His Majesty Prince Jones…

Rest in peace.

Rest in peace.

Today is July 3nd. On this day in 1969, around midnight, Rolling Stones founder, namer and multi-instrumentalist Brian Jones was found dead in his swimming pool. He was 27.

Brian’s story is one of rock’s saddest tragedies. He was the founding Stone; he named them; he was their original “bad boy”. It was his persistence that helped them in the early days. He introduced them to the blues. But soon enough, Brian became ostracised from his band. His mental and physical health began to decline, leading to his untimely death.

Brian as a child

Brian as a child

Brian Jones was born on the 28th of February, 1942, in Cheltenham, England. He had two sisters, Pamela and Barbara. Pamela died when Brian was 3, of leukaemia.

Brian was a very intelligent kid. He had an IQ of 135. He excelled in school. Brian’s parents were both interested in music, and sent him to music lessons from an early age, translating their interest to their son.

When he was 15, Brian discovered jazz, changing him forever. He picked up saxophone and would soon begin guitar, foreshadowing his multi-instrumental genius with The Stones. He began to hang out in coffee clubs in Cheltenham, and played shows in many of them, too. His parents, however, did not approve of this.

Brian’s attitude also changed around this period. Although he had enjoyed school as a child, he grew tired of its sense of authority and conformity. He rebelled, leading to suspension on a couple of occasions. Brian’s attitude and musical passion made him somewhat of a loner. An ex from that period commented that “a lot of people didn’t understand him”. However, he still managed to get good grades, earning 9 O-levels and 2 A-levels.

Brian moved out of home at 17. He had fathered a string of illegitimate children, and — after quitting school  — spent the Summer travelling through Europe. Living on money from busking with his guitar, his cash eventually ran out and he returned to Cheltenham.

The Stones in 1962.

The Stones in 1962.

In 1962, Brian moved to London. He became entranced with the blues, and befriended musician Alexis Korner, who would stay a friend for the rest of his life. But perhaps the most defining moment of this period was when he placed an ad in the Jazz News, looking for members for an R&B band, which he named after Muddy Waters’ ‘Rollin’ Stone’. This caught the attention of two teenagers named Mick Jagger and Keith Richards. They went to see Brian play at Korner’s club, and were blown away by his magnificent slide guitar work on Elmore James’s ‘Dust My Broom’. Brian brought Mick and Keith into his band, and begun sharing a flat with them at 102 Edith Grove. After a succession of bassists and drummers — including future Pretty Thing Dick Taylor and, allegedly, future Kink Mick Avory — Brian settled on Bill Wyman and Charlie Watts. The Stones were ready to become one of the biggest bands of the ’60s.

102 Edith Grove.

102 Edith Grove.

Around this time, Andrew Loog Oldham began managing The Stones with soon-to-be-ousted Eric Easton. Brian had been fulfilling this position until that point, and had been paying himself 5 pounds more for the job. The other Stones were not too pleased about this, to say the least, beginning the alienation between Brian and The Stones.

It didn’t take long for The Stones to become big. They released a few singles; adding his famous slide guitar to the Lennon/McCartney-written ‘I Wanna Be Your Man’, adding some awesome harmonica to ‘Not Fade Away’. They released their self-titled debut (still a very Brian-lead affair) in 1964. However, Oldham decided that Mick would make a better “leader” of The Stones (a position also fulfilled by Brian ’till this point), and set out to make this so. And, in an attempt to equal the success of The Beatles, Oldham made Mick and Keith begin writing songs together, reducing Brian’s role in the band. (Though Brian wrote a film soundtrack, the melodies for ‘The Last Time’, ‘Paint It Black’ and ‘Under My Thumb’ and allegedly wrote ‘Ruby Tuesday’ with Keith, The Stones never recorded a song he wrote by himself.) The Oldham-Jagger-Richards troika took over from Brian as The Stones’ leader. They treated him horribly, and Brian soon became an outsider in the band he’d started. One scenario of such treatment is recounted in Paul Trynka’s excellent Brian biography: Brian was told to come into the studio to record ‘Little Red Rooster’, one day. However, he got to the studio only to discover that the other Stones had recorded their parts without him, and he was left to add overdubs. Though it was in part his fault, I feel that their treatment of him was particularly cruel and unnecessary.

