Dear Sir or Madam, will you read my book?

A very suitable picture for today's post!

A very suitable picture for today’s post!

For pretty much my entire life, I’ve loved books. There is nothing quite like getting engrossed in a good read, in my opinion. And considering I write this blog, I (obviously!) love The Beatles! And one of my favourite Beatley things to do has always been to read Beatley books…

When I first got into The Beatles and knew nothing about their history, it never occurred to me to Google them for some reason. Instead, I collected (and borrowed) a mini-library of Beatley books. And that is how — along with a few documentaries and the internet (once it did finally cross my mind) — I learnt the story of The Beatles.

My Beatley library is relatively large, and grows almost every month! It includes everything from some of the best books I’ve ever read (the books below, plus a few more), and some of the worst (*cough*GeofferyGuiliano*cough*), and everything in between. So today, I thought I’d write a bit about four of my favourites — so here goes…

The John Lennon Letters (ed. Hunter Davies)

$_35

The John Lennon Letters is a must-have title. Released in 2012, the book collects nearly 300 of John’s letters/notes/drawings/cards/etc; the earliest a thank-you card from when he was ten, the latest an autograph from the 8th of December. These writings provide an invaluable insight into John’s life. Ranging from a few of the infamous Melody Maker letters from him and Paul’s 1971 feud, to a beautiful Christmas card he made Cyn in 1958, some song lyrics which he never finished on the back of a postcard, to witty replies to hate mail, the letters are anything from hilarious to heartbreaking to angry to informative and just about anything in between. They portray John as a very intelligent guy, and show what he was like behind the spotlight. Davies adds notes to put them into context and also transcribes them. This was one of the first Beatles books I read, and was how I first learnt about John!

LIFE With The Beatles: Inside Beatlemania (photos by Robert Whitaker, compiled by LIFE magazine)

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This book is somewhat large and awkwardly shaped, but it is beautiful. Robert Whitaker was The Beatles’ official photographer from 1964-1966, and among other things took the infamous Butcher Cover. LIFE compiled pretty much all of his Beatles photos and sorted them into years. And my, was Whitaker a talented photographer! Wherever they were from 1964-1966, Whitaker was there, too, and the results that ensued were amazing. As demonstrated with the Butcher cover, he clearly had a penchant for the experimental, and his photos add a fresh new photographic voice to Beatles lore. With images ranging from John staring into his own reflection at Kenwood, to John, Paul and George’s guitars sitting in Customs in 1966, from Paul + George playing with a birdcage, to The Beatles hanging out with Mick Jagger backstage at one of their Christmas pantomimes, there are some truly special shots in here. Many of the photos have anecdotes from Whitaker next to them. In short, this is a beautiful, beautiful book!

All The Songs: The Story Behind Every Beatles Release (Phillipe Margotine + Jean-Michael Guesdon)

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This book is my Beatley bible. Think of it as all a more informal Mark Lewishon-style book, with prettier formatting, more information on the songwriting side of things + lots of cool photos! Right from the engaging introduction written by Patti Smith (who I’m also a fan of!), the book goes into the genesis, recording, production, technical details and (for some of the songs) related facts for each of the 213 titles in the Beatles’ discography! From this book, you’ll learn who wrote what, who played what, where each song was recorded, how many takes it took, who produced it… You’ll also read on its impressive 671 pages about what each song was written about, or who recorded it first if it was a cover, and often little anecdotes about the song, too! A photo also accompanies each song, and most of them are quite rare. The formatting is beautiful, too, and the book comes with three posters. I learnt so much from this book, and is probably one of the most informative titles in my collection!

The Beatles’ Anthology (The Beatles)

anthology

This is the mother of all Beatles books; their “autobiography”. Part of the Anthology project from the ’90s (which saw an eight-part documentary and three double albums of unreleased material released too), this book is chock full of practically everything a Beatles fan could want! Detailed interviews with Paul, George and Ringo were conducted for the project and it is through their words that the story of The Beatles is told here. John’s perspective is not neglected, either, as the researchers have found hundreds of quotes from the many interviews he gave over the years. George Martin and Neil Aspinall were also interviewed, and many other important figures in Beatles lore (such as Brian Epstein, Mal Evans and Stu Sutcliffe) also have quotes included. The book covers practically everything! Whether you want to know about Hamburg or Pepper, Shea Stadium or the rooftop concert, you’ll find it here. Not to mention that the story comes from the people who were actually involved, making it all the more valuable. Other highlights include pictures from the personal archives of each Beatle, unseen writings, and other things that add to this highly-illustrated book. A most invaluable addition to anyone’s Beatley library!

What books on The Beatles have you read? Have you got a favourite? Be sure to send me a postcard, drop me a line below…

Oh, and happy birthday to Pete Townshend for May 19th! As a huge fan of The Who, he is one of my favourite guitarists, and not to even mention a really awesome songwriter! Happy birthday, Pete.

Hope you have a great day, wherever you are, and good day sunshine until next post! 🙂

I went to see Courtney Barnett!

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Courtney Barnett

Last Thursday, I was lucky enough to see one of my favourite artists live; Courtney Barnett! She was playing a venue called The Gov, which is a bit famous in Adelaide. My parents bought me a ticket just under a day before the show, so thank you so much!

Me before the show

Me before the show

Courtney Barnett is an Australian indie singer, songwriter + guitarist. Her lyrics are marvelously witty and honest and funny, and she sings with her Australian accent. A lot of her songs are a little bit grungy, but a lot of them are softer, too. She and her partner Jen Cloher run an indie record label called Milk! Records. Courtney designs all her album art, too. She released her debut album, Sometimes I Sit and Think and Sometimes I Just Sit in March this year.

The Gov opened its doors at 7:30 and Mum + I arrived not long after. But as we were waiting, somebody walks past us and into the beer garden. And that somebody was Courtney! So after a few minutes, I plucked up my courage and went up to her. I introduced myself and told her that I’m a huge fan. She introduced me to her drummer, Dave, shook my hand, and asked if I was from Adelaide. Dave then took a picture of Courtney and me! They both said they hoped I would enjoy the show. Both Courtney and Dave were really nice, and it was amazing to meet someone I really look up to as an aspiring musician! A memorable start to a memorable night! Courtney actually watched the supports in the audience, which I thought was cool.

Courtney and me!

Courtney and me!

Soon after, the first support band started. They were called The Yabbies, and they were okay, but I thought the second support band were really good! They were called Teeth and Tongue, and played a certain style of half-synth-y, half-guitar-y indie pop which is just pleasing to the ears. Their frontwoman — Jessica Cornelius — also had great stage presence, which is always a plus. I loved dancing to their beats, and got some good photos of them, too.

Teeth and Tongue

Teeth and Tongue

Finally, at around 9:45, Courtney and her band came on! She launched into ‘Elevator Operator’, the first song on her new album, and sung the words in her signature Aussie voice. Everyone stood up, and I took prime position on top of a booth seat so I could see!

