My Beatles Record Collection Pt. 8 – ‘The Beatles’ (aka The White Album)

Last year, there was an awesome art installation made up entirely of hundreds of White Albums. I didn't get to see it (I don't think it came to my city), but it looked really cool...

Last year, there was an awesome art installation made up entirely of hundreds of White Albums. I didn’t get to see it (I don’t think it came to my city), but it looked really cool…

For Part 8 of this series of posts, it is only fitting that the Beatles album released in 1968 is the focus. That album being, of course, a very famous double album. It’s called The Beatles. But most call it the White Album! The White Album is one of The Beatles’ most well-known releases, and is famous for its unconventional, inconsistent musical style and its nearly-all-white cover. It made number 10 on Rolling Stone’s ‘500 Greatest Albums of All Time’,and number 4 on my ranking of The Beatles’ albums last year. (If I redid the ranking, though, it would probably make number 2 now!)

Apart from arguably being the weirdest album in the history of music (in the absolute best way possible!), The White Album is famous for a few other things. The sessions for the double album marked the first time that the relationship between The Beatles became particularly strained. John, Paul and George would often inhabit three separate studios in Abbey Road, each doing their own separate overdubs for their own separate songs… Ringo quit the band for a few of the early sessions, but was convinced to return by the other three. A few songs on The White Album also “inspired” Charles Manson and his “family” to commit the despicable things that they did… (But that was by no means The Beatles’ fault. It is truly horrible that the wonderful songs that Manson chose to associate himself with will forever be stained by his actions.) Oh, and it includes ‘Revolution 9’. However, the album was one of the earliest rock double albums. It also contains some of the (arguably) greatest songs ever, like the proto-metal of ‘Helter Skelter’, the tender and beautiful ‘Julia’, ‘Dear Prudence’ and ‘Blackbird’, the Eric Clapton solos of ‘While My Guitar Gently Weeps’, the satire of ‘Piggies’ and ‘Glass Onion’, the first Ringo-penned tune (‘Don’t Pass Me By’), and the all-round awesomeness of wonderful songs like ‘Happiness Is A Warm Gun’, ‘Yer Blues’, ‘I’m So Tired’… Not a bad piece of work, boys!

The White Album is also famous for its packaging. The cover is almost completely white, with the band’s embossed name being the only graphic on the front cover. That is, unless, one has a first-edition White Album. Then one would also have a number on the front, telling them what number White Album they own. Numbered WAs are particularly coveted by collectors… Original pressings also included four head-shots of each band member, and a poster with a collage of Beatles pictures on one side and the lyrics for every song. These posters were originally censored, as pictures of John and Paul naked are included on the uncensored version…

My White Album is my only other first-edition Australian vinyl (along with Revolver). In my opinion, two wonderful pleasures in life are listening to those albums on first-ed vinyl… But anyway, here is my White Album!

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Okay. Perhaps my White Album should really be called the White-with-a-coffee-stain Album. Its previous owner/s clearly mistook it for a coaster… Much like my Revolver, the cover is particularly tattered. Not that I care, though. If you look closely, you can see the embossed ‘The BEATLES’ logo. And if you look even closer…

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YES! I have a numbered White Album! I have the the 26,357th Australian White Album made. In Australia, the very early White Albums were numbered with the prefix ‘A’. Numbering went up to about the 3,000,000th WA, too. So I have a relatively low number! Due to the bad condition of the cover, it only cost me $30 AUD. And all the other numbered White Albums I have seen around here have been over 1,000,000 numbers higher. So tangerinetrees99 is a very, very lucky girl!

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This is the top of the back cover. The back cover is completely white, except for that little ‘STEREO’ stamp in the top right-hand corner. Australian stereo White Albums were made in the US, so it is slightly less rare than the UK-made Aussie mono pressings (which apparently only sold around 5,000 units). But I really don’t care!

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This is the gatefold of my album. As you can see, the spine is falling apart, sadly. On the left-hand side of the gatefold, the track-listing is written down in grey text. And on the other side, the head-shots that would have originally come with the album are pictured in black-and-white. My White Album would have originally come with the poster and headshots, but these have been lost somewhere before it reached me… Oh well!

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(The track-listing. What is your favourite song on the White Album? Tell me in the comments!)

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(The headshots!)

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These are the inner sleeves of the two discs. Again, I’m a very lucky girl, as they are the original inner sleeves! As you can see, the sleeves were originally black, probably as some kind of ironic joke! They are falling apart, but I don’t care! They still do a good job of keeping the vinyl protected…

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These are the discs, themselves. The White Album was the first proper Apple Corps release in Australia, as the ‘Hey Jude’/’Revolution’ single was released on both Apple and Parlophone, here.

