Ringo is going to be inducted into the Rock and Roll Hall of Fame! When I heard this, I was actually quite shocked that the guy who’s usually credited with inventing modern rock drumming wasn’t already in the Hall of Fame, but at least he is being inducted now… I believe Paul is inducting him, as well (just like he did for John!). So although you’re obviously not reading this, congratulations Ringo! You deserve that spot.

And this weekend, ‘My Beatles Record Collection’ returns! See if you can guess what record comes next… But until then, good day sunshine! 🙂

My Beatles Record Collection Pt. 4 – ‘Help!’

Sorry for not posting in two weeks. But I shall make up for such crimes with this very cute picture!

Sorry for not posting in two weeks. But I shall make up for such crimes with this very cute picture! Martha, my dear…

Sorry. Boy, I’ve been a naughty girl. I have not posted in two weeks. I have a large school assignment (or “Independent Research Project”) due this Thursday, and I was working on it for most of last weekend. (I also went to see a groovy film called God Help The Girl, and did a good dose of record shopping beforehand. Let’s just say one of the LPs I bought is white, double and is the subject of a relatively low number…!) I’ve still got a bit to do on the project, but I have found a bit of time to blog today, as well! Yay! So that’s my excuse, and why this month’s edition of ‘My Beatles Record Collection’ could seem early…

But anyway, this month we have Help!, the second Beatles studio album I ever listened to, and the first LP I ever bought (almost a year ago). (I actually bought a box set of Beatles records called The Beatles Box slightly beforehand, but I always count Help! as my first actual LP.) I think I listened to soon after watching the film Help!, which is not surprising ‘cos Help! is my favourite Beatles film. (The music — I love ’65 Beatles –, the technicolour, the ski scene, Ahme, that flat…) The album made number five in my ranking from earlier this year.

My copy of Help! is possibly the most valuable in my collection. It wouldn’t surprise me if it’s worth a bit. But anyway, here’s a picture.

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Wait — tangerinetrees99 has TWO copies of Help!?! Let me explain…

The copy on the left (the newer-looking stereo pressing) was the one I obtained first. But it is not the one that I think might be quite valuable. Why? It’s a 2012 pressing, which I purchased late last year (on the 8th of December, in fact — RIP John 😦 ). And it doesn’t play. Again, why? Well… About a year ago, we purchased an original 1960s stereogram, and that is when I began collecting records. But me being very naive and knowing absolutely zilch about vinyl at the time, I thought all Beatles LPs were going to be priced well-off into the 100s (AUD) and that I’d never be able to buy an original pressing. So I purchased a new pressing from a record shop (not the one I go to now — I was yet to find that one) on that horrible anniversary and I couldn’t wait to get home to play it. The needle in the record player was completely original, and having previously played a few records on the player and experiencing no issues, felt no need to replace it. So anyway, I get home and play the record. ‘Help!’ plays perfectly. But about halfway through ‘The Night Before’, the LP begins to skip like mad. Ditto with ‘I Need You’, ‘You’ve Got To Hide Your Love Away’, ‘Another Girl’, ‘You’re Going To Lose That Girl’, ‘Ticket To Ride’… We obviously ended up replacing the needle, but Side One of the record is forever ruined (stupid, naive me)… Not that it matters anymore, though!

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Here’s the actual cover of the record. You can see how much I payed for it — ha ha! Apart from some light discolouring, the cover is in really good condition. And the LP is in mono! Most times for me, mono triumphs stereo by miles, so hurrah! (I didn’t know about the difference between the mono/stereo mixes at the time, though…)

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Here’s the back of the LP — in even better condition than the front! If you look carefully, you will see that I have landed myself a UK pressing! And you have probably already noticed the backflaps, meaning that my copy is first edition. Good job, me. I’ve seen pretty much the same LP going for a lot more than $50AUD on eBay, so even better job, me… My Help! was owned by the same person who owned my With The Beatles, funnily enough — he/she (I assume the latter) must have sold his/her LPs to my record shop…

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Here is a close-up on the catalogue number/backflaps/John. Wow — my Help! was a very lucky fluke. Very…. First-edition. UK. Mono. (Even though the earlier stereo pressings are worth more.). Very lucky.