Courtney

Courtney!

Courtney and her band then played ‘Lance Jr’, a song from her first EP. ‘Lance Jr’ was in fact the first song of hers that I heard. Courtney then talked to the audience for a bit and played a few more songs from her latest album, like ‘Aqua Profunda!’, ‘Dead Fox’, ‘Small Poppies’ and ‘Nobody Really Cares If You Don’t Go To The Party’.

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A lot of people who go and see Courtney live comment on how her live performances are a bit heavier than the studio versions of her songs. And they’re right. Courtney, Dave and her bassist (a dude called Bones!) absolutely rocked The Gov! The walls and floors were quite literally vibrating! Her voice was a little bit sweeter live than it is on her studio songs — but then, she almost screamed a few of the songs live, too. There was such an air of excitement and energy buzzing throughout The Gov that night…

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Courtney then played a few more songs. One of these was the B-side of her latest single, ‘Depreston’, which is all about house-hunting in a suburb in Melbourne called Preston. (Courtney, who lives in Melbourne, often references the city in her songs.) She also played a song called ‘Kim’s Caravan’, which is about the decline of the Great Barrier Reef and climate change in general. ‘Kim’s Caravan’ is one of the softer songs on Sometimes I Sit…, but it certainly wasn’t live. Courtney’s guitar was feeding like mad during the outro, and it sounded awesome! After a bit over an hour, Courtney, Dave and Bones finished the set with the gritty A-side of her latest single, ‘Pedestrian at Best’, left the stage…

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…And then came back! Courtney announced that she would play a cover of The Lemonheads’ ‘Bein’ Around’. She then dedicated a song to her Adelaide audience — one called ‘Pickles From The Jar’! The song mentions Adelaide a few times, hence the dedication… Finally, Courtney and her band finished off the encore with a heavy version of ‘I’ll Make You Happy’ by The Easybeats. And so she and her band finished her show a little bit after 11:00.

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I really, really enjoyed seeing Courtney Barnett live! Though I couldn’t see very well, and my ears rang for a while, I had an awesome night! Courtney really is amazing live, and is definitely a must-see. (And meeting her and Dave was a huge plus!) You can listen to Sometimes I Sit and Think and Sometimes I Just Sit here, and you can buy it here.

I didn't take this picture. All credit goes to The Gov!

I didn’t take this picture. All credit goes to The Gov!

My 5 Favourite Albums of 2014

Or my opinion, anyway...

Or my opinion, anyway…

I thought I’d do a non-Beatley post today, and focus on some of my favourite music of last year. Last year was the year that I started to get into contemporary music, and I now foster an intense love of  modern indie music of all kinds, as well as my great passion for classic rock. (Though The Beatles will always be my favourite band.)  I’ve been meaning to do this post for a couple of months, but I’ve really only found a chance to write it now! (Next year, I will try not to do this post 2 months into 2016…) So today, I will list my five favourite albums — whether I judged them via an LP or a YouTube playlist or something in between — of the year that was. And let the list begin!

5.  Lost In The Dream, The War on Drugs

lost in the dream

This is The War on Drugs’ third album, and it was apparently recorded over two years and was rewritten many times! But it resulted in this wonderful album… According to main songwriter Adam Granduciel, Lost In The Dream was basically like a solo album for him. Some of the main influences for the album include Tom Petty, Bob Dylan, Bruce Springsteen and synthy ’80s pop, which I can definitely hear. A wonderful album!

FAVOURITE SONGS: ‘Lost In The Dream’, ‘Eyes To The Wind’, ‘Disappearing’.

4. Morning Phase, Beck

beck morning phase

As I’m sure most people have heard by now, Beck’s latest effort won Album of The Year at The Grammys, and deservedly so! (And as for that Beck/Kanye West rubbish, Kanye is definitely the person who needs to “respect artistry” here.) I am very happy that it won! I only listened to this album a short while ago (on a plane, in fact), and it instantly became one of my favourites. I love the folky, “soaring” feel of the album, and Beck’s vocals are gorgeous! As written above, very much the deserved Album of The Year winner in a very mainstream-orientated Grammys night.

FAVOURITE TRACKS: ‘Morning’, ‘Say Goodbye’, ‘Unforgiven’, ‘Waking Light’, ‘Blackbird Chain’

3. Angus and Julia Stone, Angus and Julia Stone

angus and julia stone

According to my faithful triple j 2014 Annual (triple j is Australia’s radio station for all things left of mainstream. Also the home of the triple j Hottest 100, which you have probably heard of.), Angus and Julia Stone — two indie-folk-orientated siblings from Sydney — had decided to never play together again in 2012. But then, an American producer named Rick Rubin heard one of the duo’s songs and was determined to do whatever it took to work with the two. He managed to get them back together, and this piece of indie perfection was the result!

I particularly love the beautiful guitar-work, the keyboards/synths, the chiming indie-pop feel, the album’s air of danceablility and of course the exquisite vocals from both parties! (The familiar accents are also nice.) A great album to come out of a great country…

FAVOURITE SONGS: ‘Get Home’, ‘Death Defying Acts’, ‘Other Things’, ‘Do Without’, ‘All This Love’

2. Alvvays, Alvvays

alvvays alvvays

I discovered the debut album of Canadian indie-pop band Alvvays (pronounced ‘always’) after reading an interview with their vocalist and guitarist Molly Rankin in my favourite magazine. I checked them out on SoundCloud, and after listening to ‘Adult Diversion’ (one of the “better-known” tracks on the album) on repeat for months, I decided to listen to the actual album. Laden with jangling guitars, synths, thumping drums, a touch of distortion and beautiful, quintessentially indie vocals, I have a feeling that Alvvays will quickly become the next big thing in indie pop! I can’t wait for their second album.

FAVOURITE SONGS: ‘Adult Diversion’, ‘Dives’ and ‘Atop A Cake’. (Another song — ‘Underneath Us’ — was included in Australia as a bonus track. I would also include this song in here, if it were part of the core album.)

And, my favourite album of 2014 is [insert drum roll here]…

1. Turn Blue, The Black Keys

black keys turn blue

The recording of garage/blues/indie duo The Black Keys’ eighth studio album began in early 2013, during a break from the world tour corresponding with their previous album, El Camino. As with their previous album, Dan Auerbach and Patrick Carney (guitar/vocals and drums respectively) had not written any of the songs before recording, and simply wrote them on the day of recording. The album was to be produced by Brian Burton (aka Danger Mouse). But Auerbach and Carney had different ideas on how the album was to pan out. Things got a little tense between the two and recording was put off for a few months. Later in the year, the duo recommenced recording in California, and until about March 2014, they — along with Burton — created what would be the most psychedelic, sprawling and self indulgent (in the best way possible!) album of their career. The album is based around the theme of a difficult breakup, which reflected the nasty divorce that Auerbach was experiencing in 2013.