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And a close-up of Side 1. As you may be able to see, the discs are severely scratched. But they play surprisingly beautifully! Really. Beautifully. The scratches are light enough so that the needle doesn’t skip, and though it crackles a bit, our record player crackles a lot, full stop. There is nothing quite like listening to The White Album on first edition vinyl. It really is an album that needs to be played loud through a good sound system, on an originally-pressed vinyl. Just the way The Beatles intended…

And there is my copy of my second-favourite Beatles album! Next month, I will return with one of the very last studio albums in the series…

Hope you all have a great Easter break! Tomorrow, I’m going to a music festival, which should be heaps of fun… And I’m now on school holidays! Yay! You should be seeing me a little more ’round here than usual. But ’till next post, good day sunshine! 🙂

My Beatles Record Collection Pt. 5 – ‘Rubber Soul’

John is wearing his suede 'Rubber Soul' jacket! And I wonder what is making George smile so widely...

John is wearing his suede ‘Rubber Soul’ jacket! And I wonder what is making George smile so widely…

‘Ello, ‘ello, ‘ello, and welcome to this month’s edition of ‘My Beatles Record Collection’! This particular series even has a ‘suggested search entry’ on our laptop’s Google Chrome, now! But anyway, I shall start the post…

This post, the featured album is…Rubber Soul! This album is often recognised as the album that splits the early Beatles from the late-era Beatles (though I prefer the three-levels version. Or should that be seven? Google ‘seven levels paul mccartney’ if you have no idea what I’m joking about…) and has been named ‘the biggest leap in The Beatles’ career’ by various people of note. Whilst the band’s growing maturity and concern with lyrics is demonstrated on Help!, it is on Rubber Soul that these leaps are first demonstrated in full flow. And that’s not to mention the musical leaps that this album also made: its inclusion of the French/Greek guitar lines in ‘Michelle’/’Girl’ (respectively), the use of many genres including folk, psych rock, R&B and pop/rock, and the use of sitar on ‘Norwegian Wood’ (the first use of the instrument in rock music) are what makes the album one of the most influential in the history of rock music. Rubber Soul influenced many musicians to begin focusing on the album as a piece of art, and is particularly notable for inspiring Brian Wilson to create The Beach Boys’ Pet Sounds. It reached Number Five on Rolling Stone’s ‘500 Greatest Albums of All Time’, and Number Two on my ranking of The Beatles’ albums earlier this year. (Though I’m not too sure this blog is quite as important is Rolling Stone… 😉 )

My copy of Rubber Soul is probably the most expensive LP in my collection. I would have paid $100AUD for it full price, but the nice guy at the fab record shop I buy from gave me a discount, leaving the price at 70 bucks! Those of you who’ve been within the ‘AYNITB’ community for a while might remember it from this post. But anyway, here’s a picture (and yes, it’s from that post):

rubber soul lp one

Some of you might know that Rubber Soul was the first Beatles album to not feature the name of the band on the front cover (a practice which was very uncommon at the time). This would later be repeated with RevolverAbbey Road and Let It Be. But look closely at the picture; just below the ‘Rubber Soul’ text and between John’s and Ringo’s heads are the words ‘THE BEATLES’. Gasp! What naughty record company violated this first?! (And for once, it’s not the cover butcherers also known as EMI Australia…) Yes, my precious pressing is an import. And you’ll soon find out what country it is from…

rubber soul 1

Here’s the back of the album. (I love the photos on the back!) The LP appears to be enclosed in the plastic bag behind it, but it is in fact encased in a plastic sleeve. (As were all the pressing of Rubber Soul from this particular country…) Whether the record is in mono or stereo isn’t indicated, but listening to the album tells the audiophile to whom the album belongs that it is in mono! Yay! There are no backflaps but nothing online suggests that it is anything but a first edition. Though there is barely any information online concerning this country’s version of this album… If any of you know a bit about this record, your information would be greatly appreciated!

Take a look at the bottom left-hand corner. As will probably know, The Beatles at this stage were released mainly on either Parlophone or Capitol. But this Rubber Soul was released on Odeon Records, record company that released The Beatles in (among other places)…

rubber soul 2

…URUGUAY! Yes, that’s right — Uruguay. A little country in the south-east of South America, that is in the same hemisphere as my own country (Australia). The Beatles truly were here, there and everywhere… But anyway, I find it very cool that I have a Uruguayan vinyl in my collection. I wonder how much of a rarity it is (or not)…

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The record sleeve with the cover. Yes, I’m lucky enough to have the original paper sleeve! It’s in absolutely impeccable condition… The cover itself also appears to be in mint condition, as it has been protected by the plastic protector found on each Uruguayan Beatles album.

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The label of the LP. The image showing the back cover is clearly written in English, but the label is written in Spanish with an English translation in brackets. (I went to Spain with my parents, once, when I was about six. I got tonsillitis in Barcelona…) And check out the label itself! Not black and gold, not orange… But blue! That is because my record is not on Parlophone — it is on Odeon.

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And Side Two of the album. It appears very scratched (and it is). But thankfully, the scratches aren’t very deep and are easily filled in with the record cleaner we use in our house. If I remember rightly, the album plays like a dream! The vinyl is nice and thick and pressed in mono, which helps. Interestingly, mono LPs always play better on our record player. Probably ‘cos it’s old enough to most likely have at least had one Beatles record spun as a brand new release… 🙂

And that’s ‘My Beatles Record Collection’ finished for another month! It’ll be back in the New Year, with the album that just turns out to by my favourite recording of all time…

Oh, and congratulations to George (Harrison) who’s receiving a Lifetime Achievement Award (what The Beatles received earlier this year) at the Grammys next year, in particular for All Things Must Pass and the Concert for Bangladesh! Congratulations, Georgie. You deserve it, and it’s sad that you can’t be here to accept it yourself.

