My Favourite Beatles Live Performances

You might be finding a few gems from this gig today...

You might be finding a few gems from this gig today…

PLEASE NOTE: I meant to publish this post before I published ‘I Think I’m Gonna Be Sad…’, but I didn’t finish the draft in time. Sorry ’bout that. But as you can see, I have finished the draft — voila!

Yay! Finally finished school for the year — meaning nearly two whole months of holidays! I saw Ben Folds live last Friday, which was amazing. Very funny/clever man… Ben actually used to live in Adelaide, which is cool. But anyway…

Reading the title of this post, you might be thinking, ‘What? You can barely even hear The Beatles live on some of the recordings!’ Not strictly true… There are some really, really amazing versions of their songs played live. And you can actually hear them (sometimes)! I stay away from 1964 live recordings, though — the screams are slightly overpowering, then. A lot of my favourite recordings come from 1966, when you could actually hear them. (Some from mid-late ’65, as well.) But anyway, let the list begin…

Yesterday: Munich, 1966

BACKGROUND: ‘Yesterday’ was included in The Beatles ’66 set list, but it was not played live like it was in ’65 (i.e. Paul solo with his acoustic-electric guitar plus a pre-recorded string quartet). As can be heard in this video, The Beatles had clearly created a two-electric-guitars/bass/drums arrangement for live purposes. As far as I know, the song was played at each concert in the US, plus Munich (where this version originates).

WHY I LIKE IT: Call me sacrilegious, but I count ‘Yesterday’ as one of my least favourite Beatles songs. But I love this version! I think it sounds way better with the electric guitars and drums than it did with that string quartet. (The string makes the song too schmaltzy, in my opinion.) Not a live version, but my other favourite version of this song can be found on Anthology 2.

I Saw Her Standing There: Drop In — Sweden, 1963

BACKGROUND: In October 1963, The Beatles semi-toured Sweden. (Beatlemania hadn’t quite hit Sweden, so it’s wonderful to actually be able to hear the songs minus any sort of scream.) One of the performances done on this tour was for a TV show called Drop In. The setlist for this night was ‘She Loves You’, ‘Twist and Shout’, ‘I Saw Her Standing There’ and ‘Long Tall Sally’.

WHY I LIKE IT: Listen to that rhythm guitar. Need I say more?

I’m Down: Blackpool Night Out — Blackpool, 1965

https://www.dailymotion.com/video/x2rjt0 (the stupid Dailymotion embed code refuses to work)

BACKGROUND: In August 1965, The Beatles performed on another show, called Blackpool Night Out (thus we don’t know where the performance was situated AT ALL. Not.). The BNO performance is slightly better known than the above, though, due to inclusion of much of the show on Anthology 2. The set list was comprised of ‘I Feel Fine’, ‘I’m Down’ (obviously), ‘Act Naturally’, ‘Ticket To Ride’, ‘Yesterday’ and ‘Help!. (I highly recommend watching the entire performance on YouTube, by the way. There are some very funny quips from John, and the dancers that perform during the end credits made me laugh. The dancer weren’t actually provided for comic relief — as far as I know — though…)

WHY I LIKE IT: Interestingly, the organ in this performance is much more evident than in the studio version. And it’s amazing! I attempted to compare this version with Shea Stadium, but got irritated with the screams and gave up.

Day Tripper, Paperback Writer, She’s A Woman: Candlestick Park, 1966

BACKGROUND: As I assume most (if not all) of the people reading this know, The Beatles’ only performance at San Francisco’s Candlestick Park was their final live performance (sans the Apple Rooftop). The group (especially John and George) were fed up with the treatment they received on their tours, not to mention the screaming girls (attention which they enjoyed at first, but grew to dislike). Luckily for us obsessive Beatlemaniacs who will quite happily sit through hours of Beatles live tapes (or is that only me…), Paul asked Tony Barrow to record the entire concert on tape. Unfortunately the tape ran out halfway through ‘Long Tall Sally’ (the last song in the gig — excluding the opening bars of ‘In My Life’ that John played on his Casino as he walked offstage), but anyway… The Beatles also took photos onstage that would now be called ‘selfies’… (Haha — The Beatles were the first to use artificial double tracking, popularised longer haircuts for men and invented the selfie! 😉 ) Not coincidentally, Paul was the last person to play at Candlestick Park before its demolition.