This was the first Black Keys album I bought. In fact, it was the first album less than 30 years old that I had bought at all. I love it for it’s sprawling nature, the searing guitar solos on ‘Weight of Love’, the spiky synths on ‘Fever’, the chiming bells, the ringing falsetto counter-vocals, just everything… And it introduced me to one of my very favourite bands. So that, my friends, is why Turn Blue is my favourite album of that great big year that was!

FAVOURITE SONGS: ‘Weight Of Love’, ‘Fever’, ‘In Our Prime’, ‘Gotta Get Away’, ‘Bullet In The Brain’, ‘Waiting On Words’…

And my award for best film soundtrack of 2014 goes to…

Boyhood, various artists

boyhood music from the motion picture

Boyhood is definitely my favourite film at the moment, and its awesome soundtrack is good enough to rival the film itself. As the film was made over 12 years — spanning the life of main character Mason from ages 6-18 — there’s music from all the periods included in that time frame (plus more)! Whether it be a party backed by The Black Keys’ ‘She’s Long Gone’, or a six year old Mason trying his hand at graffiti to The Hives’ ‘Hate To Say I Told You So’, visiting a club to Gotye and Kimbra’s ‘Somebody That I Used To Know’, or the end credits rolling to Arcade Fire’s ‘Deep Blue’, with some Cat Power and Vampire Weekend in between — even a Beatle-related scene backed by ‘Band On The Run’ (!) — the soundtrack is perfect in every way. (Except for maybe the inclusion of ‘Good Girls Go Bad’. I hate that song.) A soundtrack-made-in-heaven to supplement a film-made-in-heaven, in my humble opinion.

FAVOURITE TRACKS: The entire thing (except for ‘Good Girls Go Bad’ and ‘Crazy’ by Gnarls Barkley)!

And so, what were your favourite albums of 2014? Please send me a postcard or drop me a line, stating your point of view!

A few contenders  for my favourite album of this year have already come up! I have a feeling that Pond’s Man, It Looks Like Space Again will make my shortlist, and the tracks I have heard on triple j from Twerps’ Range Anxiety sound pretty good, too. But Tame Impala are releasing a new album this year. Though no-one except for Kevin Parker has actually heard it, I think I already have a possible Number One on my hands…

And we have an important Beatle-y celebration coming — it would have been George’s 72nd birthday this Tuesday! Happy birthday, Georgie! I shall post my birthday post for him probably on Tuesday (if I get a chance)! But until then, good day sunshine 🙂

Review of a Recent Release: ‘The Velvet Underground’ 45th Anniversary Deluxe Edition (CD format)

The album in question. Definitely worth purchasing if you love the VU!

The album in question. Definitely worth purchasing if you love the VU!

Today I thought I would do a non-Beatley post (don’t worry — I’ll go back to my usual muses next post!) centering around the most recent re-release of one of my other favourite band’s four albums. And that band, you ask? Why, the Velvet Underground!

If you have never heard of the Velvet Underground, they are a highly influential band from 1960s New York. Whilst they were barely known at the time when the band was still together, they are now recognised as one of the most innovative bands ever (especially in the punk and indie genres). The band consisted of Lou Reed (vocals, guitar), John Cale (electric viola, piano, bass — among other things), Sterling Morrison (guitar) and Maureen Tucker (drums/percussion). John Cale — despite being one of the two founding members — was kicked out of the band by Lou Reed and replaced with Doug Yule.

The Velvet Underground is the Velvets’ penultimate album, preceded by the Andy Warhol-produced masterpiece The Velvet Underground and Nico (which featured German singer/musician/actress/model Nico on vocals for four tracks) and the protopunk White Light/White Heat, and followed by the more commercial Loaded. It was the band’s first group minus John Cale, and is particularly known for influencing indie bands in later years. Two of its better-known tracks include ‘Pale Blue Eyes’ and ‘Candy Says’.

This year, the album celebrates its 45th birthday. As with all the other Velvet Underground albums, The Velvet Underground was re-released on its 45th anniversary in both a ‘deluxe’  format (a double-disc CD with a booklet) and a super deluxe format (the very-expensive six-disc package with an actual book, also being available on vinyl). My mum and I were in JB Hi-Fi (the big entertainment shop in Australia — I don’t like the place nearly as much as I like the second-hand record stores and indie retailers littered around Adelaide, but if the place sells music, what is there — asides from cash — to lose?!) the other day and I discovered the deluxe CD hidden between a VU best-of and Loaded. It became one of the many CDs we have bought at that place within about a week… 😉

The two discs and booklet come nicely packaged in a matte-finish three-way-gatefold CD case. The front cover is identical to the original release (excepting a translucent sticker running across the bottom reading ‘DELUXE EDITION’), however, the back is only the tracklisting/credits in a fairly stock standard font on a fairly stock standard background (still looks effective, though.) The gatefold features images of the original tape labels (underneath the two discs) and a picture of the band recording the album. The booklet slides nicely into the middle slip of the gatefold (on top of the latter image). It discusses the background, making and success of the album, and –separated by more pictures of the band — also the live aspect of The Velvets. I found the packaging really appealing; the inclusion of a booklet and the three-way gatefold reminds me of the packaging of the 2009 stereo (Beatles — did you really need to ask?) remasters!

And as for the discs themselves…Disc One is the album itself. But there are two mixes of the album! The one used in the deluxe edition is the better-known ‘Val Valentin’ mix, mixed by the MGM/Verve recording engineer of the same name, but Lou Reed also created another mix highlighting his parts (Sterling Morrison later nicknamed this the ‘Closet’ mix). Whilst I’ve heard plenty of tracks from White Light/White Heat and Loaded (plus the entirety of The Velvet Underground and Nico), the only song from this album I’d heard from this album prior was ‘Pale Blue Eyes’. I really enjoyed the album itself, my favourite songs being ‘Candy Says’ and ‘What Goes On’.

However, my favourite part of the album was the second disc! The second disc featured live recordings of The Velvets at a venue called The Matrix (somewhere in New York??) on the 26th and 27th of November, 1969. Apart from alternate versions from the album tracks (the live version of ‘What Goes On’ is awesome!), this disc also includes live versions of songs like ‘Heroin’ and ‘I’m Waiting For The Man’, and even songs which would be later released on Loaded, like ‘Sweet Jane’ and ‘Rock & Roll’. There is also a very entertaining segue-way from Lou Reed… This disc was really amazing to listen to, and definitely worth any VU fan’s time!

Here are some pictures I took of our copy:

The front

The front

The back

The back

One CD and an image found on the back of the right slip of the gatefold

One CD and an image found on the back of the right slip of the gatefold

The casing fully open, with the CDs and booklet intact

The casing fully open, with the CDs and booklet intact

The CDs and booklet

The CDs and booklet

The empty casing

The empty casing

And yeah, I know it’s cliche, but I’ll give the The Velvet Underground: 45th Anniversary Deluxe Edition a five out of five. The packaging is really attractive, and the music is about ten times better!