And a happy belated (as the Americans would say) half-birthday to ‘All You Need Is The Beatles’, which turned six months old on the fifth of this month! I’ve loved writing this blog over the past six (that many already?!) months, and hope it continues to bring me the joy it does now for many more months/years to come! It also helps that I have a really awesome group of followers, so thank you for liking/commenting/sharing/just generally making the ‘AYNITB’ community a really fab place on the net! I really appreciate it.

Hope you have a groovy day/afternoon/evening/whenever, and good day sunshine! 🙂

My Favourite Beatles Live Performances

You might be finding a few gems from this gig today...

You might be finding a few gems from this gig today…

PLEASE NOTE: I meant to publish this post before I published ‘I Think I’m Gonna Be Sad…’, but I didn’t finish the draft in time. Sorry ’bout that. But as you can see, I have finished the draft — voila!

Yay! Finally finished school for the year — meaning nearly two whole months of holidays! I saw Ben Folds live last Friday, which was amazing. Very funny/clever man… Ben actually used to live in Adelaide, which is cool. But anyway…

Reading the title of this post, you might be thinking, ‘What? You can barely even hear The Beatles live on some of the recordings!’ Not strictly true… There are some really, really amazing versions of their songs played live. And you can actually hear them (sometimes)! I stay away from 1964 live recordings, though — the screams are slightly overpowering, then. A lot of my favourite recordings come from 1966, when you could actually hear them. (Some from mid-late ’65, as well.) But anyway, let the list begin…

Yesterday: Munich, 1966

BACKGROUND: ‘Yesterday’ was included in The Beatles ’66 set list, but it was not played live like it was in ’65 (i.e. Paul solo with his acoustic-electric guitar plus a pre-recorded string quartet). As can be heard in this video, The Beatles had clearly created a two-electric-guitars/bass/drums arrangement for live purposes. As far as I know, the song was played at each concert in the US, plus Munich (where this version originates).

WHY I LIKE IT: Call me sacrilegious, but I count ‘Yesterday’ as one of my least favourite Beatles songs. But I love this version! I think it sounds way better with the electric guitars and drums than it did with that string quartet. (The string makes the song too schmaltzy, in my opinion.) Not a live version, but my other favourite version of this song can be found on Anthology 2.

I Saw Her Standing There: Drop In — Sweden, 1963

BACKGROUND: In October 1963, The Beatles semi-toured Sweden. (Beatlemania hadn’t quite hit Sweden, so it’s wonderful to actually be able to hear the songs minus any sort of scream.) One of the performances done on this tour was for a TV show called Drop In. The setlist for this night was ‘She Loves You’, ‘Twist and Shout’, ‘I Saw Her Standing There’ and ‘Long Tall Sally’.

WHY I LIKE IT: Listen to that rhythm guitar. Need I say more?

I’m Down: Blackpool Night Out — Blackpool, 1965

https://www.dailymotion.com/video/x2rjt0 (the stupid Dailymotion embed code refuses to work)

BACKGROUND: In August 1965, The Beatles performed on another show, called Blackpool Night Out (thus we don’t know where the performance was situated AT ALL. Not.). The BNO performance is slightly better known than the above, though, due to inclusion of much of the show on Anthology 2. The set list was comprised of ‘I Feel Fine’, ‘I’m Down’ (obviously), ‘Act Naturally’, ‘Ticket To Ride’, ‘Yesterday’ and ‘Help!. (I highly recommend watching the entire performance on YouTube, by the way. There are some very funny quips from John, and the dancers that perform during the end credits made me laugh. The dancer weren’t actually provided for comic relief — as far as I know — though…)

WHY I LIKE IT: Interestingly, the organ in this performance is much more evident than in the studio version. And it’s amazing! I attempted to compare this version with Shea Stadium, but got irritated with the screams and gave up.

Day Tripper, Paperback Writer, She’s A Woman: Candlestick Park, 1966

BACKGROUND: As I assume most (if not all) of the people reading this know, The Beatles’ only performance at San Francisco’s Candlestick Park was their final live performance (sans the Apple Rooftop). The group (especially John and George) were fed up with the treatment they received on their tours, not to mention the screaming girls (attention which they enjoyed at first, but grew to dislike). Luckily for us obsessive Beatlemaniacs who will quite happily sit through hours of Beatles live tapes (or is that only me…), Paul asked Tony Barrow to record the entire concert on tape. Unfortunately the tape ran out halfway through ‘Long Tall Sally’ (the last song in the gig — excluding the opening bars of ‘In My Life’ that John played on his Casino as he walked offstage), but anyway… The Beatles also took photos onstage that would now be called ‘selfies’… (Haha — The Beatles were the first to use artificial double tracking, popularised longer haircuts for men and invented the selfie! 😉 ) Not coincidentally, Paul was the last person to play at Candlestick Park before its demolition.