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Here’s the cover with the inner sleeve/actual record. I have the original EMITEX sleeve in mint condition! How cool is that! “Clark” must have been very careful with her records (as is also shown with my With The Beatles).

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And the vinyl itself! On black and gold label! Hurrah! Told you it was first edition! Nice break from the orange, isn’t it? This is Side Two. Side One is in mint condition, and plays absolutely perfectly. (Though everything we play on our record player crackles — due to the age of the stereogram.) This side has a scratch through ‘Yesterday’ and ‘Dizzy Miss Lizzy’, though I’m very lucky that it doesn’t affect the sound at all! Probably due to that wonderful record-cleaner stuff that we use…

And there we go! One of my most valuable records in a pillow you never gave me (bonus points if you know what song I’m referencing!)…

Haven’t got much else to write. I promise I’ll be back to normal blogging schedule next week (I’ll have handed in my assignment by then). Anyway, it’s only TWO MORE WEEKS to two whole months of Summer holidays and the end of the school year! Yay! I’ll blog as much as I can in the holidays, to make up for posts I have missed. Next week, though, will be a sad post. It will be the 29th of November. We miss you, George.

Have a wonderful day/night/afternoon/morning/weekend/week/[insert period of time], and good day sunshine until I post next! 🙂

 

The latest additions to my record collection

Good morning (or whatever), good morning, good morning-g! (Nothing to do save your life, call the wife in…)

Yesterday was an absolutely beautiful day in Adelaide (today is just plain hot), so my mum and I went into the city. If you are a regular reader of this blog, you’ll know I collect Beatles LPs, so it’ll be no surprise to you that I had been saving my cash for weeks for a trip to my favourite record shop — which is in Rundle Mall (which is in the city, if you’re not Australian). I haven’t been in there for at least three months, so it was nice to buy some more records. I’m known in there as The Beatles girl! But anyway, here are my purchases.

1. Though I bought a couple of non-Beatles records, my priority was (obviously) to buy a Beatles LP. And I got Rubber Soul! I already own this album…on iTunes…so it is really nice to have it on vinyl!

rubber soul lp one

If you look extra carefully at the image below, you might see that the record is not from here (Australia), or England, or America — but from Uruguay! It’s in mono, and though there are no backflaps, some scouting around on the web indicates that it is a first pressing, and the label shows it was released there on Odeon Records (The Beatles’ record label in Japan, too). I won’t go into much detail now, but here’s the back of the album and the LP itself. It is absolutely bee-yoo-ti-ful, in my opinion – it might just be my favourite of all the ones we bought!

rubber soul lp two

2. You might remember from a couple of posts ago that I mentioned that I liked an alternative group called The Black Keys. Well, I bought their latest album Turn Blue (from May 2014, so it’s new vinyl — the album debuted at number one in Australia!) yesterday, as well! The Black Keys are actually playing Adelaide next year, but the stupid venue says ‘for over-eighteens only’. Grr. I really wanted to see them. But the website did say ‘unless otherwise advertised’, so I can only hope it will be advertised otherwise. But anyway, the album is completely and utterly groovy — I would highly recommend it to anyone who really enjoys psych/alt rock. I have had the riff from the ridiculously-catchy ‘Fever’ stuck in my head ever since I listened to the LP last night. And I think it is really cool that some modern artists still release on vinyl — if/when (hopefully the latter!) I am a recording musician, I will be sure to release actual LPs, too.

turn blue black keys one

Turn Blue came with a large poster of the cover (above) AND the album in CD format (plus the beautiful cardboard sleeve), so good value for $40AUD!