And Ringo is going to be inducted into the Rock and Roll Hall of Fame! When I heard this, I was actually quite shocked that the guy who’s usually credited with inventing modern rock drumming wasn’t already in the Hall of Fame, but at least he is being inducted now… I believe Paul is inducting him, as well (just like he did for John!). So although you’re obviously not reading this, congratulations Ringo! You deserve that spot.

And this weekend, ‘My Beatles Record Collection’ returns! See if you can guess what record comes next… But until then, good day sunshine! 🙂

Rodriguez Report

Look carefully - he's there! My favourite picture that I took of Rodriguez at the show.

Look carefully – he’s there! My favourite picture that I took of Rodriguez at the show.

Me before the gig

Me before the gig

I know every time I go and see a concert, I refer to its respective night as ‘one of the best nights of my life’. But Wednesday night genuinely was one of the best nights in my life. Why? I was lucky enough to see Sixto Rodriguez live! Rodriguez was my first big concert (I have, of course, seen many Beatles tributes before. And I’ve been to WOMAD and the Adelaide Fringe), and let me tell you now, it was a first concert to be very proud of! The atmosphere was amazing, and I swear the live versions of his songs are even better than the versions found on his albums, Cold Fact and Coming From Reality!

For those of you who don’t know who Rodriguez is, you may have heard of a documentary about him called Searching for Sugarman. Searching For Sugarman tells the incredible story of Rodriguez’s career. The basic story is that Rodriguez releases an album called Cold Fact in 1970. It sells something like six copies in the US. But somehow a bootleg of this album found itself in South Africa. Rodriguez quickly became ‘bigger than Elvis’ there, but nobody had a clue about who he really was. In fact, he was assumed to have committed suicide on stage in the 1970s. However, some South Africans found him anything but dead in his Detroit home, and ever since Rodriguez has been a cult hit across the world. But what Searching for Sugarman fails to show is that Rodriguez was also really popular here, in Australia! Not only did Cold Fact and Coming From Reality both make numbers 23 and 24 respectively on the Australian Albums chart on original release, Rodriguez also did two Australian tours in 1979 and 1981. Cold Fact reached number 11 on this year’s charts, too.

My mum and I became Rodriguez fans after our osteopath told us about Searching For Sugarman. Mum watched it (on a plane to Singapore in January) a few months before I did. I must have watched it in around March or April, and I was hooked! So as you will imagine, Mum and I got excited when — a couple of months ago — we discovered that Rodriguez was touring Australia this month…

…But we soon found that the tickets were nearly impossible to get! Scalpers had seemingly bought up big, and there had been no limit on presale tickets. And the ticketing website wouldn’t really work. So we nearly didn’t go. However — exactly two weeks before the concert — I found out that Mum had managed to get tickets! In Gold Reserve! Row M, to be exact. Perfect seats — we could see the stage really well. Rodriguez played the Adelaide Entertainment Centre, which is huge and — as my parents would describe it — ‘a big barn’, so these seats were really precious. Especially for last minute tickets.

Finally, we drove to the the Entertainment Centre. About 45 minutes after we first arrived through the gates (at just after 7:30 pm), the support act began her set. The support act was Jen Cloher, an Australian alt-folk muso who runs independent label Milk! Records with her partner, Courtney Barnett. I listen to a lot of alternative music and watch a music show called RocKwiz on which Cloher has been (and Milk! Records had been featured in an article in my favourite magazine, Frankie), so I had vaguely heard of her, though I assume most of the audience hadn’t. Cloher is in fact too from Adelaide (she now lives in Melbourne), and became a muso after moving to a suburb called Henley Beach when she was fourteen. Apparently she was also a major Doors fan during this period, but she also mentioned The Stones, Jimi Hendrix and a certain Liverpudlian foursome that completely and utterly changed the face of the world (hmm…we don’t know who they are, do we? 😉 ) as some of her favourite artists. I really, really enjoyed her set — almost as much as the actual gig! I liked her voice, probably ‘cos it reminded me a bit of mine — low and a bit different. And she played her acoustic-electric dead hard, which I thought was cool. I must buy some of her stuff at some point. She releases on vinyl, too, which I also think is cool.

There was half an hour between Jen Cloher and Rodriguez, so my parents and I sat ’round talking, and I may or may not have photobombed the person in front of us’s selfie, which may or may not have been found on Instagram the next morning… But then finally, the lights dimmed and Rodriguez’s band walked onstage. And I noticed something. A female bassist! It saddens me that one rarely sees female guitarists/bassists/drummers in the music industry, and as a female guitarist myself, the fact that a female bassist had been chosen for Rodriguez’s (Australian tour) band made me really happy. But not as happy as I was within a few minutes… Soon enough, the crowd went absolutely ballistic, and I could just see Rodriguez being led onstage (he now suffers from glaucoma). His management team (I assume) introduced him, and the crowd went nuts again. Rodriguez started playing a song — which I think is on his second album Coming From Reality (which I haven’t listened to in its entirety) — that I didn’t know. But I certainly knew the song he played third — ‘Only Good For Conversation’ (my favourite of his songs)! (He played ‘Crucify Your Mind’ second.) He obviously performed ‘Sugarman’ and ‘I Wonder’ (after which he said, ‘Well, I wonder — but I really don’t want to know.’), but he played so many other gems too. Other songs of his he performed included ‘Like Janis’ and ‘The Establishment Blues’, ‘Street Boy’ and ‘Forget It’, ‘I Think Of You’ and ‘Rich Folks’ Hoax’ — he even played a cover of ‘Blue Suede Shoes’! His voice sounds just as amazing as it does on record, and he played a really interesting technique of guitar. His actual instrument was interesting, too. The drummer and bassist were both fabulous, and I was particularly blown away by the dude who played lead guitar. He played an overdriven Fender the entire night (occasionally with a wah-wah pedal) and wow, was he good! He played a lead guitar line in place of the orchestrated bits on Rodriguez’s songs, which I think made the tunes sound even better than they do on record. My favourite example would have been the added solo in ‘Sugarman’. Flawlessly stunning work, in my opinion. I don’t think I stopped smiling and stomping my feet the entire night. And if I were to sum the night up in one word? Amazing. Completely, utterly, mind-blowing amazing. After about an hour of performing, Rodriguez was lead off-stage.

But there was an encore set! Rodriguez played ‘Can’t Get Away’ and some different (and better takes) of ‘Fever’ (not The Black Keys’ song!) and ‘I’m Gonna Live Till I Die’ (I usually dislike Frank Sinatra, but I liked this version very much). The crowd (including myself) all stood up and danced and sang. And then, somewhere between 10:30 and 11:00 pm, my amazing night was over. It was somewhat of a difficulty actually getting out of the Entertainment Centre (and through the post-gig traffic), but it was definitely worth it. I took plenty of pictures, so here they are:

Me before the show (again)

Me before the show (again)

The stage before the show

The stage before the show

Rodriguez!