WHY I LIKE IT: I’m not sure if it’s just the bad sound quality (I think not), but The Beatles’ guitars sound as if they’re on overdrive. And not just that — John/Paul are really screaming those rockers with passion! They seem to be having a rocking good time. Which I find very groovy! The Beatles really sound like they’re letting loose (someone in the YouTube comments compared the gig to those of The Who!) here, and they are rocking dead hard. Perhaps this is because they know that after that particular gig, they will not be performing together live in the near future… But anyway, really worth listening to. I will post the entire concert below — really, utterly and definitely worth listening to if you have a half an hour to spare.

 

(And of course…) The Rooftop Concert!

BACKGROUND: The Beatles hadn’t toured for nearly three years. In that time, the band created the masterpieces known by the general public as Sgt Pepper’s Lonely Hearts Club Band and The Beatles/White Album. (Not to mention Magical Mystery Tour — not that I’d exactly call the film a masterpiece… 😉 ) John had gotten together with Yoko, and Paul with Linda. And the infamous split-up of The Beatles had begun. By early 1969, Paul was desperate to save his band, as the members (especially him and John) began to drift further and further apart. His attempt to save the band — the Get Back Sessions! (Of course, we now know that his attempt wasn’t particularly successful…) The original intent of this project was to basically have a giant jam and end up holding a gig in some exotic location, but arguments between John and Paul led them to have the concert on the Apple Rooftop. This set up a trend still continuing today — rooftop concerts!

WHY I LIKE IT: C’mon… Late-era Beatles performing some fab yet-to-be-released songs — what’s not to like? If I could have been at any Beatles live performance, I would actually choose the rooftop concert. I think it would be utterly magical walking around in one’s lunchbreak, only to find The Beatles playing an impromptu gig. And you could probably hear them, too! Not to mention that ‘Get Back’, ‘I’ve Got A Feeling’ and ‘Don’t Let Me Down’ are some of my favourite Beatles songs…

And there we go! My shortlist of The Beatles’ live versions! Hope you enjoy listening to the various versions of songs you (probably) already know.

Hope you’re having a fab day — wherever you are in the world — and good day sunshine until the weekend! 🙂

As mentioned above...

As mentioned above…

My Beatles Record Collection Pt. 4 – ‘Help!’

Sorry for not posting in two weeks. But I shall make up for such crimes with this very cute picture!

Sorry for not posting in two weeks. But I shall make up for such crimes with this very cute picture! Martha, my dear…

Sorry. Boy, I’ve been a naughty girl. I have not posted in two weeks. I have a large school assignment (or “Independent Research Project”) due this Thursday, and I was working on it for most of last weekend. (I also went to see a groovy film called God Help The Girl, and did a good dose of record shopping beforehand. Let’s just say one of the LPs I bought is white, double and is the subject of a relatively low number…!) I’ve still got a bit to do on the project, but I have found a bit of time to blog today, as well! Yay! So that’s my excuse, and why this month’s edition of ‘My Beatles Record Collection’ could seem early…

But anyway, this month we have Help!, the second Beatles studio album I ever listened to, and the first LP I ever bought (almost a year ago). (I actually bought a box set of Beatles records called The Beatles Box slightly beforehand, but I always count Help! as my first actual LP.) I think I listened to soon after watching the film Help!, which is not surprising ‘cos Help! is my favourite Beatles film. (The music — I love ’65 Beatles –, the technicolour, the ski scene, Ahme, that flat…) The album made number five in my ranking from earlier this year.

My copy of Help! is possibly the most valuable in my collection. It wouldn’t surprise me if it’s worth a bit. But anyway, here’s a picture.

help one

Wait — tangerinetrees99 has TWO copies of Help!?! Let me explain…

The copy on the left (the newer-looking stereo pressing) was the one I obtained first. But it is not the one that I think might be quite valuable. Why? It’s a 2012 pressing, which I purchased late last year (on the 8th of December, in fact — RIP John 😦 ). And it doesn’t play. Again, why? Well… About a year ago, we purchased an original 1960s stereogram, and that is when I began collecting records. But me being very naive and knowing absolutely zilch about vinyl at the time, I thought all Beatles LPs were going to be priced well-off into the 100s (AUD) and that I’d never be able to buy an original pressing. So I purchased a new pressing from a record shop (not the one I go to now — I was yet to find that one) on that horrible anniversary and I couldn’t wait to get home to play it. The needle in the record player was completely original, and having previously played a few records on the player and experiencing no issues, felt no need to replace it. So anyway, I get home and play the record. ‘Help!’ plays perfectly. But about halfway through ‘The Night Before’, the LP begins to skip like mad. Ditto with ‘I Need You’, ‘You’ve Got To Hide Your Love Away’, ‘Another Girl’, ‘You’re Going To Lose That Girl’, ‘Ticket To Ride’… We obviously ended up replacing the needle, but Side One of the record is forever ruined (stupid, naive me)… Not that it matters anymore, though!