WHY I LIKE IT: I’m not sure if it’s just the bad sound quality (I think not), but The Beatles’ guitars sound as if they’re on overdrive. And not just that — John/Paul are really screaming those rockers with passion! They seem to be having a rocking good time. Which I find very groovy! The Beatles really sound like they’re letting loose (someone in the YouTube comments compared the gig to those of The Who!) here, and they are rocking dead hard. Perhaps this is because they know that after that particular gig, they will not be performing together live in the near future… But anyway, really worth listening to. I will post the entire concert below — really, utterly and definitely worth listening to if you have a half an hour to spare.

 

(And of course…) The Rooftop Concert!

BACKGROUND: The Beatles hadn’t toured for nearly three years. In that time, the band created the masterpieces known by the general public as Sgt Pepper’s Lonely Hearts Club Band and The Beatles/White Album. (Not to mention Magical Mystery Tour — not that I’d exactly call the film a masterpiece… 😉 ) John had gotten together with Yoko, and Paul with Linda. And the infamous split-up of The Beatles had begun. By early 1969, Paul was desperate to save his band, as the members (especially him and John) began to drift further and further apart. His attempt to save the band — the Get Back Sessions! (Of course, we now know that his attempt wasn’t particularly successful…) The original intent of this project was to basically have a giant jam and end up holding a gig in some exotic location, but arguments between John and Paul led them to have the concert on the Apple Rooftop. This set up a trend still continuing today — rooftop concerts!

WHY I LIKE IT: C’mon… Late-era Beatles performing some fab yet-to-be-released songs — what’s not to like? If I could have been at any Beatles live performance, I would actually choose the rooftop concert. I think it would be utterly magical walking around in one’s lunchbreak, only to find The Beatles playing an impromptu gig. And you could probably hear them, too! Not to mention that ‘Get Back’, ‘I’ve Got A Feeling’ and ‘Don’t Let Me Down’ are some of my favourite Beatles songs…

And there we go! My shortlist of The Beatles’ live versions! Hope you enjoy listening to the various versions of songs you (probably) already know.

Hope you’re having a fab day — wherever you are in the world — and good day sunshine until the weekend! 🙂

As mentioned above...

As mentioned above…

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My Beatles Record Collection Pt. 4 – ‘Help!’

Sorry for not posting in two weeks. But I shall make up for such crimes with this very cute picture!

Sorry for not posting in two weeks. But I shall make up for such crimes with this very cute picture! Martha, my dear…

Sorry. Boy, I’ve been a naughty girl. I have not posted in two weeks. I have a large school assignment (or “Independent Research Project”) due this Thursday, and I was working on it for most of last weekend. (I also went to see a groovy film called God Help The Girl, and did a good dose of record shopping beforehand. Let’s just say one of the LPs I bought is white, double and is the subject of a relatively low number…!) I’ve still got a bit to do on the project, but I have found a bit of time to blog today, as well! Yay! So that’s my excuse, and why this month’s edition of ‘My Beatles Record Collection’ could seem early…

But anyway, this month we have Help!, the second Beatles studio album I ever listened to, and the first LP I ever bought (almost a year ago). (I actually bought a box set of Beatles records called The Beatles Box slightly beforehand, but I always count Help! as my first actual LP.) I think I listened to soon after watching the film Help!, which is not surprising ‘cos Help! is my favourite Beatles film. (The music — I love ’65 Beatles –, the technicolour, the ski scene, Ahme, that flat…) The album made number five in my ranking from earlier this year.

My copy of Help! is possibly the most valuable in my collection. It wouldn’t surprise me if it’s worth a bit. But anyway, here’s a picture.

help one

Wait — tangerinetrees99 has TWO copies of Help!?! Let me explain…

The copy on the left (the newer-looking stereo pressing) was the one I obtained first. But it is not the one that I think might be quite valuable. Why? It’s a 2012 pressing, which I purchased late last year (on the 8th of December, in fact — RIP John 😦 ). And it doesn’t play. Again, why? Well… About a year ago, we purchased an original 1960s stereogram, and that is when I began collecting records. But me being very naive and knowing absolutely zilch about vinyl at the time, I thought all Beatles LPs were going to be priced well-off into the 100s (AUD) and that I’d never be able to buy an original pressing. So I purchased a new pressing from a record shop (not the one I go to now — I was yet to find that one) on that horrible anniversary and I couldn’t wait to get home to play it. The needle in the record player was completely original, and having previously played a few records on the player and experiencing no issues, felt no need to replace it. So anyway, I get home and play the record. ‘Help!’ plays perfectly. But about halfway through ‘The Night Before’, the LP begins to skip like mad. Ditto with ‘I Need You’, ‘You’ve Got To Hide Your Love Away’, ‘Another Girl’, ‘You’re Going To Lose That Girl’, ‘Ticket To Ride’… We obviously ended up replacing the needle, but Side One of the record is forever ruined (stupid, naive me)… Not that it matters anymore, though!