Brian playing slide.

Brian playing slide.

Despite this, Brian added some simply stellar touches to The Stones’ catalogue, earning him the place as (arguably) the band’s greatest musician. He has been described by many as a bit of a musical genius. Some of his contributions include the marimba on ‘Under My Thumb’ and ‘Out Of Time’; the sitar on ‘Paint It Black’ and ‘Street Fighting Man’; the Appalachian dulcimer on ‘Lady Jane’ and ‘I Am Waiting’; the Mellotron on ‘2000 Light Years From Home’, ‘We Love You’ and ‘Stray Cat Blues’; recorder on ‘Ruby Tuesday’; saxophone on ‘Dandelion’… Not even mentioning his harmonica and slide guitar. Brian certainly had the ability to turn a good song into a classic!

Brian’s multi-instrumental-ism was not limited to The Stones, either. You know the saxophone on The Beatles’ ‘You Know My Name’? That’s Brian. It’s been argued that the oboe in ‘Baby You’re A Rich Man’ is him, too. He also sang backing vocals on ‘All You Need Is Love’ and ‘Yellow Submarine’, on which he also clinked glasses. Brian was a good friend of The Beatles: he was particularly close to George, though was friendly with John and Paul, too.

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George and Brian.

However, as The Stones grew bigger, Brian’s demise began. The alienation he suffered from The Stones sent him into depression. To deal with his mental health issues, Brian started using drugs, and soon became addicted. Andrew continued to shine the spotlight on Mick + Keith and ignored Brian, which can’t have helped his already-underlying insecurity.

Around this period, Brian met Italian actress and model Anita Pallenberg. Together, they formed one of the most famous rock couples at the time, and were an icon of the blossoming counterculture. However, it was not to last. During Mick, Keith and Brian’s infamous trip to Morocco in 1967, Brian had been admitted to a hospital in France. Whilst he was gone, Keith and Anita had already begun a relationship. And when Brian rejoined the party in Morocco, Anita broke up with him and went to Keith after one too many fights. Brian was left stranded in the foreign country when Mick and Keith left unexpectedly. Already damaged, Brian’s mental health took a severe turn for the worse after the trip. And though Mick, Keith and Brian hadn’t been overly close since the 5 pound incident, they were never really friends, after Morocco.

Brian and Anita.

Brian and Anita.

By that time, Swinging London was a place of psychedelia. The Stones recorded AftermathBetween The Buttons and Their Satanic Majesties Request. Brian’s musicality is particularly evident on that trio (my favourite of the band’s work), and his skills added a certain psychedelic element to a number of tunes. Though many fans dislike Satanic Majesties, I’ve always enjoyed it for the magnificent instrumentation. Brian’s dress-sense also became quite psychedelic in this period. Always valuing style, he became a regular at the London boutiques and quickly turned into a style icon. Brian also went to Monterey Pop Festival, and introduced the Jimi Hendrix Experience, cementing his place in psychedelic history. (The title from this post is taken from The Animals’ song ‘Monterey’.)

Brian at Monterey.

Brian at Monterey.

Brian also wrote and recorded the soundtrack to A Degree of Murder, a film that Anita was in. Brian would also soon return to Morocco and record an album of the Master Musicians of Joujouka. The album would be released in 1971.

But Brian’s personal life was not getting any better. He was busted for drugs on the same night as Mick and Keith’s infamous ‘Redlands’ incident. However, though ‘Redlands’ made Mick and Keith into even stronger figures, Brian crumpled. Not long after, he was treated for a nervous breakdown. He spent a night in jail for possession and allowing weed to be smoked on his property, but was discharged with a fine and an order to seek professional help for his drug problem. Brian would be busted again, in 1968, which would be one of the final straws for his declining health.