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Here’s the actual cover of the record. You can see how much I payed for it — ha ha! Apart from some light discolouring, the cover is in really good condition. And the LP is in mono! Most times for me, mono triumphs stereo by miles, so hurrah! (I didn’t know about the difference between the mono/stereo mixes at the time, though…)

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Here’s the back of the LP — in even better condition than the front! If you look carefully, you will see that I have landed myself a UK pressing! And you have probably already noticed the backflaps, meaning that my copy is first edition. Good job, me. I’ve seen pretty much the same LP going for a lot more than $50AUD on eBay, so even better job, me… My Help! was owned by the same person who owned my With The Beatles, funnily enough — he/she (I assume the latter) must have sold his/her LPs to my record shop…

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Here is a close-up on the catalogue number/backflaps/John. Wow — my Help! was a very lucky fluke. Very…. First-edition. UK. Mono. (Even though the earlier stereo pressings are worth more.). Very lucky.

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Here’s the cover with the inner sleeve/actual record. I have the original EMITEX sleeve in mint condition! How cool is that! “Clark” must have been very careful with her records (as is also shown with my With The Beatles).

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And the vinyl itself! On black and gold label! Hurrah! Told you it was first edition! Nice break from the orange, isn’t it? This is Side Two. Side One is in mint condition, and plays absolutely perfectly. (Though everything we play on our record player crackles — due to the age of the stereogram.) This side has a scratch through ‘Yesterday’ and ‘Dizzy Miss Lizzy’, though I’m very lucky that it doesn’t affect the sound at all! Probably due to that wonderful record-cleaner stuff that we use…

And there we go! One of my most valuable records in a pillow you never gave me (bonus points if you know what song I’m referencing!)…

Haven’t got much else to write. I promise I’ll be back to normal blogging schedule next week (I’ll have handed in my assignment by then). Anyway, it’s only TWO MORE WEEKS to two whole months of Summer holidays and the end of the school year! Yay! I’ll blog as much as I can in the holidays, to make up for posts I have missed. Next week, though, will be a sad post. It will be the 29th of November. We miss you, George.

Have a wonderful day/night/afternoon/morning/weekend/week/[insert period of time], and good day sunshine until I post next! 🙂

 

The latest additions to my record collection

Good morning (or whatever), good morning, good morning-g! (Nothing to do save your life, call the wife in…)

Yesterday was an absolutely beautiful day in Adelaide (today is just plain hot), so my mum and I went into the city. If you are a regular reader of this blog, you’ll know I collect Beatles LPs, so it’ll be no surprise to you that I had been saving my cash for weeks for a trip to my favourite record shop — which is in Rundle Mall (which is in the city, if you’re not Australian). I haven’t been in there for at least three months, so it was nice to buy some more records. I’m known in there as The Beatles girl! But anyway, here are my purchases.

1. Though I bought a couple of non-Beatles records, my priority was (obviously) to buy a Beatles LP. And I got Rubber Soul! I already own this album…on iTunes…so it is really nice to have it on vinyl!

rubber soul lp one

If you look extra carefully at the image below, you might see that the record is not from here (Australia), or England, or America — but from Uruguay! It’s in mono, and though there are no backflaps, some scouting around on the web indicates that it is a first pressing, and the label shows it was released there on Odeon Records (The Beatles’ record label in Japan, too). I won’t go into much detail now, but here’s the back of the album and the LP itself. It is absolutely bee-yoo-ti-ful, in my opinion – it might just be my favourite of all the ones we bought!

rubber soul lp two

2. You might remember from a couple of posts ago that I mentioned that I liked an alternative group called The Black Keys. Well, I bought their latest album Turn Blue (from May 2014, so it’s new vinyl — the album debuted at number one in Australia!) yesterday, as well! The Black Keys are actually playing Adelaide next year, but the stupid venue says ‘for over-eighteens only’. Grr. I really wanted to see them. But the website did say ‘unless otherwise advertised’, so I can only hope it will be advertised otherwise. But anyway, the album is completely and utterly groovy — I would highly recommend it to anyone who really enjoys psych/alt rock. I have had the riff from the ridiculously-catchy ‘Fever’ stuck in my head ever since I listened to the LP last night. And I think it is really cool that some modern artists still release on vinyl — if/when (hopefully the latter!) I am a recording musician, I will be sure to release actual LPs, too.

turn blue black keys one

Turn Blue came with a large poster of the cover (above) AND the album in CD format (plus the beautiful cardboard sleeve), so good value for $40AUD!

turn blue black keys two

3. We have a loyalty card for the shop at which we buy our records, and we had reached ten stamps on our card! I got an Australian-edition first pressing of the Requests EP with the extra money, which was released in 1964 (between the Long Tall Sally EP and Beatles For Sale, I’d say) and plays ‘Long Tall Sally’, ‘I Call Your Name’, ‘Please Mister Postman’ and ‘Boys’. As with Rubber Soul, I won’t go into too much detail now (I need material for their respective ‘MBRC’ posts!), but here it is.

requests one

requests two

4. And finally, my mum bought a 2014-pressing (in other words, a new vinyl) of The Velvet Underground and Nico! Hope she’ll let me borrow it, ‘cos I really like The Velvet Underground… 🙂 On the original versions of this album, one could peel off the iconic yellow banana, and below would be a pink, peeled banana. Sadly, this doesn’t go for the new versions.