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Here’s the actual cover of the record. You can see how much I payed for it — ha ha! Apart from some light discolouring, the cover is in really good condition. And the LP is in mono! Most times for me, mono triumphs stereo by miles, so hurrah! (I didn’t know about the difference between the mono/stereo mixes at the time, though…)

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Here’s the back of the LP — in even better condition than the front! If you look carefully, you will see that I have landed myself a UK pressing! And you have probably already noticed the backflaps, meaning that my copy is first edition. Good job, me. I’ve seen pretty much the same LP going for a lot more than $50AUD on eBay, so even better job, me… My Help! was owned by the same person who owned my With The Beatles, funnily enough — he/she (I assume the latter) must have sold his/her LPs to my record shop…

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Here is a close-up on the catalogue number/backflaps/John. Wow — my Help! was a very lucky fluke. Very…. First-edition. UK. Mono. (Even though the earlier stereo pressings are worth more.). Very lucky.

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Here’s the cover with the inner sleeve/actual record. I have the original EMITEX sleeve in mint condition! How cool is that! “Clark” must have been very careful with her records (as is also shown with my With The Beatles).

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And the vinyl itself! On black and gold label! Hurrah! Told you it was first edition! Nice break from the orange, isn’t it? This is Side Two. Side One is in mint condition, and plays absolutely perfectly. (Though everything we play on our record player crackles — due to the age of the stereogram.) This side has a scratch through ‘Yesterday’ and ‘Dizzy Miss Lizzy’, though I’m very lucky that it doesn’t affect the sound at all! Probably due to that wonderful record-cleaner stuff that we use…

And there we go! One of my most valuable records in a pillow you never gave me (bonus points if you know what song I’m referencing!)…

Haven’t got much else to write. I promise I’ll be back to normal blogging schedule next week (I’ll have handed in my assignment by then). Anyway, it’s only TWO MORE WEEKS to two whole months of Summer holidays and the end of the school year! Yay! I’ll blog as much as I can in the holidays, to make up for posts I have missed. Next week, though, will be a sad post. It will be the 29th of November. We miss you, George.

Have a wonderful day/night/afternoon/morning/weekend/week/[insert period of time], and good day sunshine until I post next! 🙂

 

Some Beatles demos/alternate takes/sessions to feast your ears on…

Taken in the Austrian Alps - made me smile :-) !

Taken in the Austrian Alps – made me smile 🙂 !

 

 Recently – whilst completing a science assignment – I decided to stop listening to Rubber Soul for the third time in a row (I still love it dearly, but I didn’t want to get sick of it – I’d debate whether that’s possible, though 🙂 …) and do some YouTubing as a means of finding something new to listen to (I don’t buy much music on iTunes – prefer it on vinyl). And under my ‘recommended videos’ thing(y) was a video containing a compilation of Magical Mystery Tour/White Album era demos. I gave it a listen, and then I found even more of these videos under ‘suggested videos’! So yeah, it did take two nights to finish my science, but I found a really cool idea for a post! I absolutely love listening to Beatles demos – I feel a little special, hearing a completely different (and often rare) version of such familiar songs that I know and love dearly. Obviously, though, not all such recordings are rare – as we all know, the Anthology project made some of these relatively well-known. So this post pays homage to those bits and pieces John, Paul, George and Ringo may or may not have wanted us to hear – enjoy!

‘The Beatles’ Home Demos: A Hard Day’s Night and Rubber Soul

‘If I Fell’: Crappy sound quality, but that is the case with most home demos (due to primitive recording equipment). I like this version, and it proves that John was good with falsetto notes, even in the early Beatles days.