Brian was becoming increasingly unreliable. He would turn up to the studio stoned, or in too bad a place to play — if he turned up at all. However, his mark can still be found on The Stones’ next album, Beggar’s Banquet. Arguably the best of these is his beautifully emotive slide guitar on ‘No Expectations’. In a way, the lyrics could be seen to be referring to Brian’s fall. But his guitar performance is simply amazing. It’s been referred to as his swan song.

Still, The Stones had almost completely marginalised Brian. And he’d become too depressed and addicted to add much. However, unlike the similar scenario that went on with Pink Floyd and Syd Barrett, The Stones didn’t really care. Which I find to be a horrible shame. Brian couldn’t tour legally, either, ‘cos of his possession record. On the 8th of June, 1969, Mick, Keith and Charlie went to Brian’s recently purchased Cotchford Farm (the former home of A. A. Milne), and informed him that he’d been replaced by guitarist Mick Taylor.

And just under a month later, just before midnight, Brian drowned in his swimming pool. Some say it was murder or manslaughter. Some say it was suicide. Some say it was “death by misadventure”, as his death certificate reads. Brian’s funeral was on the 10th of July. The only Stones to attend were Bill and Charlie. The band paid tribute to him at their famous Hyde Park Concert, where Mick read out ‘Adonais’ by Percy Shelley and thousands of butterflies were released in his memory.

The last pictures taken of Brian.

The last pictures taken of Brian.

In the aftermath of Brian’s death, many of his contemporaries paid tribute to him, too. Jimi Hendrix dedicated a song to him at one of his performances. Pete Townshend wrote a short poem to his old friend called ‘A Normal Day For Brian, A Man Who Died Every Day’. Jim Morrison also wrote a poem titled ‘Ode To LA While Thinking of Brian Jones, Deceased’, and wrote a song for him called ‘Tightrope Ride’. (Ray Manzarek changed the lyrics after Jim died, so they would refer to both Brian and Jim. Ironically, he died precisely two years after Brian, also at 27.)

Brian was one of the first members of the ’27 Club’, a group of people who died at 27. (Other “club members” include Jimi Hendrix, Janis Joplin, Jim Morrison, and more recently, Kurt Cobain and Amy Winehouse.) The penultimate track on The Stones’ 1972 double album Exile on Main Street, Shine A Light, was written by Mick about his demise. Brian’s referenced in the name of indie band The Brian Jonestown Massacre. And many underground musicians have referenced him in their songs, including Robyn Hitchcock, The Drovers, Psychic TV and Tigers Jaw. In a way, Brian has become an underground figure, despite his associations with one of the biggest bands on Earth.

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Brian was a very complex guy. By many accounts, he could be sweet + shy one minute, and arrogant + manipulative the next. But still, he was a wonderful musician. He also had wonderful fashion taste, and helped create a more feminine look acceptable for men. And though The Stones have rarely talked positively of him recently, many others have talked of his influence. There must be a reason why others have said nice things about him. His death is incredibly heartbreaking, and not just because a life was lost. He could have gone on to do so many great things. He could have begun a new chapter of his life. But sadly, he never got the chance. I can’t remember a time when I didn’t know who Brian was (my dad’s a Stones fan), and he’s fascinated me since I was a child.

So rest in peace, Brian. We’ll never forget you.

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My Favourite Bands from the ’60s (and 70s)

As one might guess, I grew up to a soundtrack of  ’60s and ’70s tunes. And the love of mid-20th-century tunes held by 5-year-old me has well and truly stuck! So today, I’m going to write about my favourite bands from the ’60s and ’70s, and why I like them — so in no particular order…

The Doors

the doors

The Doors are an extremely interesting band. For one, their sound was a little jazzier than their contemporaries. And Ray Manzarek, John Densmore and Robby Krieger were all impeccable musicians. (Especially Ray Manzarek! That man was a genius on the organ!) And of course, Jim Morrison. His voice was incredible, and you really don’t hear anything like it from any other band from the era. And not to even mention his lyricism! His poetry is a huge thing that makes The Doors unique. He touched on themes like love, death, individuality, life and the human race in general, and I really enjoy listening to his writing. The Doors were certainly very unique, in the best possible way!