turn blue black keys two

3. We have a loyalty card for the shop at which we buy our records, and we had reached ten stamps on our card! I got an Australian-edition first pressing of the Requests EP with the extra money, which was released in 1964 (between the Long Tall Sally EP and Beatles For Sale, I’d say) and plays ‘Long Tall Sally’, ‘I Call Your Name’, ‘Please Mister Postman’ and ‘Boys’. As with Rubber Soul, I won’t go into too much detail now (I need material for their respective ‘MBRC’ posts!), but here it is.

requests one

requests two

4. And finally, my mum bought a 2014-pressing (in other words, a new vinyl) of The Velvet Underground and Nico! Hope she’ll let me borrow it, ‘cos I really like The Velvet Underground… 🙂 On the original versions of this album, one could peel off the iconic yellow banana, and below would be a pink, peeled banana. Sadly, this doesn’t go for the new versions.

the velvet underground and nico one

Our version came with a fancy (well, not quite as fancy as Turn Blue) paper sleeve. It seems that most new LPs come with paper sleeves (as opposed to plastic ones) — my 2013 Help! did, too. But that Help! doesn’t exactly work…but you’ll have to wait for the Help! edition of ‘My Beatles Record Collection’ for that story (I have it on first-ed. British mono, too)… Our (or my mum’s, rather) Velvet Underground and Nico also has a gatefold sleeve, but I won’t post an image of that (probably will come up on Google if you type ‘the velvet underground and nico gatefold’).

the velvet underground and nico two

So there we go — the trip my mum and I made to my favourite record shop in an LP sleeve! (And tangerinetrees99 desperately trying to invent her own cliches…)

And that’s my post for the weekend. I’ll probably do my planned ‘The Rubber Soul Jacket Appreciation Society’ post next (but who knows? 😉 ), but this Thursday is John’s birthday! Happy birthday, Johnny! But of course he will get an extra special post — ‘extra special’ for my favourite Beatle! But until Tuesday/Wednesday, good day sunshine 🙂

 

My Beatles Record Collection Pt. One – ‘With The Beatles’

One of my favourite pictures from the Mad Day Out photoshoot - I must do a post on Mad Day Out, at some point.

One of my favourite pictures from the Mad Day Out photo-shoot – I must do a post on Mad Day Out, at some point.

As I assume is slightly obvious (just a bit), I am a hardcore Beatlemaniac (hmm…you wouldn’t have guessedespecially if you read this blog!). Unlike many teenage Beatlemaniacs – or teenage music fans in general – though, I prefer to listen to The Beatles on vinyl. In fact, I collect Beatles records! I have done so since late last year (I’d been a fan for about ten months), beginning with an eight-record Beatles box set, poignantly released in 1980. But that’ll come later in this series, which will get an update each month (or maybe more – not too sure, yet).

If I say so myself, I have some real gems in my collection, ranging from two British-edition first pressings in mono, to an American edition of the 1970s compilation Love Songs (which I inherited from my grandfather). But today, I’m going to start with one of my British monos – my beautiful copy of With The Beatles!

I got my With The Beatles in February this year from my favourite record shop (in which I am known as Miss Beatle!), using some leftover Christmas money. It plays amazingly well for a record of over fifty years of age, and I swear it is in near mint condition! There is nothing quite like listening to The Beatles on first-edition vinyl – the 2009 remasters are all fine and dandy at first, but to hear The Beatles as they were meant to be heard, you really have to invest in one of these babies. If they play through well, I guarantee you will never have heard The Beatles better.

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Here is (obviously) the cover. Apart from a few discolourations in the white top secion, it is amazingly good condition. Not that it really matters, compared to the record – it is nice to have a good cover to go along with it, though.

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As you can see, the record is in mono (meaning it only plays out of one speaker – unlike stereo, which plays out of two), which makes it rarer than one released in stereo. One thing I should have put in my ‘Six Ways The Beatles Changed The World’ post is how The Beatles pioneered the use of stereo in pop music. In fact, I am fairly sure they were the first band to use it – on Please Please Me. Because of this, though, it means that Beatles records in mono are hard to find, so I struck jackpot with this! As of September 8, you’ll be able to hear most Beatles albums in mono, too, with the new mono remasters. But the original vinyl will always sound better, (pretty much) no matter what.