‘World Without Love’: Funnily enough, my local classic hits station (what else would I listen to? Actually, I might listen to Triple J – the local indie rock station – at some point, ‘cos I like that sort of thing too) plays the Peter and Gordon version of this song all the time, but it took me a good year-and-a-half of Beatles fandom to work out it was a Lennon/McCartney (namely, McCartney) composition! Yeah – of course I knew that most (if not all) of Peter and Gordon’s songs were written by Paul ‘cos Peter was Peter Asher (Jane Asher’s brother) – but I cannot believe I did not clue on earlier. I like this version more than the original, I have to say – probably because Paul’s singing it… 🙂

‘One And One Is Two’: Never heard this song before, but it’s groovy! I like the way Paul sings it…

‘We Can Work It Out’: Ahh – back to actual Beatles songs again! I really like the folksiness of the original, but this version is still folky and still really cool. In fact, the official version of this was just on the radio (spooky!)…

‘She Said, She Said’

Although I am forever saying that I do not have one favourite Beatles song (if an ever-changing list of about 100 tunes counts, well I do), I would cite this one as top dog if my life depended on it. As I said in my ‘Favourite Beatles Song’ post, I love this song, so I find the above very, very cool! Two completely different versions from the psychedelic masterpiece that ended Side One of my favourite Beatles album (Revolver)!

Demo One: This could not sound more different than the original, but I still love it! John was still clearly working on the lyrics (He said//I know what it’s like to be dead…), and Paul appears to be with John at the time (hence dialogue at end). Writing session at Kenwood, perhaps?

Demo Two: This is my favourite out of the two. John had mostly completed the lyrics by this point, and appears to practising it. I love how the acoustic guitar sounds so trippy, even though it likely hasn’t been edited – John had a semi-acoustic (meaning he can amp it up – I, too, have one), so I wonder if he put a pedal on it, or something? I’d love to know what he put on it, if he did anything… Oh, and there is a little bit of language in this bit – such things don’t bother me in the slightest, but just thought I should cover myself.

‘Revolution’

Wow – those people who think that John is no good as a guitarist need to listen to this! That riff at the beginning is incredibly hard to play – and I should know, ‘cos I play guitar myself! And I love John’s vocals in this, too – need I say more?

‘Something’

‘Something in the way she moves//attracts me like a pomegranate!’ Ha, ha 🙂 – need I say more? Also, George and John making up more of those random lyrics…in need for another smiley 🙂 !

Oh, and I didn’t know George could sing like that! Wow, George, wow! Normally, his anyway-gorgeous voice is quite smooth and sweet, but on this, he rocks really hard! And of course, I love this song anyway – in fact, it was this that taught me that George wrote songs, too…

A Random Bloopers Reel

This one – unlike the clips above – is a medley of all sorts of bloopers, in no kind of order whatsoever. It’s very funny, though – lots of laughing (pity a certain version of ‘And Your Bird Can Sing’ ain’t on there) and jokes 🙂 ! Oh, and I s’pose I should cover myself over usage of ‘language’, too – it’s mostly from Paul (naughty Paul 🙂 !)!

‘You Can’t Do That’/’Love Me Do’/’Gimme Some Truth’/’She Said, She Said’ (Get Back sessions)

Not all of the Get Back sessions were shown in Let It Be. ‘Of course they weren’t,’ you’re probably thinking. ‘Otherwise we’d have proper of footage of George leaving the band, and we’d probably also have footage of Yoko screaming sufficient enough to make us deaf.’ Well, yeah – you’re right – but what many people don’t know is that The Beatles recorded a lot more material than first apparent within that period of time – whether that be alternate versions of past songs, or the beginnings of songs that will eventually end up on solo albums. The songs I chose to post were swamped-down versions of ‘You Can’t Do That’ and ‘Love Me Do’, that sound so damn cool (!), a version of ‘Gimme Some Truth’, a song that would appear on John’s 1971 masterpiece Imagine, and that song I keep on rambling about – ‘She Said, She Said’ (+ a version of ‘She Came In Through The Bathroom Window), the Get Back edition. Apparently they also did ‘Norwegian Wood’ – can’t find it, though… 😦

‘I’m So Tired’…sung by Paul! Oh, and ‘Get Back’/’Yesterday’…sung by John!

Yep, I’m serious; Paul is singing a song off the White Album, which – I might add – was written about Yoko. Paul singing a love song for Yoko – hmm. As I’ve said before, I really like Yoko (excepting the screaming) and have tremendous respect for her, but we all know that Paul did not feel the same way… But anyway (who he is singing about aside), his version is really quite good. In fact, it’s really good – gives John a run for his money. At the end of the day, though, John wins for me 🙂 ! As for ‘Get Back’ – oh my God! This might just be my favourite version of this song – especially love the tempo, John’s voice and Ringo’s fills. When I listened to this to test its eligibility for this post, all I could do was stomp my foot, clap along, dance and air-guitar along – that is all I need to say… And ‘Yesterday’ – John fooling about with a famously-Paul-only song. Sure, all the Macca Maniacs will not like it at all, but I think it’s funny! By the way, videos one & two are from Get Back, too.