The Doors are one of two bands on this list that I’ve known for as long as I can remember. One of  my earliest memories involves a very young me being appalled at Jim’s inclusion of the word ‘damn’ in the song ‘LA Woman’, and the album of the same name was in frequent rotation during my early childhood. These days, The Doors are one of my favourite bands!

FAVOURITE ALBUMS: The Doors (1967), Waiting For The Sun (1968) + LA Woman (1971)

Pink Floyd

pink floyd

Pink Floyd’s ’60s-era work is not their better-known stuff, but it’s really cool. Their first album, The Piper At The Gates of Dawn (1967), was their only album with major input from founding member Syd Barrett, who left in ’68. The album is very psychedelic, as one would expect, and there are some awesome guitars and keyboards and effects! (I especially dig ‘Astronomy Domine’! And ‘The Gnome’.) I also really like Syd Barrett’s lyrics — his writing’s quite direct and the vocab is quite simple, but it really works! A few of them read like fairytales, too, which gives them a certain air of magic.  So the ’60s Pink Floyd are probably my favourite by a smidgeon — but that’s not to say that I don’t like the ’70s Floyd, too! Wish You Were Here, for example, is one of my favourite albums of all time. ‘Welcome To The Machine’ is one of my favourite Floyd songs, and the many parts of ‘Shine On You Crazy Diamond’ are plain awesome, and I think ‘Wish You Were Here’ speaks for itself…

I started to get into Pink Floyd after listening to Wish You Were Here on vinyl last November, and my mind was blown! I’ve been listening to Floyd quite a bit, lately. Really groovy!

FAVOURITE ALBUMS: The Piper at the Gates of Dawn (1967) + Wish You Were Here (1975)

The Velvet Underground

the velvet underground and nico

Laden with biting guitars, avant-garde instrumentation, controversial lyrics and everything else ‘art rock’, The Velvet Underground are a band I love! Though not many people paid attention to their work in the ’60s, their music now receives the recognition it deserves. The early Velvet Underground were very avant garde in their sound — founding member John Cale was a classically-trained violist, and often played it on tracks. Their innovative guitar-ing and drumming (and Lou Reed’s singing) also helped to influence countless punk and indie bands! In my opinion, The Velvet Underground are one of the quintessential ’60s alternative bands.

My mum introduced me to The Velvet Underground. One day mid last year, she played me ‘Sunday Morning’, and I was hooked! Soon after, we got a copy of The Velvet Underground and Nico, and The Velvet Underground quickly became one of my very favourite bands…

FAVOURITE ALBUMS: The Velvet Underground and Nico (1967) + White Light/White Heat (1968)

The Who

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At the moment, the band I’ve been listening to the most is probably The Who. One thing I really love about them is how each member was/is extremely good at their role in the band; Roger Daltrey is an amazing singer, Pete Townshend is an amazing guitarist, John Entwistle was an amazing bassist and Keith Moon was an amazing drummer! I also think that Pete is one of the greatest songwriters ever — it’s only after I attempted to play a few songs from Tommy that I realised how complex his stuff is.  And along with The Kinks, The Who created the rock opera. Listening to Tommy and Quadrophenia and following their stories is a wonderful experience! And that’s not even mentioning the fact that their innovative usage of guitar amps, or their live shows…

I first listened to The Who after getting a best-of CD back in December. It was only in March when I really got into them, and since then, I’ve become a huge fan!

FAVOURITE ALBUMS: My Generation (1965), The Who Sell Out (1967), Tommy (1969) + Quadrophenia (1973)

The Rolling Stones

the stones

Though The Stones were probably the first band I was ever aware of, it was really only 6 or so months ago that I really started to get into them. But it’s the Stones from the ’60s that I love. Their very early stuff is biting and fresh and has the blues written all over it. And by the mid ’60s, Brian Jones’s multi-instrumental genius made a number of their songs from good to absolutely wonderful! (Take a listen to the marimba on ‘Under My Thumb’, the sitar on ‘Paint It Black’, the recorder on ‘Ruby Tuesday’, the Mellotron on ‘2000 Light Years From Home’; that’s all Brian!) That stuff is my favourite — hence why I’m one of the few that likes Satanic Majesties! I also really like the stuff from Beggar’s Banquet, and Get Yer Ya Ya’s Out is my favourite live album of all time.