Rodriguez!

Rodriguez again

Rodriguez again

And to conclude, my experience of seeing Rodriguez live was absolutely amazing. I don’t think I’ll ever forget my experiences that night. Thank you, Rodriguez, for providing me with a wonderful night out.

40th post! Hurrah! What a journey these past 5 months have been.. Stay tuned for a post on my favourite Beatles quotes and possibly a post on seeing A Hard Day’s Night at the cinema (only a week ’till I get to see it on the big screen!). Right now, I’m listening to the White Album. ‘Till next week, though, good day sunshine 🙂

Looking Through A Glass Onion

The promo picture for the John tribute I went to last night...

The promo picture for the John tribute I went to last night…

...and me before the show.

…and me before the show.

Well, it’s a lovely day today! It’s meant to get to nearly 30 degrees (Celsius) here in Adelaide, which isn’t so nice (there are northerly winds), but the sun is warm in a good way if you soak it up from the safety of your house. We’ve also been painting our house lately, and my room is next! Yay – no more disgusting salmon and baby-pink walls (yes, there is a mix. The house was renovated in the ’80s last)! Oh, and I listened to Sgt. Pepper earlier today – I forget how hypnotic that album is. It may not possess the same magic as I feel Revolver does, but I still am completely and utterly mind-blown by it. I am actually not listening to The Fab Four right now – I’m listening to Tame Impala’s debut EP. ‘ Half Full Glass of Wine’ is the song currently playing, to be exact. I’ve been really digging Tame Impala lately – for those of you who don’t know, Tame Impala are an Aussie modern-day psych rock band, and I think their lead singer sounds a bit like John. But anyway…

Last night – thanks to my godparents buying me a ticket for my birthday a couple of weeks ago – my mum, godparents and I went to see ‘Looking Through A Glass Onion’! ‘Looking Through A Glass Onion’ is a John tribute performed by actor/performer John Waters, with a guy called Stewart D’Arrietta on piano. And yes, for those of you who are too Offspring nuts (like me), it was the same John Waters who played Darcy, Nina’s dad-then-not-dad. (And for those of you who have no clue whatsoever as to what the hell I’m talking about, Offspring is a quirky, popular Australian drama that documents the life of Nina Proudman and her slightly-eccentric family. In fact, I think my mum is watching Offspring re-runs right now.) Yes, yes – now I’ll get on with it, and tell you all about the show! Apologies for the lack of pictures, as — quote — “use of cameras and recording devices is [was] strictly prohibited.” We were lucky enough to be sitting in the second row, though, which was fab!

(And now I’m listening to a playlist of the Black Keys’ new album Turn Blue! I have also been digging the Black Keys lately.)

So, we (obviously) arrived at the Dunstan Playhouse – where it was being held – and bought programs/CDs (thank you to my godparents for buying me the CD!) and stood ’round for a bit whilst the doors were not open. And soon enough, we were in our seats, and the lights were dimmed. D’Arrietta walked on stage and started tinkering out a tune called ‘Scouser’s Lament’. And then finally, John [Waters] appears on stage, and starts talking – in the most accurate John impersonation I’ve ever heard! It was almost as if the magical man was in the room (I wish!)… We soon find out that Waters is acting as John [Lennon] — without the dress-ups, though — and that the monologue is set on the night of December 8th, 1980, when comments such as, “That fan’s been waiting there for five hours,” and, “Ooh, he’s got a book – wonder what it is? Looks like the Catcher In The Rye,” are made.  I think we all know what happened later that night. If you don’t, Google it. I don’t really feel like writing about what happened. But the show soon became less sad, when ‘A Day In The Life’ began (just John’s bit, obviously).

The show was basically “John” recounting his life in a sort of monologue manner, with some of his most famous songs inserted when needed. There were two acts (despite the fact there was no interval – not that I care 🙂 ), presumably split up by the Beatle years and the solo years. The monologue (much of which was comprised of actual John quotes) touched on everything from his friendship with Paul to losing his mother, the groupies to being a star from Liverpool, and the songs played ranged from ‘You’ve Got To Hide Your Love Away’ (after talking about Dylan’s influence on him) to ‘Nowhere Man’ (before discussing the racial discrimination Yoko was subject to in the British press), ‘Norwegian Wood’ (groupies) to a medley of ‘Julia’ and ‘Mother’ (well, the loss of his mother), Come Together (the break-up) to ‘How Do You Sleep’ (his friendship with Paul), and ‘Beautiful Boy’ (Sean) to ‘Jealous Guy’ (the Lost Weekend). Seriously impressive lighting was used throughout the show, ranging from a green background during the ‘cellophane flowers of yellow and green’ of ‘Lucy In The Sky With Diamonds’ to a pinkish-red background during ‘Strawberry Fields Forever’ and shadowing in ‘Working Class Hero’.

Soon enough, ‘Isolation’ from John Lennon/Plastic Ono Band (the second-to-last number) was played – with the most impressive lighting of the show (i.e. blacking out the entire stage except for one horizontal strip show Waters’ head – it was amazingly effective). And after that, we returned to the subject of that night. John notes that the fan is still there, and makes a comment about him looking upset at John. John then talks about how he’s probably lived in the man’s living room half his life, but that doesn’t mean he knows him or anything. Then the final chilling speech is made – John hopes that the man won’t do anything bad, ‘cos “dogs can bite, y’know.” And then the room went black. Stewart D’Arrietta tapped out gunshots on his stompbox. And it was obvious what had happened. I must admit I got a little misty-eyed.

But despite the tragedy, there was still one number left. Waters sung the obligatory ‘Imagine’ with minimal lighting, perhaps indicating that John is safe now. I don’t know – that’s how I interpreted it, though. Waters and D’Arrietta then took a bow, and then made their way outside for an artist signing! I got my CD, ticket and program signed, which I’ll show below.

To conclude, I really enjoyed ‘Looking Through A Glass Onion’. Really. Enjoyed. It. As with the others, it can’t be compared with the WAC or the Beatle Boys (‘cos they’re all so different), but I loved it equally. It was fab to be surrounded by a group of fellow Lennonites (or maybe even people who’ve just discovered the kind of magic that is John Lennon), and both Waters and D’Arrietta were very talented. Once again, thank you to my godparents for buying me tickets!

Here is my signed program, CD and ticket!

Here is my signed program, CD and ticket!

(And just a couple of other things…)

I have a new song on SoundCloud! Well, in reality, I recorded it last Monday and Tuesday and uploaded it on the net on the Wednesday, but I haven’t put it on here ’till now! Please like/comment on/repost it, follow me and/or share it with your friends. If you’re on SoundCloud, feel free to drop me a PM – I’d love to hear from you! The track is a cover of The Beatles ‘The Word’ (Rubber Soul), and I recorded all the instruments myself on GarageBand (and no, I did NOT use the Smart Instruments – I played actual guitars/actually sang myself). Here it is, and enjoy!