‘Cry Baby Cry’

As I repeatedly state in various places on this blog, my favourite Beatles songs change from day to day. But ‘Cry Baby Cry’ is a bit like ‘She Said, She Said’ – it always remains somewhat near (if not at) the top of my list. In fact, it was the first song I played on my steel-stringed guitar, and I can still remember listening to it for the first time earlier this year, and being completely blown away. I especially love the almost proto-metal electric-guitar version near the end, with John screaming out the vocals in a, well, proto-metal-type way – a complete contrast to the folky official version (which I still love). Sounds really cool however it is played, let’s just say!

‘Yes It Is’

a) ‘One, two, three, bread.’ Deserves a smiley, Johnny 🙂 ! Next time I have to do a count-in, I know what I’m going to do…

b) I know I posted the Anthology version of this song (a mash-up of takes 2 & 14) in an earlier post, but here is the complete evolution of that Beatles song that everyone sadly forgets (except those who know it, of course). I love this song (okay – I love every Beatles song, with the exception of ‘Revolution 9’ and ‘Wild Honey Pie’ – which I appreciate at the very least), so I find this absolutely fab!

‘While My Guitar Gently Weeps’

‘You cheat, tangerinetrees99,’ you’re probably thinking. ‘That’s not rare at all! It’s off blooming Anthology!’ Yes, and I am well aware of that, but I really wanted it in this post. And it is an alternate version of the official, after all, isn’t it? But anyway, I swear I heard this version of ‘WMGGW’ far before I heard the White Album edition. In fact, I prefer this to the Eric Clapton guitar-god version everyone knows. I love everything about this demo – the acoustic-ness of the whole thing, the fact it is in G minor (as opposed to A minor), just – well – everything! Thank you, George, for recording such a gorgeous version of this song.

Paul sings John a very sweet tribute

Aww! How sweet of Paul? I like his versions, too – I also like what he said before he started… I won’t say too much about this one, apart from the fact that it made me a little emotional – you’ll have to watch it yourself… 🙂

So there we have it – an incredibly long post (I’ll try and be shorter next week), but I hope it was all worth it. Enjoy listening to things you may or may not have heard before – but nonetheless (whether you’ve heard them or not), it’ll make for a fab listening marathon! Hope you have a good rest of your day (whichever hemisphere you’re in), and I’ll leave you with this really funny clip of 1965 Christmas record outtakes, which I guarantee will have you hysterically laughing by the minute-mark (excusing one or two grotty jokes, that might or might not bother you – I’m in the latter, so just covering myself again… Still, it is really funny!)! Good day sunshine 🙂

 

Things We Polled Today…

A lovely picture of John and Paul!

A lovely picture of John and Paul! Don’t they look sweet? 🙂

Well – I haven’t done a poll in a while, have I? I also have some other things to write about today (i.e. Ron Howard’s upcoming Beatles doco – for which I cannot wait!), but to start off with – here’s a poll! It’s titled ‘Which Beatles’ period is your favourite’ (as you will see further down), and Option One will be ‘the early years’ – the Hamburg/Cavern Club Era (1960) ’till the A Hard Day’s Night sessions (1964), which includes Pete Best/Stu Sutcliffe, the ‘Love Me Do’/’P.S. I Love You’ sessions, the marathon 12-hour Please Please Me session and the With The Beatles sessions, plus the filming of A Hard Day’s Night and their Australian tour. Option Two will be the ‘middle years’ – the Beatles For Sale (late 1964) sessions ’till the Magical Mystery Tour/Yellow Submarine sessions (1968 – there’s a slight overlap, here, ‘cos both the film and album Yellow Submarine fit in with the psychedelia of Sgt. Pepper/ Magical Mystery Tour, but were recorded around the time of ‘Lady Madonna’, which is considered as a part of their back-to-basics-rock-and-roll late material. I consider Yellow to be middle-period, but that’s only my opinion), which includes ‘Ticket To Ride’/’Yes It Is’, the album/film/single Help! (which includes classics such as the title track, ‘You’ve Got To Hide Your Love Away’ and – of course – ‘Yesterday’), Shea Stadium, Rubber Soul, ‘Paperback Writer’/’Rain’, the groundbreaking Revolver, the Sgt. Pepper sessions, plus (not-so-positive bits) the introduction of pot/LSD, the decision to stop touring (not that was necessarily a bad thing…) and the ‘Jesus remark’ (which was taken completely out of context). And then, the final option will be the ‘late years’, spanning from the ‘Lady Madonna’ sessions ’till the break-up – this involves India, introduction of Yoko and Linda, the White Album sessions, ‘Hey Jude’/’Revolution’, the Get Back/Let It Be sessions and Abbey Road, plus the mounds of arguments and the split ( 😦 ). If I had to choose, I would vote for the ‘middle years’ – my favourite albums (Revolver, Help!, Beatles For Sale and Rubber Soul) were all recorded in that period – plus the songs I favour – and (not that it matters) I think they looked the best around that period (not that they were bad-looking at any period – except for maybe Paul’s Let It Be beard…)! Oh, and one word: PSYCHEDELIA! But this isn’t a place for me to vote, ‘cos I’m putting it to you. So please choose, and I’d love to see which period is the most popular amongst the people who’ve seen past this large block of text and voted!