Like The Doors, I’ve known The Stones for as long as I can remember. My dad is a fan, so they’ve always been around the place. I can’t remember a time when I didn’t know the names of Brian Jones, Keith Richards and Mick Jagger. And excepting a brief period in 2013 when I thought that all Beatles fans had to hate The Stones, I’ve had a favourite Stones song since I was 8 or 9. (I think it was ‘Get Off My Cloud’.)

FAVOURITE ALBUMS: The Rolling Stones (1963), Aftermath (1966), Between The Buttons (1967) + Their Satanic Majesties Request (1967)

The Beatles

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As much as I adore the other bands on this list, The Beatles will always remain my favourite. There is something very special about them. Very. How they went from ‘Love Me Do’ to ‘Tomorrow Never Knows’ to ‘Revolution’ to ‘The Long and Winding Road’ (and everything in between)  in EIGHT years is mindblowing. And of course, each Beatle played their instrument really uniquely and it sounded fab! And The Beatles had four lead singers, too, and three songwriters; they each brought a different perspective to their eager listeners, and that set them apart. I also consider The Beatles some of the greatest lyric-writers, especially in the later days. And that’s not even mentioning how they not only influenced music, but how they turned the world on its head; pretty much every rock band since 1964 has been influenced by The Beatles someway or another. Their immense cultural impact changed everything, too. And the fact that nearly everyone knows who they are 53 years later says quite a lot!

The Beatles changed everything for me. I’ve been a fan since February, 2013, when I decided that they were more than just a band that’s on the radio all the time. And ever since that fateful day, my life has never been the same!

FAVOURITE ALBUMS: Everything Rubber Soul onwards!

Special mentions go to Janis Joplin, Jefferson Airplane, Led Zeppelin, Bob Dylan, The 13th Floor Elevators and The Kinks, the songs of whom I’m currently exploring and enjoying but don’t know well enough to write about…

What are your favourite bands from the ’60s and ’70s? Be sure to send me a postcard, drop me a line…

Hope you all have a great day, and good day sunshine ’till next post! 🙂

Some awesomely random little-known Beatles factoids…

Filming the music clip for 'Penny Lane'... I love this picture!

Filming the music clip for ‘Penny Lane’… I love this picture!

I’ve had this idea for a while, but I decided to type it up this week! Ever since I first got into The Beatles, I’ve been really interested in interesting bits of trivia concerning them, and today, I will be writing about a few of my favourites. Many of my sources will be from my Beatle-y book library, or from various websites. And if you have any interesting facts of your own, please send me a postcard/drop me a line in the comments below! But for now, here is my list…