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The back of the record, complete with the ‘Use EMITEX’ label used on all British pressings of Beatles releases and sleeve notes written by Tony Barrow. Note the flaps of cardboard around the borders – or ‘backflaps’, as they are called. These were only used on first pressings, meaning this was one of the first With The Beatles to ever be made.

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To be exact, though, it was the 206th With The Beatles ever made. Wow – I feel rather special! How fab!

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Here is the side of the record – in absolutely pristine condition! I have two records owned by ‘Clark’ (you may have noted a name on the picture two above), and both are almost perfect. They must have looked after their records very well.

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Here is the British address on the back, plus the EMITEX label – proving it’s a British pressing. Australian versions of this record would have a Sydney-based address, and lack the EMITEX label – and would have a different cover. But that’s a different story, to be explained another day…

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‘Clark’ didn’t just keep her records in perfect condition – she also spiced up the slip-cover, too! Usually, British pressings have a paper sleeve with another EMITEX advertisement plus a warning about replacing your record player needle as needed (and trust me, you should – I may or may not have ruined a record by not. But as with the cover, that story will be saved for the Help! edition of this series). But our ‘Clark’ appears to have cut out all sorts of Beatles scraps and decorated the sleeve (rather like the end-papers of my diary!), making beautifully unique. Now, any guesses of who her favourite Beatle is (clue: it’s probably Ringo)?!?

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Here’s the other side of the slip cover, with a picture of George, a still from A Hard Day’s Night (obviously she scrapped into the next year, too) and a review of the album to pour over!

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And finally, here is Side One of the record – absolutely scratch-less!

(And now for a couple of other things…)

So far, The Beatles: The Night That Changed America – A GRAMMY® Salute (that Grammy special from February) has received an Emmy! It was nominated for six, but only four of the categories it was in were announced today. The rest will be announced on August 25, when The Emmys are broadcasted around the world. So far, it has been awarded for Most Outstanding Musical Direction, but fingers crossed it will get more when the other two categories are announced.

And finally, my good friend kate160801 (you know who you are) has started a blog called ‘The Hunger Readings’, on which she will publish her various pieces of writing. kate160801 hasn’t put much on it yet, but trust me – she is an amazing writer, so make sure you check out her blog here: http://thehungerreading.wordpress.com .

Hope you’re having a groovy day wherever you are, and good day sunshine 🙂

 

‘Let It Be’/Imagine The Art Of John Lennon

I believe I've posted this before, but I just had to post it again 'cause it's so cute! Taken in the Austrian whilst filming 'Help!'...

I believe I’ve posted this before, but I just had to post it again ’cause it’s so cute! Taken in the Austrian whilst filming ‘Help!’…

I wasn’t too sure what to post today, but I have a couple of Beatle-y/Lennon-y happenings to write about, so here goes! Excuse me if this post is a little mish-mashy (not a word, tangerinetrees99 – not a word), but hope you can follow along!

MY BRAND-NEW LET IT BE DVD

As I’m sure I said in my last post, I ordered a Let It Be DVD, and (of course) the day after I posted, it arrived in the mail! It only had to come from Pasadena (a suburb of Adelaide), after all… I should probably note that the disc is a bootleg – as are all DVDs of Let It Be – so tangerinetrees99 was a very naughty girl 🙂 !! As you can see – as it is far from the official Apple Corps-released (well, not in the case of A Hard Day’s Night) reissues of the other Beatles films – it does not come in a fancy glossy-cardboard gatefold, a slip-cover and a booklet. It is only packaged in a very simple plastic case, with a cover which I assume is an amateur’s Photoshop job. It does have its own charm, though! I’ll post some pictures of it below, and then I’ll write about the film itself, which I watched yesterday.