 

(And now for some more…)

As most Beatlemaniacs will have heard by now, acclaimed director and actor Ron Howard is both directing and producing a documentary on The Beatles’ touring years (1960 – 1966), which is scheduled for release in late-2015! Ron Howard (who – amongst other things – starred as Richie in Happy Days, plus is the creator behind Parenthood) is a self-proclaimed Beatlemaniac himself, and is being joined by Nigel Sinclair (who produced George Harrison: Living In The Material World); the two (according to Rolling Stone) have been granted access to the Apple Corps archives (I can only dream!), and are sourcing footage/photos/material from fans. For more information, here is the link to the article on The Beatles’ official website, which involves information on how to submit your material for the doco (anyone here got any??). You can find Rolling Stone‘s article (the most informative yet) on the upcoming feature here. And Sky News Australia’s two-bobs’-worth is here – whilst short, it contains a cool news-clip about the event! I cannot wait for this to be released, and I’ll be making sure I’m at the pre-viewing if it makes it to cinemas.

As for some other Beatle-y news, The Grammys’ Beatles tribute has been nominated for six Emmy awards! Let’s hope it wins some, ‘cos (in my opinion) watching Paul and Ringo re-unite is much more interesting than binge-watching Game Of Thrones (not that I’ve ever watched it)… And A Hard Day’s Night has been released on Australian iTunes stores (as of the 9th of this month), but it’s rated M. Why M?? I get that John snorts a bottle of coke (the cola kind…) in the train (‘But they hadn’t even done pot at this point, let alone cocaine,’ I protest), there are a few jokes of a sexual nature (Paul’s comment to the effect of, ‘He [Grandfather] could be in an orgy by now!’, John’s ‘Please can I have one to surge with?’ comment, what John and the girl are hinting at in the ‘she looks more like me than I do’ scene, and the stamp collection), and of course, the smoking – but M? Really?? I also read that the Australian BluRay isn’t particularly good, so I’m glad I got my UK export! Talking of my UK export…IT’S BEING SHIPPED ON MONDAY! I absolutely cannot wait for it to come!

Oh, and a big thank you to my good friend (you know who you are) for recommending an interesting book to me, earlier this year – I just finished it yesterday! But what book am I referring to, you ask? When We Wake, a dystopian novel written by New Zealander-come-Australian Karen Healey! The story is about a sixteen-year-old girl living in 2027 Melbourne named Tegan, who’s about to go on a climate-change-action protest with her best friend Alex and her boyfriend-as-of-the-night-before Dalmar. However, a sniper intervenes, and Tegan is shot dead. Tegan had donated her body to science some time before she died, though. She wakes up (as the first successful cryonics – the process of freezing someone who is dead, and then proceeding to try and revive them – patient) in 2128, and soon enough, she finds herself in the middle of the paparazzi, a medicinal-drug-smuggling plot, a secret – and possibly corrupt – government operation and a devout Christian cult, who want her dead. And of course, Tegan is a hardcore Beatlemaniac – her favourite is Ringo, but the majority of Beatles references are somewhat related to John 🙂 ; yay for Johnny! Sadly, though, George isn’t mentioned… However, I really enjoyed this read, and you can buy your own copy here. Again, thank you, my friend, and hope you’re enjoying the holidays!

And one more thing… if you haven’t already noticed, I’ve changed my sidebar widgets slightly! Please check out my profile, and see if you can guess what songs I’m punning on. Good day sunshine 🙂

Thank You Mr. Postman! Pt. 2

 

The latest edition to my Beatle-y merchandise collection!