  • The Beatles, at one point, were asked to do the voices for the vultures in the film adaption of The Jungle Book. John’s reaction when asked? “There is no way The Beatles are going to sing for Mickey [expletive] Mouse!” Apparently the vultures are still Beatles-inspired, though (I haven’t actually seen The Jungle Book…)
  • John, however, actually came up with a Beatles film idea! He wanted The Beatles to make an adaption of The Lord of The Rings! Apparently J R R Tolkien vetoed it, as he didn’t like the idea of The Beatles playing the characters in his books.
  • By now, it is well documented that none of The Beatles could read a note of sheet music. But Paul (always proud of this fact) was, in fact, the only Beatle who ever tried. He took a few music lessons from Jane Asher’s mother in the mid-60s, though gave up after a very short while due to lack of patience.
  • One of John’s dreams in life was to write a children’s book much like Alice In Wonderland (one of his favourite books!) when he was old and retired. Sadly, he never got the chance. 😦
  • It is rumoured that each verse in ‘Come Together’ is about a Beatle. The theory says that verse one is most likely about Ringo, verse two about George (though some say verse one is George and verse two is Ringo), verse three about John and verse four about Paul. Though no-one really knows if this is true.
  • The first time John wore his iconic granny glasses (excepting the times he was forced to wear them as a child, before he got his Buddy Holly frames) was in the scene in Help! where The Beatles are in the airport, about to head off to The Bahamas. It’s kind of funny how all four Beatles in that scene look the spitting image of what they would look like later on in their lives…
  • Whenever The Beatles played in America, one of their contractual obligations (requested by them, I might add) was that they were never to play to a segregated audience! How cool is that?
  • Both John and Paul had cats named Jesus.
  • In 1964, a song called ‘Ringo, I Love You’ was released by someone named Bonnie Jo Mason. Bonnie Jo went on to become Cher… And who produced that song, you ask? Phil Spector. Who of course has many Beatley connections himself.
  • There are two people who do the voice of “George” in Yellow Submarine. A guy named Peter Batten was the original voice, but he was arrested during the making of the film, and was replaced by another guy by the name of Paul Angelis (the voice of “Ringo” and the Chief Blue Meanie).
  • Ringo and his wife, Barbara Bach, have been together the longest out of any serious relationship involving a Beatle. Though Olivia and George were together 20 years, and Paul and Linda were together 29 (and they would probably all still be together)…
  • David Gilmour (of Pink Floyd) owns the drawing that inspired ‘Lucy In The Sky With Diamonds’.
  • You know that infamous John quote — “Ringo isn’t the best drummer in the world. He isn’t even the best drummer in The Beatles!”? John didn’t even say that. It was actually said by a comedian called Jasper Carrott in 1983.
  • George was the first person to use the word ‘grotty’! The ‘grotty shirts’ scene in A Hard Day’s Night was, in fact, the first time the word was used. For all you Americans, ‘grotty’ has remained a popular Briticism (and Australianism!) since.
  • Apparently Nico (of The Velvet Underground and Nico fame) was at Brian Epstein’s Sgt Pepper party. She listened to ‘A Day In The Life’, and thought that the first bit and the orchestral climax were beautiful, but that the “stupid little pop song” in the middle ruined it. She told this to Paul — whoops…
  • It’s rumoured that Jim Morrison was at the session for ‘Happiness Is A Warm Gun’, and that he sang on various parts of it. Though this has never been proven.
  • Brian Jones played on numerous Beatles songs! He sang on both ‘Yellow Submarine’ and ‘All You Need Is Love’, played oboe on ‘Baby, You’re A Rich Man’ and saxophone on ‘You Know My Name’. In turn, John and Paul sang on The Stones’ song ‘We Love You’.
  • Paul played bass on Donovan’s 1967 song ‘Mellow Yellow’.
  • Before John and Yoko bought Tittenhurst Park, John rented a flat in Montagu Square from Ringo. When John and Yoko moved to New York, Ringo bought Tittenhurst Park!
  • In 1979, The Guinness Book of World Records  gave Paul a rhodium-plated disc for being the bestselling artist of all time. Due to his immense sales, platinum was insufficient enough!
  • John was the last Beatle to learn to drive. He passed his driving test on February 15th, 1965, at the age of 24.
  • On ‘All You Need Is Love’, George and Paul experiment a bit, instrument-wise — Paul plays a double bass and George plays a violin!
  • And unsurprisingly, The Beatles are the best-selling artists of all time, with at least 2,303,500,000 certified units sold!

And there we go! Some interesting Beatles facts for you all! Have you got a favourite Beatles factoid, or did I leave something off my list? Please drop me a line in the comments below!

Hope you’ve all had a great week! Today is a public holiday in Adelaide, and I’m off to the third and final day of WOMADelaide in a few hours. I’ve seen some really great acts, like Swedish indie-folk act First Aid Kit, Welsh musician Gruff Rhys (who was in Super Furry Animals), blues virtuoso C W Stoneking and a really cool Adelaide band called Max Savage and the False Idols… Oh, and I’ve been changing the appearance of ‘AYNITB’ a bit! I’m still messing around with backgrounds and headers, but please tell me what you think… Good day sunshine ’till next week! 🙂

My Beatles Record Collection Pt. 7 — ‘Magical Mystery Tour and Other Splendid Hits’

I have always loved the fish-eye lens pictures from The Beatles' brief trip to India in 1966 with a passion. And I think I may have just found my favourite!