Oh, and I finally finished my own song! I’ve finally got a complete set of chords, melody AND lyrics! Yay! As soon as it’s finished (the recording, rather) and up on SoundCloud, I will upload it here.

That’s all for now, but I’ll post again on either Tuesday or Wednesday, ‘cos it’s now holidays! Woo-hoo! Good day sunshine 🙂

Another fab Friday night in my life (pun, again, intended)!

The stage display of the Beatles tribute I went to last night - taken during interval.

The stage display of the Beatles tribute I went to last night – taken during interval.

Last night, my parents and I attended a slightly-impromptu Beatles tribute (not that I’m complaining)! As you might remember (or know – depends if you’re an Adelaidean or not), there is a lift-out in the Saturday edition of The Advertiser called the SA Weekend, the set-out of which got a bit of a makeover a few months ago. One of the changes made at that time was a page named something to the effect of ‘Go Out, Stay In’. The ‘Go Out’ bit includes a list of concerts, exhibitions and events in general, and the ‘Stay In’ bit includes a list of books, movies and albums of the week (yes – The White Album was once the Vintage Album of the Week). I don’t normally look at the ‘Go Out’ bit (too busy looking for more Beatles albums on the ‘Stay In’ side!), but luckily my mum did! A day after I posted on here last, Mum came into my room with the ‘Go Out’ page, indicating at a part advertising a Beatles tribute involving Glenn Shorrock of The Twilights/Little River Band, and Doug Parkinson of The Questions – two very important figures in Australian music. There was a catch, though – it was a school concert! The performance was held in the auditorium of Westminster School, and the orchestra/bands/choirs/etc. that performed were all students. Though, as I learnt last night, that if you didn’t know that they were my age, you might have thought they were professionals! The groups were almost surprisingly good, and I think they did The Fabs justice.

The gig started with one of the big bands doing a ‘Sgt. Pepper Medley’, though in reality, the songs involved were ‘Got To Get You Into My Life’ (Revolver), ‘Come Together’ – with some groovy improv. from the resident guitarist and a couple of saxophonists – (Abbey Road), and, well, ‘Sgt. Pepper’s Lonely Hearts Club Band’ (okay, I could have just typed ‘Sgt. Pepper’), though it seemed more like the reprise than the actual song. On the big screen at the back, a picture was projected for each song – which I liked a lot. For this, the gatefold of Pepper was put up.

The next song was an acapella version of ‘I Feel Fine’, which was very cool! This was probably my one of my equal-favourite performances. ‘I Feel Fine’ is from their utterly-gorgeous folk-rock era (yes, I admit I would probably use ‘utterly-gorgeous’ to describe any of their eras, but still…) – one of my favourite parts of The Beatles’ career – thus I really liked hearing its ‘vocal jazz’ arrangement. The other school-exclusive performance that I liked very much was the other ‘vocal jazz’ arrangement of ‘Drive My Car’, which – too – is folk-rock Beatles (it’s on Rubber Soul), and sounded cool with the harmonies added for acapella’s sake.

The Beatles weren’t the only band to have their songs played that night – Glenn Shorrock played some of his Little River Band songs, too! Before interval, he played ‘Emma’ (which I didn’t realise was LRB until last night) and ‘Curiosity Killed The Cat’ (ditto). And then, in the second half, he sang ‘Reminiscing’ (interestingly was one of John’s [Lennon – though I assume you know who I mean when I write ‘John’!] favourite songs during the last years of his life – I can see why! ‘Reminiscing’ is also my fave LRB song), ‘Help Is On It’s Way’ and ‘Cool Change’ (ditto with ‘Emma’ and ‘Curiosity Killed The Cat). It was quite amazing, really, seeing that!

In the second half, plenty of The Fab Four’s stuff was played, too, but with either Glenn or Doug Parkinson (or both!) on vocals. ‘In My Life’ and ‘Eleanor Rigby’ were played with full string arrangements; ‘Let It Be’, ‘Dear Prudence’ (yes, I was surprised, too – but very happy!), ‘With A Little Help From My Friends’ (the Joe Cocker version, though) and ‘Golden Slumbers/Carry That Weight/The End’ (complete with the solos), however, were played with full orchestra, band AND choir arrangements! I was very happy to hear ‘Dear Prudence’ – not particularly well-known when compared with ‘Hey Jude’ – and, of course, the latter part of the Abbey Road medley! In fact, I was incredibly surprised to hear ‘Golden Slumbers/Carry That Weight/The End’, ‘cos they make up a bit of an obscure gem that only Beatles fans are aware of!

It was slightly inappropriate to take pictures – due to the fact much of the audience was there to see their kids perform – but I did manage to get a picture in interval, so that is what the stage looks like! I have actually performed on that stage, before – each year, there is a string/concert-band competition called ABODA, in which my string ensemble performs in each year (usually the concert band I’m in does too, but this year we can’t). In fact, ABODA is next week, and I’ll be heading Violin Two!!

And so to sum it all up, the concert wasn’t the WAC or The Beatle Boys, but it was a fabulous night! The school groups acted really professional and were really good, and it was a delight to see Glenn Shorrock and Doug Parkinson perform, too. If only my school did Beatles tributes…

I hope you’re having a fabulous day/night/whatever time it is wherever you are on this vast globe, and good day sunshine! 🙂

‘Let It Be’/Imagine The Art Of John Lennon

I believe I've posted this before, but I just had to post it again 'cause it's so cute! Taken in the Austrian whilst filming 'Help!'...

I believe I’ve posted this before, but I just had to post it again ’cause it’s so cute! Taken in the Austrian whilst filming ‘Help!’…

I wasn’t too sure what to post today, but I have a couple of Beatle-y/Lennon-y happenings to write about, so here goes! Excuse me if this post is a little mish-mashy (not a word, tangerinetrees99 – not a word), but hope you can follow along!

MY BRAND-NEW LET IT BE DVD

As I’m sure I said in my last post, I ordered a Let It Be DVD, and (of course) the day after I posted, it arrived in the mail! It only had to come from Pasadena (a suburb of Adelaide), after all… I should probably note that the disc is a bootleg – as are all DVDs of Let It Be – so tangerinetrees99 was a very naughty girl 🙂 !! As you can see – as it is far from the official Apple Corps-released (well, not in the case of A Hard Day’s Night) reissues of the other Beatles films – it does not come in a fancy glossy-cardboard gatefold, a slip-cover and a booklet. It is only packaged in a very simple plastic case, with a cover which I assume is an amateur’s Photoshop job. It does have its own charm, though! I’ll post some pictures of it below, and then I’ll write about the film itself, which I watched yesterday.