The latest edition to my Beatle-y merchandise collection!

 

Rubber Soul – John, Paul, George and Ringo’s sixth album, released in Britain on the 3rd of December, 1965; what does it mean to you? To me, it means a few things – a) it was the first Beatles studio album I purchased, b) I remember listening to it on a plane flight from Melbourne to Adelaide (where it snowed, yesterday – not in my part (where it stayed just about 8 degrees all day), but it still snowed!) just under a year ago, and c) to me, it marks when the later years of The Beatles’ career start. But now, it means something more – ‘cos look what came in the mail at about 11 o’clock (AM – obviously…) today! The above book is a Rubber Soul ‘song album’ – a magazine that contains eight ‘already standard songs’ off the album, plus three pages of ‘fabulous photos’! I ordered it off Ebay on Monday (Ringo’s birthday!), and (since it only had to come down from Queensland – the state at the very top of Australia, if you’re not familiar with the geography of my country) it has arrived surprisingly quickly! I had a flip through the pages, and it looks as though most of the songs are in the correct key signature, so I shouldn’t have to do too much transposing to bring them up/down to the way The Fab Four played them! The songs noted in the book are – in case you can’t read the listing on the picture (it would appear quite small on, say, an iPhone) – ‘Michelle’, ‘Norwegian Wood’, ‘Nowhere Man’, ‘Girl’, ‘Wait’, ‘If I Needed Someone’, ‘Drive My Car’ and ‘Think For Yourself’, and are printed in that order. In the middle of the booklet is a double-page spread of pictures of The Beatles taken at various points in 1965, and just over 3/4ths of the way through, there is a image-page dedicated to the Shea Stadium gig. So as you can see, I’m quite pleased with my latest purchase!

Just one more thing before I show you some pictures of the book – the mystery of when the book was published, as this is not apparent at first view. When I purchased the book, I was under the impression that it was printed in 1965, but as I will show a little further down, the book was being sold at a price of 80 cents. In Australia in 1965, our currency was the Australian pound/penny – it continued to be so until the 14th of February, 1966 (when it was all decimalised, and we ended up with the Australian dollar/cent). Interestingly, until the release of Revolver, Australian Beatles releases were always a couple of months behind the UK. Because of this, Rubber Soul (the last record to have a delayed release date here) was put on shelves on the 17th of February, 1966 – only three days after decimalisation. I’d assume that my book was released around the same time as the album, so my guess is that it was released some time between February (the date of both decimalisation – hence the price of 80 cents – and the Australian release of Rubber Soul) and August (the world release-date of Revolver – involving Australia for the first time…), 1966. I don’t think it could have been any later, ‘cos – as far as I can see – these ‘song albums’ were released with every LP (making the previous one out-of-print), the price would be too little for something even released in 1970s, and the pages look too old to be something much later. But now, I’ll stop writing, and show you my pictures; enjoy!

The '80 cents' thing I was talking about (off the back cover - it was scribbled off the front, as you may have noted from my image at the top of the post).

The ’80 cents’ thing I was talking about (off the back cover – the price was scribbled off the front, as you may have noted from my image at the top of the post).

The publishing information - interesting from the point of view of an Australian Beatlemaniac...

The publishing information – interesting from the point of view of an Australian Beatlemaniac, but worth a look…

A page of music - 'Nowhere Man', to be exact. This image might be illegal (I don't know), so please look at my 'Disclaimers' post if you are thinking of suing me (though I doubt some Apple Corps. official would bother to read such blogs)...

A page of music – ‘Nowhere Man’, to be exact. This image might be illegal (I don’t know), so please look at my ‘Disclaimers’ post if you are thinking of suing me (though I doubt some Apple Corps. official would bother to read this)…

A double-spread of pictures (yay!)! Oh, and just look at that picture of John in the right corner of the left-hand page - oh my, was he attractive :-) !

A double-spread of pictures (yay!)! Oh, and just look at that picture of John in the right corner of the left-hand page – oh my, was he attractive 🙂 !

Another page of music - 'Girl', this time. I love this song - it will definitely make my next 'Favourite Beatles Songs' post, and I can't believe it didn't feature on the first one!

Another page of music – ‘Girl’, this time. I love this song – it will definitely make my next ‘Favourite Beatles Songs’ post, and I can’t believe it didn’t feature on the first one!

The Shea Stadium pictures I was talking about, plus the last page of 'Drive My Car'.