The front cover

The front cover

The side

The side

The back - with a completely-unrelated picture (not that I care!), a list of all the scenes and some incorrect (both grammatically and historically) information on the film

The back – with a completely-unrelated picture (not that I care!), a list of all the scenes and some slightly incorrect (both grammatically and historically) information on the film

The disc

The disc

And as for the film, I actually really enjoyed it! Despite popular belief, The Beatles are not fighting all the time (there is the famous George-and-Paul argument, after which George leaves the band for a few weeks – the latter is obviously not shown, though…), and they do smile at various points in the film. It was amazing to hear them coming up with songs such as ‘Two Of Us’ (I especially dig that electric version), ‘Octopus’s Garden’ (George was very sweet in that scene!) and ‘Across The Universe’ (again, it sounds groovy on John’s slightly-overdrive Epiphone Casino!). Heather McCartney seemed like a very cute little girl, too. And hearing Paul discuss wanting to begin touring again was interesting – John’s reaction to such mentions, too (sure, he was high on heroin at the time, so probably not a fair judgement – but still…). And of course, the Rooftop Concert! I have seen it in full once before (Mum and I YouTubed it back in January for its – *pauses to do maths sum* – forty-fifth anniversary), but last night was the first time I saw it properly, without trying to read lyrics, or wondering what song was which (that afternoon eight months ago was the first time I heard ‘Don’t Let Me Down’, ‘I’ve Got A Feeling’, ‘The One After 909’ and ‘Dig A Pony’). I actually heard Paul’s joking end to ‘Get Back’, for example (good one, Paul!)… So to end off, I really liked the film, and whilst probably no-one but hardcore Beatlemaniacs would find it enjoyable (they might enjoy it more than, erm, Magical Mystery Tour), I would certainly recommend it! This household is in order for another Beatles Movie Marathon, I think… 🙂

 

‘IMAGINE THE ART OF JOHN LENNON’ EXHIBITION

Also yesterday, I – along with my parents and my godfather – went to see the John Lennon art exhibit I also talked about last post! It was held at Hanrahan Studios – the former home/studio of prominent Australian artist Barbra Hanrahan, and Summer-house of her widowed partner, Jo Steele (a racing-car driver and sculptor) – which was a very nice venue, I must say. John’s works (or authorised prints of them) were displayed out in the large two-story studio, and there was a rather steady stream of people (whom I would assume are fellow Lennon Lovers) going through the exhibit. And my gosh, was John a talented artist! Most of the exhibition was made up of his gorgeous drawings – some very funny puns (his ‘Owls Hooting’ one, for example), some simple ink drawings of him and Yoko, some completely random yet still beautiful – however some were prints of his handwritten lyrics to certain Beatles/solo songs (i.e. ‘Drive My Car’ – found this interesting, as ‘DMC’ is a Paul song -, ‘Day Tripper’, ‘In My Life’, ‘Gimme Some Truth’, ‘Happy Xmas (War Is Over)’, ‘Real Love’ and – of course – ‘Imagine’). Oh, and how could I forget – there was a genuinely-signed Beatles picture, too (for $25, 000, mind you)! As you can probably guess, the prints were very expensive, and most of which were somewhat over $1000. However, there were a few unframed prints of his handwritten lyrics to some Milk and Honey songs sitting on the floor, so we brought home a gorgeous print of the lyrics to ‘I’m Stepping Out’! Here is a picture of it below, and here is their website (which I think I posted before) on which you can look at some of the pictures (it won’t let me save images off it, so I can’t put them directly on here).

Here is our print - it will be going in our living room, once the house has been painted. Too expensive to sit on the floor of my bedroom!

Here is our print – it will be going in our living room, once the house has been painted. Too expensive to sit on the floor of my bedroom!

 

So there we go – my post for the week (I will post more in school holidays, I promise)! I ‘spose I should pause ‘I Don’t Want To Spoil The Party’ (I’m listening to Beatles For Sale), and publish this. Have a fab day, and good day sunshine! 🙂