The front cover

The front cover

The side

The side

The back - with a completely-unrelated picture (not that I care!), a list of all the scenes and some incorrect (both grammatically and historically) information on the film

The back – with a completely-unrelated picture (not that I care!), a list of all the scenes and some slightly incorrect (both grammatically and historically) information on the film

The disc

The disc

And as for the film, I actually really enjoyed it! Despite popular belief, The Beatles are not fighting all the time (there is the famous George-and-Paul argument, after which George leaves the band for a few weeks – the latter is obviously not shown, though…), and they do smile at various points in the film. It was amazing to hear them coming up with songs such as ‘Two Of Us’ (I especially dig that electric version), ‘Octopus’s Garden’ (George was very sweet in that scene!) and ‘Across The Universe’ (again, it sounds groovy on John’s slightly-overdrive Epiphone Casino!). Heather McCartney seemed like a very cute little girl, too. And hearing Paul discuss wanting to begin touring again was interesting – John’s reaction to such mentions, too (sure, he was high on heroin at the time, so probably not a fair judgement – but still…). And of course, the Rooftop Concert! I have seen it in full once before (Mum and I YouTubed it back in January for its – *pauses to do maths sum* – forty-fifth anniversary), but last night was the first time I saw it properly, without trying to read lyrics, or wondering what song was which (that afternoon eight months ago was the first time I heard ‘Don’t Let Me Down’, ‘I’ve Got A Feeling’, ‘The One After 909’ and ‘Dig A Pony’). I actually heard Paul’s joking end to ‘Get Back’, for example (good one, Paul!)… So to end off, I really liked the film, and whilst probably no-one but hardcore Beatlemaniacs would find it enjoyable (they might enjoy it more than, erm, Magical Mystery Tour), I would certainly recommend it! This household is in order for another Beatles Movie Marathon, I think… 🙂

 

‘IMAGINE THE ART OF JOHN LENNON’ EXHIBITION

Also yesterday, I – along with my parents and my godfather – went to see the John Lennon art exhibit I also talked about last post! It was held at Hanrahan Studios – the former home/studio of prominent Australian artist Barbra Hanrahan, and Summer-house of her widowed partner, Jo Steele (a racing-car driver and sculptor) – which was a very nice venue, I must say. John’s works (or authorised prints of them) were displayed out in the large two-story studio, and there was a rather steady stream of people (whom I would assume are fellow Lennon Lovers) going through the exhibit. And my gosh, was John a talented artist! Most of the exhibition was made up of his gorgeous drawings – some very funny puns (his ‘Owls Hooting’ one, for example), some simple ink drawings of him and Yoko, some completely random yet still beautiful – however some were prints of his handwritten lyrics to certain Beatles/solo songs (i.e. ‘Drive My Car’ – found this interesting, as ‘DMC’ is a Paul song -, ‘Day Tripper’, ‘In My Life’, ‘Gimme Some Truth’, ‘Happy Xmas (War Is Over)’, ‘Real Love’ and – of course – ‘Imagine’). Oh, and how could I forget – there was a genuinely-signed Beatles picture, too (for $25, 000, mind you)! As you can probably guess, the prints were very expensive, and most of which were somewhat over $1000. However, there were a few unframed prints of his handwritten lyrics to some Milk and Honey songs sitting on the floor, so we brought home a gorgeous print of the lyrics to ‘I’m Stepping Out’! Here is a picture of it below, and here is their website (which I think I posted before) on which you can look at some of the pictures (it won’t let me save images off it, so I can’t put them directly on here).

Here is our print - it will be going in our living room, once the house has been painted. Too expensive to sit on the floor of my bedroom!

Here is our print – it will be going in our living room, once the house has been painted. Too expensive to sit on the floor of my bedroom!

 

So there we go – my post for the week (I will post more in school holidays, I promise)! I ‘spose I should pause ‘I Don’t Want To Spoil The Party’ (I’m listening to Beatles For Sale), and publish this. Have a fab day, and good day sunshine! 🙂

 

LOOK WHAT CAME IN THE MAIL YESTERDAY!! (a.k.a. Thank You Mr. Postman Pt. 3)

Here it is - the sacred BluRay!

Here it is – the sacred BluRay!

I was going to post yesterday, about a Lennon-y happening in Adelaide that my mum discovered via her Facebook Newsfeed, but something stopped me from doing so (not that I’m complaining!). My mum was driving me home from school, and was telling me that she had checked our mailbox (which is usually my job, but she had done it earlier that day). I asked her if there was anything for me – I wasn’t expecting her answer, as the expected arrival date (according to Amazon – where I ordered it) for what came was August 4th. So, Mum implied that there was something for me, but it was addressed to her. I quickly clued on – my beautiful A Hard Day’s Night BluRay had landed in our letterbox! I squealed (as you do), and as soon as we arrived home, I ran through the house and found a cardboard box on our dining-room table. I reached into the box, and the above package came out. And that package is now going to receive a bit of a review from me!

THE PACKAGING

The British edition of A Hard Day’s Night – unlike its Australian counterpart – comes in a fancy slip-case, not unlike the ones that come with the official Apple Corps releases of Help! and Yellow Submarine. The words ‘THE BEATLES’ and ‘A Hard Day’s Night’ are embossed, and stick out in comparison to the rest of the box. On the front cover, there is a famous still from the ‘Can’t Buy Me Love’ scene, in which they are chased around London. As many people will know, the cover was changed a few times, for which I am glad. If you have not seen the original cover (designed by some graphic design franchise called La Boca), be thankful – it was absolutely ATROCIOUS. But back onto the design that was used – on the back of slip-case, there is – obviously – the blurb, the credits, a list of the nine (nine!) special features and all the jargon-like information to do with the way it appears on the screen. Amongst that, though, is two rows of pictures from the A Hard Day’s Night album-cover photoshoot – however, some of these pictures are outakes that never actually appeared on the cover! Inside the slip-case, there’s nothing special (apart from the disc!) – just a standard BluRay cover, with the same appearance as the case it came in. Sadly, the BluRay does not come with a booklet, like Apple Corps releases of the other Beatles films and the US release of the above, but I don’t really mind. Oh, and the case feels nice, too – it seems almost waxy.

 

THE DISC

Oh my – A Hard Day’s Night in HD; oh my, does it look good! I used to watch AHDN through an unofficial, not-particularly-fabulous quality YouTube video, so seeing it so sharp was quite an experience. And I swear that certain parts of the film were cut out on YouTube, meaning that – despite the fact I have seen the film a good five times – last night was the first time I had seen it in full! I haven’t checked out the special features yet, but they look really good – I especially like the sound of the In Their Own Voices thing (’64 interviews with John, Paul, George and Ringo + behind-the-scenes footage) and the interview with Mark Lewisohn (the author of Tune In – or in other words, a keen Beatleologist). So to sum the above paragraph all up, I thought that film was fab enough the first times I saw it – now that I’ve seen it in HD, I love it even more!