the velvet underground and nico one

Our version came with a fancy (well, not quite as fancy as Turn Blue) paper sleeve. It seems that most new LPs come with paper sleeves (as opposed to plastic ones) — my 2013 Help! did, too. But that Help! doesn’t exactly work…but you’ll have to wait for the Help! edition of ‘My Beatles Record Collection’ for that story (I have it on first-ed. British mono, too)… Our (or my mum’s, rather) Velvet Underground and Nico also has a gatefold sleeve, but I won’t post an image of that (probably will come up on Google if you type ‘the velvet underground and nico gatefold’).

the velvet underground and nico two

So there we go — the trip my mum and I made to my favourite record shop in an LP sleeve! (And tangerinetrees99 desperately trying to invent her own cliches…)

And that’s my post for the weekend. I’ll probably do my planned ‘The Rubber Soul Jacket Appreciation Society’ post next (but who knows? 😉 ), but this Thursday is John’s birthday! Happy birthday, Johnny! But of course he will get an extra special post — ‘extra special’ for my favourite Beatle! But until Tuesday/Wednesday, good day sunshine 🙂

 

Standin’ In The Garden, Listening To ‘Watching Rainbows’

The bootleg this post will revolve around. I don't own it (yet...naughty bootleg-buying me!), but I know the song well, and love it dearly.

The bootleg this post will revolve around. I don’t own it (yet…naughty bootleg-buying me!), but I know the song well, and love it dearly.

Well, yay! It’s finally holidays again! Two lovely weeks of freedom! I thought I’d do a short thing today (‘Huh?’ I bet you’re thinking. ‘tangerinetrees99 absolutely does not do short!’ Well tangerinetrees is going to prove she can – and yes, she did just feel a sudden urge to refer to herself in the third person) on something that deserves its own post, so here goes.

Those of you who read my post from two weeks ago, My Twelve Favourite Beatles Lead Guitar Parts (you can read it here), will know I mentioned a song called ‘Watching Rainbows’. I’m pretty sure I said I’d do a post on it, so here it is!

In short, I. Love. This. And I think it should have been released, either in this form or in a different, re-recorded version. But anyway – here’s some background info:

‘Watching Rainbows’ was recorded in midst of the Get Back sessions – Wikipedia has supplied me with the exact date, which is the 14th of January, 1969. This was, in fact, recorded without George, as he had temporarily quit the band during this period. George’s absence explains the lack of bass, as Paul was on lead guitar. As you will hear, it is John’s song, so he is obviously on vocals and on that GORGEOUS electric piano. Ringo (again, just slightly obviously. I hope you are good at seeing sarcasm in print) is on drums.

You may recognise a couple of riffs. The first one of these is at the start, and sounds a bit like the main riff of ‘I’ve Got A Feeling’. (The riff was later used in ‘I Know (I Know)’ off Mind Games, for all you Lennonites like myself out there!)

Did you know that ‘Watching Rainbows’ was in fact the origin of this riff? There are three songs that make up ‘I’ve Got A Feeling’ – obviously Paul’s, well, ‘I’ve Got A Feeling’, Johns’ ‘Everybody Had A Hard Year’ and ‘Watching Rainbows’! A riff that sounds similar to ‘Hey Bulldog’ is also used at the end. Other songs that ‘WR’ is often associated with include ‘I Am The Walrus’ (‘WR’ has the line ‘Standin’ in the garden, waitin’ for the English sun to come and make me brown’ – ‘IATW’ has the lines ‘Sitting in an English Garden waiting for the sun / if the sun don’t come you get your tan from sitting in the English rain’) and ‘Mean Mister Mustard’, which was rehearsed directly before.

‘Watching Rainbows’ has been widely bootlegged, and was in fact the title of a 1978 bootleg album of Get Back outtakes! But I’m not here to promote bootlegging (that would be, erm, illegal). But here’s the song, and here are the lyrics, directly copied (with some spelling/grammar fix-ups from me) from lyricsmode.com (yes, they had the lyrics to an obscure Beatles bootleg!). Make sure you listen to it, as it is an absolutely amazing song, and incredibly good for a random Threetles jam!

Standin’ in the garden, waitin’ for the sun to shine /
Hand my umbrella, with this dirt – I wish she was mine /
Everybody doves, think a thing; it didn’t come /
Instead of watching rainbows, I’m gonna make me some /
Instead of watchin’ rainbows, I’m gonna make me some /
Standin’ in the garden, waitin’ for the English sun to come and make me brown so I can be someone /
Lookin’ at the bench of next door neighbours /
Cryin’ to my mum, I’m tryin’ to set sabres /
Everybody’s got to have something hard to grow /
Well, instead of watching rainbows under the sun /
You gotta get out son, and make you one /
You gotta get out son, and make you run /
Because you’re not gonna make it if you cry, cry, though /
Shoot big!
Shoot big!
Whatever you do, you gotta kill somebody to get what you wanna get /
You gotta shoot big!
You gotta shoot big!
Until you shoot big /
I can’t stand.