The Shea Stadium pictures I was talking about, plus the last page of ‘Drive My Car’.

The last page - 'Think For Yourself', the song that turned me on to how good a songwriter George was! Note the different title font - it appears to have been used on both the first and last pages of music.

The last pages – ‘Think For Yourself’, the song that turned me on to how good a songwriter George was! Note the different title font – it appears to have been used on both the first and last pages of music.

So there you have it – an insider’s view of my latest Beatle-y thing! And now for a couple of other things…

A Hard Day’s Night might just make its way onto Australian big screens! I was giving The Beatles’ official website one of my weekly looks the other day, and I came across a page titled ‘A Hard Day’s Night Screenings Info’. I clicked on it – for no apparent reason (a glimmer of hope, perhaps?!) – and proceeded to read it. And, guess what? The article said (quote), “In celebration of the fiftieth anniversary of its world premiere in London, The Beatles’ epoch-making music movie will have an extended run of screenings across the USA and the UK from 4 July 2014, with more global dates to be announced soon.” So this means that it might – just might – make its way Down Under, and, good gracious, would I be the happiest girl on Earth if it did! If you (like me) have an account on the website, make sure you ‘Favourite’ the page and keep your eyes peeled. If you don’t, however, I’ve posted the link here. But if you’re reading this in the US/UK, I’d assume you’ve already seen it – I’d love to hear what it was like!

(And finally…)

Today is a special day for me, because it marks exactly one year since I purchased my first Beatles album! About six months earlier (after becoming a casual fan three years before – this being revived again in 2012), my then-best-friend turned me on to The Beatles’ music (after a playing of ‘All You Need Is Love’ one school assembly), and we spent our lunch-breaks singing tunes such as ‘Eleanor Rigby’ (her favourite Beatles song) and ‘Hello Goodbye’ (my then-fave – it’s the first Beatles song I have exact memory of listening to, so it’s a little special to me), and talking about our favourite Beatles (hers was Paul, and – as you will have gathered – mine is John). There was only one problem, though – I thought my parents didn’t like The Fab Four (I was very, very wrong), so I was too afraid to tell them about my new-found passion. So – about six months later – I found myself making up elaborate plots that would allow me to purchase a Beatles album without my mother and father cluing on too much. I remember scouring iTunes – which, at the time, was selling 1 and Help! at discounted prices – to try and find an album that I could start out with. I decided up on 1 – at this time, of course, I had no knowledge of their studio albums (would you believe it – I though Abbey Road was a Rolling Stones album!), so I unwittingly ended up with their best-selling, 2000-released compilation (not that I care!). But anyway, I plotted for about two weeks, and finally, my ‘B-day’ had rolled along. I’d purchased an iTunes card a few days earlier (as part of my plot), and bought a few other songs to make myself appear a little less ‘suspicious’ (as I thought myself at the time). But my plan fell apart (thankfully!), when Mum ended up going through a newly-purchased flute music book to try and find some music to recommend (all a part of my plot), she also ended up discovering I was a rookie Beatlemaniac – and I discovered that she also liked their music! Since then, my love has only blossomed, so I reckon the decision I made that day was one of the best (if not the best) decision I have made in my life! It’s funny to think that, a year ago, I didn’t even know what The Beatles really looked like (that was unfortunate for me 🙂 ) or that George sang (I soon discovered he wrote, as ‘Something’ is on 1) some Beatles songs, but now (a year later), I can recite their entire discography off in a matter of seconds, and I could tell you really obscure facts, such as the month and year that John got his drivers’ licence in, and how old he was (he got it in February 1965, and he was 24-turning-25)! I reckon I’ll love The Beatles for the rest of my life – and to think it’s all down to an album I bought exactly one year ago, today! So (to conclude this last paragraph), I’ve posted 1 – that life-changing album, for me – below. If you’re already a Beatlemaniac (like I assume most people reading this are), have a listen – who would pass up an opportunity to listen to a certain band that changed the course of the world?!?! But if you’re a casual fan, or haven’t discovered The Fabs all that much, yet, why don’t you listen to this album, too? Once you have, I guarantee you that your life will never be the same – all down to four talented musicians/singers/songwriters that changed so many other lives, too. I salute you, John, Paul, George and Ringo! So here is that album that changed my life, and I’d like to think that it’ll help change many others, too:

 

So now, on this sunny afternoon (to quote The Kinks) that is also an extremely valid candidate for the coldest day in our long-cold-lonely Winter (to quote The Beatles), good day sunshine! 🙂