Here some pictures of my copy – excuse the quality, as it is growing dark:

The side

The side

The back of the slip-case

The back of the slip-case

The BluRay case

The BluRay case

Inside the case, where the magic is kept!

Inside the case, where the magic is kept!

So as you can see, I’m very, very, VERY happy with the beautiful A Hard Day’s Night, especially now that I have my own copy (it has been out-of-print Down Under for about ten years)! And if you don’t already have a new remastered copy of this fab film, make sure you get one – you won’t be disappointed!

And as for that Lennon-y happening, there is an art exhibition of official prints of John’s work in Adelaide at the moment 🙂 ! I don’t really have time to write about it now, but I will be visiting in on Saturday thus will write about it then. For now, though, here is the link to their website, and be sure check out the exhibit if you’re a fellow Adelaidean! I knew that Johnny was a talented artist (for goodness’ sake – he went to Art School!), but I never knew he was that good until I saw the pictures on that website. Wow, John – you really were a genius (not that we didn’t all know that already)!

Oh, and I ordered  Let It Be off Ebay last night, so I will soon own all five Beatles films! I am really looking forward to seeing it, though – I know most people would find it depressing and boring (I might find it the former, as the band is falling apart – but I really still want to see it), but it sounds really interesting. And it includes the Rooftop Concert – come on; who doesn’t love that?! Until the weekend, though, good day sunshine from me! 🙂

A ‘Good Night’ (pun intended) at The White Album Concert!

 

The promotional poster for the gig.

The promotional poster for the gig.

And me before the show, in my White Album shirt (which was my only Beatles shirt until last month!). Yes, and I do wear things other than Beatles shirts...

And me before the show, in my White Album shirt (which was my only Beatles shirt until last month!). Yes, and I do wear things other than Beatles shirts…

 

Hey Bulldog/Jude/all,

Well, as you have probably gathered, I went to a gig last night. And that gig was none other than the critically-acclaimed White Album Concert! As I explained in my previous post, The White Album Concert is made up of four well-known Australian musicians (Tim Rodgers of You Am I, Chris Cheney of The Living End, Phil Jamieson of Grinspoon and Josh Pyke, an ARIA-Award-winning singer/songwriter – a soloist, too, unlike the other three) singing/playing the entirety of The Beatles (better known as The White Album), along with a 17-piece band. The show was toured once before – in 2009 – and has been travelling around Australia since the 13th of this month. As you can probably guess, Adelaide had one of their last shows – the second-to-last, to be exact. The show was held in the Festival Centre – our fancy theatre where a lot of shows are held (also the second-biggest venue in SA).

After being forced to park on the other side of town (the CBD isn’t particularly big, though – one could probably drive from one side to the other in ten minutes) due to the premiere of a play in the Dunstan Playhouse and some soccer match, we finally came to the Festival Centre. We (or more specifically, my Dad – thanks!) bought a program, which can be seen in the picture above, and, soon enough, we had entered the theatre and the lights were dimmed.

The show was begun with the band playing ‘Can You Take Me Back’ (the unrelated coda at the end of ‘Cry Baby Cry’, if you are not familiar with the title), before Chris Cheney ran onto the stage, and began playing ‘Back In The USSR’! This was followed by the entire contents of the first disc, each song being covered by either Cheney, Jamieson, Rodgers or Pyke. And then, twenty minutes after the last strum of ‘Julia’, the second half again started with Cheney – this time, though, playing ‘Birthday’. After the end of ‘Good Night’, however, the show did not finish – all four musicians came together (pun intended) to cover ‘A Day In The Life’ and a reprise of ‘Revolution’ (and most of the audience stood up and danced/sang at this point – including me)! And I should probably add that by the entirety of the White Album, I mean the entirety – this means their repertoire included ‘Wild Honey Pie’ and ‘Revolution No. 9’ (which didn’t sound much like the real thing – thankfully… But then, I listened to the entire track for the first time yesterday, and it was nowhere near as bad as I thought. I found John and George’s (non-edited) voices quite comforting, though – not sure I would have listened to the whole thing otherwise…)!

I don’t have a stand-out favourite performance, as all the covers were so darn good! I was, however, incredibly impressed by the fact that the White Album version of ‘Revolution’ was performed specifically as ‘Revolution No. 1’, and that the single version of ‘Revolution’ was kept for the encore. If I did have to choose a favourite bit, though, it would probably be ‘Cry Baby Cry’ (sang by Josh Pyke), ‘Rocky Racoon’ (Pyke, again – I don’t normally like this song too much, but it sounded like a ‘Oh! Yoko’ and ‘Racoon’ mash up!), ‘Everybody’s Got Something To Hide Except Me And My Monkey’ (Tim Rodgers), ‘Long, Long, Long’ (Pyke, again), ‘Yer Blues’ (Phil Jamieson) and Chris Cheney’s guitar-god moment, ‘While My Guitar Gently Weeps’! Other favourites included their versions of ‘Martha My Dear’, ‘I’m So Tired’ and ‘Happiness Is A Warm Gun’, but to be honest, I really didn’t do too much favouring!

And did I prefer The Beatle Boys to the WAC? As with above, I really cannot choose, as they were both so different. (On a random note, I’m listening to Anthology 3 at the moment, and the acoustic version of ‘While My Guitar Gently Weeps’ has just come on – I forgot how beautiful the demo is! I prefer it to the real thing…) As we all know, The Beatle Boys dressed up in the suits and boots and had their hair cut in moptops and put on Scouse accents – and what a great job of their tribute they did! The WAC was completely different, though – no dressing up, no accents (though Tim Rodgers did make a ‘rattle your jewellery’ joke in a Liverpudlian accent), no haircuts – just a night of electrifyingly-good music, sung by four relatively-famous musos. So again, I have no preference – let’s just say that they were both two of the best nights of my life! But this time, however, I took a lot of pictures, and only one video (0f ‘Cry Baby Cry’), so I will have something to show you of my own, for once – we were sitting in Row E of the dress circle, so I was in the perfect position to get some full stage shots! See below for my pictures and some YouTube clips of the concert in other states:

white album one

white album two

white album three

Note all the psychedelic lighting - I couldn't quite capture the beauty of them in single shots, but I tried! The acoustics were also amazing - it was so loud, but God, did it sound good!

Note all the psychedelic lighting – I couldn’t quite capture the beauty of them in single shots, but I tried! The acoustics were also amazing – it was so loud, but God, did it sound good!

white album five

The whole band!

The whole band!

 

The promo.

‘Birthday’

‘Revolution No. 1’ (gives you a good idea of the atmosphere – everyone singing!)

 

So there you – a review of my lovely night! I think I posted this last time, but here is the link to their website, so please check it out! Hope you’re all having a great day, wherever you are, and good day sunshine! 🙂