So there you go. Enjoy!

And just to finish off, you may or may not know that iTunes have released a free EP called 4: John, Paul, George, Ringo to go along with their brand-new Beatles solo-career masters! The tracks are as follows: ‘Love’ (John Lennon/Plastic Ono Band, from their 1970 self-titled album), ‘Call Me Back Again’ (Paul McCartney and Wings, from their 1975 album, Venus and Mars), ‘Let It Down’ (George Harrison, from his 1970 triple-album All Things Must Pass) and ‘Walk With You’ (Ringo Starr, from his 2012 album Y Not). John and George have the best tracks by far (well, I have to confess I actually haven’t heard the other two tracks, but as a general rule, John and George’s solo careers are the best out of the four), but it’s free! I downloaded it last night, and be sure to do so too! I believe it’s only free for a limited time…

Oh, and Dhani Harrison recently played a version with his band (NOT thenewno2) of his dad’s ‘Let It Down’ (also featured on that EP!). I really like it – and gosh, he sounds a lot like George! Here it is:

Good day sunshine! 🙂

Some Beatles demos/alternate takes/sessions to feast your ears on…

Taken in the Austrian Alps - made me smile :-) !

Taken in the Austrian Alps – made me smile 🙂 !

 

 Recently – whilst completing a science assignment – I decided to stop listening to Rubber Soul for the third time in a row (I still love it dearly, but I didn’t want to get sick of it – I’d debate whether that’s possible, though 🙂 …) and do some YouTubing as a means of finding something new to listen to (I don’t buy much music on iTunes – prefer it on vinyl). And under my ‘recommended videos’ thing(y) was a video containing a compilation of Magical Mystery Tour/White Album era demos. I gave it a listen, and then I found even more of these videos under ‘suggested videos’! So yeah, it did take two nights to finish my science, but I found a really cool idea for a post! I absolutely love listening to Beatles demos – I feel a little special, hearing a completely different (and often rare) version of such familiar songs that I know and love dearly. Obviously, though, not all such recordings are rare – as we all know, the Anthology project made some of these relatively well-known. So this post pays homage to those bits and pieces John, Paul, George and Ringo may or may not have wanted us to hear – enjoy!

‘The Beatles’ Home Demos: A Hard Day’s Night and Rubber Soul

‘If I Fell’: Crappy sound quality, but that is the case with most home demos (due to primitive recording equipment). I like this version, and it proves that John was good with falsetto notes, even in the early Beatles days.

‘World Without Love’: Funnily enough, my local classic hits station (what else would I listen to? Actually, I might listen to Triple J – the local indie rock station – at some point, ‘cos I like that sort of thing too) plays the Peter and Gordon version of this song all the time, but it took me a good year-and-a-half of Beatles fandom to work out it was a Lennon/McCartney (namely, McCartney) composition! Yeah – of course I knew that most (if not all) of Peter and Gordon’s songs were written by Paul ‘cos Peter was Peter Asher (Jane Asher’s brother) – but I cannot believe I did not clue on earlier. I like this version more than the original, I have to say – probably because Paul’s singing it… 🙂

‘One And One Is Two’: Never heard this song before, but it’s groovy! I like the way Paul sings it…

‘We Can Work It Out’: Ahh – back to actual Beatles songs again! I really like the folksiness of the original, but this version is still folky and still really cool. In fact, the official version of this was just on the radio (spooky!)…

‘She Said, She Said’

Although I am forever saying that I do not have one favourite Beatles song (if an ever-changing list of about 100 tunes counts, well I do), I would cite this one as top dog if my life depended on it. As I said in my ‘Favourite Beatles Song’ post, I love this song, so I find the above very, very cool! Two completely different versions from the psychedelic masterpiece that ended Side One of my favourite Beatles album (Revolver)!

Demo One: This could not sound more different than the original, but I still love it! John was still clearly working on the lyrics (He said//I know what it’s like to be dead…), and Paul appears to be with John at the time (hence dialogue at end). Writing session at Kenwood, perhaps?

Demo Two: This is my favourite out of the two. John had mostly completed the lyrics by this point, and appears to practising it. I love how the acoustic guitar sounds so trippy, even though it likely hasn’t been edited – John had a semi-acoustic (meaning he can amp it up – I, too, have one), so I wonder if he put a pedal on it, or something? I’d love to know what he put on it, if he did anything… Oh, and there is a little bit of language in this bit – such things don’t bother me in the slightest, but just thought I should cover myself.

‘Revolution’

Wow – those people who think that John is no good as a guitarist need to listen to this! That riff at the beginning is incredibly hard to play – and I should know, ‘cos I play guitar myself! And I love John’s vocals in this, too – need I say more?

‘Something’

‘Something in the way she moves//attracts me like a pomegranate!’ Ha, ha 🙂 – need I say more? Also, George and John making up more of those random lyrics…in need for another smiley 🙂 !

Oh, and I didn’t know George could sing like that! Wow, George, wow! Normally, his anyway-gorgeous voice is quite smooth and sweet, but on this, he rocks really hard! And of course, I love this song anyway – in fact, it was this that taught me that George wrote songs, too…

A Random Bloopers Reel

This one – unlike the clips above – is a medley of all sorts of bloopers, in no kind of order whatsoever. It’s very funny, though – lots of laughing (pity a certain version of ‘And Your Bird Can Sing’ ain’t on there) and jokes 🙂 ! Oh, and I s’pose I should cover myself over usage of ‘language’, too – it’s mostly from Paul (naughty Paul 🙂 !)!

‘You Can’t Do That’/’Love Me Do’/’Gimme Some Truth’/’She Said, She Said’ (Get Back sessions)

Not all of the Get Back sessions were shown in Let It Be. ‘Of course they weren’t,’ you’re probably thinking. ‘Otherwise we’d have proper of footage of George leaving the band, and we’d probably also have footage of Yoko screaming sufficient enough to make us deaf.’ Well, yeah – you’re right – but what many people don’t know is that The Beatles recorded a lot more material than first apparent within that period of time – whether that be alternate versions of past songs, or the beginnings of songs that will eventually end up on solo albums. The songs I chose to post were swamped-down versions of ‘You Can’t Do That’ and ‘Love Me Do’, that sound so damn cool (!), a version of ‘Gimme Some Truth’, a song that would appear on John’s 1971 masterpiece Imagine, and that song I keep on rambling about – ‘She Said, She Said’ (+ a version of ‘She Came In Through The Bathroom Window), the Get Back edition. Apparently they also did ‘Norwegian Wood’ – can’t find it, though… 😦

‘I’m So Tired’…sung by Paul! Oh, and ‘Get Back’/’Yesterday’…sung by John!

Yep, I’m serious; Paul is singing a song off the White Album, which – I might add – was written about Yoko. Paul singing a love song for Yoko – hmm. As I’ve said before, I really like Yoko (excepting the screaming) and have tremendous respect for her, but we all know that Paul did not feel the same way… But anyway (who he is singing about aside), his version is really quite good. In fact, it’s really good – gives John a run for his money. At the end of the day, though, John wins for me 🙂 ! As for ‘Get Back’ – oh my God! This might just be my favourite version of this song – especially love the tempo, John’s voice and Ringo’s fills. When I listened to this to test its eligibility for this post, all I could do was stomp my foot, clap along, dance and air-guitar along – that is all I need to say… And ‘Yesterday’ – John fooling about with a famously-Paul-only song. Sure, all the Macca Maniacs will not like it at all, but I think it’s funny! By the way, videos one & two are from Get Back, too.

‘Cry Baby Cry’

As I repeatedly state in various places on this blog, my favourite Beatles songs change from day to day. But ‘Cry Baby Cry’ is a bit like ‘She Said, She Said’ – it always remains somewhat near (if not at) the top of my list. In fact, it was the first song I played on my steel-stringed guitar, and I can still remember listening to it for the first time earlier this year, and being completely blown away. I especially love the almost proto-metal electric-guitar version near the end, with John screaming out the vocals in a, well, proto-metal-type way – a complete contrast to the folky official version (which I still love). Sounds really cool however it is played, let’s just say!

‘Yes It Is’

a) ‘One, two, three, bread.’ Deserves a smiley, Johnny 🙂 ! Next time I have to do a count-in, I know what I’m going to do…

b) I know I posted the Anthology version of this song (a mash-up of takes 2 & 14) in an earlier post, but here is the complete evolution of that Beatles song that everyone sadly forgets (except those who know it, of course). I love this song (okay – I love every Beatles song, with the exception of ‘Revolution 9’ and ‘Wild Honey Pie’ – which I appreciate at the very least), so I find this absolutely fab!

‘While My Guitar Gently Weeps’

‘You cheat, tangerinetrees99,’ you’re probably thinking. ‘That’s not rare at all! It’s off blooming Anthology!’ Yes, and I am well aware of that, but I really wanted it in this post. And it is an alternate version of the official, after all, isn’t it? But anyway, I swear I heard this version of ‘WMGGW’ far before I heard the White Album edition. In fact, I prefer this to the Eric Clapton guitar-god version everyone knows. I love everything about this demo – the acoustic-ness of the whole thing, the fact it is in G minor (as opposed to A minor), just – well – everything! Thank you, George, for recording such a gorgeous version of this song.

Paul sings John a very sweet tribute

Aww! How sweet of Paul? I like his versions, too – I also like what he said before he started… I won’t say too much about this one, apart from the fact that it made me a little emotional – you’ll have to watch it yourself… 🙂

So there we have it – an incredibly long post (I’ll try and be shorter next week), but I hope it was all worth it. Enjoy listening to things you may or may not have heard before – but nonetheless (whether you’ve heard them or not), it’ll make for a fab listening marathon! Hope you have a good rest of your day (whichever hemisphere you’re in), and I’ll leave you with this really funny clip of 1965 Christmas record outtakes, which I guarantee will have you hysterically laughing by the minute-mark (excusing one or two grotty jokes, that might or might not bother you – I’m in the latter, so just covering myself again… Still, it is really funny!)! Good day sunshine 🙂