I have always loved the fish-eye lens pictures from The Beatles’ brief trip to India in 1966 with a passion. And I think I may have just found my favourite!

And so it is the 1st of March… Happy Autumn (or Spring, if you’re in the Northern Hemisphere)! In Adelaide, the month of March (or really, mid February ’till the end of March) is Festival Season. We have lots of music and arts festivals at this time of year, and it is a really awesome place to be! Tonight, I’m going to see a stage production of The Who’s Tommy (as a part of the Adelaide Festival), and next weekend I will be spending three days at WOMADelaide (a world music festival, with the best food, iced tea and shops, too!)! And in unrelated news, we are playing a Beatles medley in my school concert band! Yay! But onto the post…

‘My Beatles Record Collection’ is back — late… Sorry about that. But alas, this month I will be focusing on a The Beatles’ studio album which never really was a proper studio album — Magical Mystery TourMagical Mystery Tour was released (ironically) on December 8th, 1967, as the soundtrack to the ill-fated “film” of the same name (which I have only watched once. I didn’t hate it, but it was a bit odd…) In countries on which The Beatles were released on Parlophone, it was released as a double EP, complete with a fancy booklet and fancy packaging. But in the land of good ol’ Captiol Records (America), it was released as a full length LP along with the Beatles’ singles from ’67, because EPs were apparently “useless” at that point in time. But anyway, due to its different release methods, it is often debated between Beatles fans as to whether it should be included in the core discography or not. Ever since the ’87 remixes, EMI has included along with the core selection as a studio album as the material was never available on an actual studio album. But I am in the latter camp. Magical Mystery Tour, to me, is a Captiol compilation of a similar ilk to pretty much any Beatles album released in America before Sgt. Pepper. But oh well. As an album, some of the tracks include ‘Flying’, ‘Blue Jay Way’ (my favourite song on the album!), ‘Strawberry Fields Forever’ and the famous ‘I Am The Walrus’ (goo goo g’joob). I’d say it is just as mad and psychedelic as Pepper, and I love mad psychedelia! 🙂

America was not the only place to have a Magical Mystery Tour LP, however. In 1970, the same album was released in Australia, under a slightly different title of Magical Mystery Tour and Other Splendid Hits. But it was not released on Apple, or Parlophone. It was released on a label named World Record Club (exclusively in Australia, according to the back!), which was a mail-order catalogue type thing. I obtained my copy in a cool record shop in Melbourne back in July, and apparently they are quite rare!

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This is the front cover. Note how it is so different to the US/official cover which we all know so well! The picture is a still from the ‘I Am The Walrus’ scene of the film. The font of the title is different, too. But then, the actual title itself is different too, so…

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This is the back cover (obviously!). I actually like the back cover, as it makes it clear to the listener which songs are from the film, and which ones are “other selections”. I find it interesting how some quirky pieces of text which are synonymous with the original EP/LP — like the “‘No, you’re not!’ said Little Nicola” bit underneath ‘I Am The Walrus’, and the production being credited to ‘Big George Martin’ — are included on the back of this version, too! Oh, and that little star in the top right-hand corner says ‘STEREO’, by the way. By the time that MMT was released in Australia as an LP, mono had long been not used for albums. The Beatles were in fact the first popular band to utilise stereo, as far back as Please Please Me. Funny to think how all The Beatles’ albums were packed in between 1963 – 1970. Amazing…

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This is the vinyl itself! The inner sleeve is quite interesting, as it is made of quite thick, translucent plastic — as opposed to the paper or flimsier, transparent plastic inner sleeves of the Parlophone/Apple releases. You can see the WRC record label here, too. According to Wikipedia, WRC was actually owned by EMI from 1965 onwards — which would explain why the inclusion of a Beatles album in one of those mail order catalogues (they usually weren’t included).

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A close-up of the label. The actual text isn’t that different to what one would discover on a regular Beatles release label, though of course the label itself is. Apparently WRC felt a need to point out that it should spin at 33 1/3 RPM…

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And a close-up of the vinyl! It’s in really, really good condition — near mint, actually! The vinyl is still very shiny — to the point where I had to have a few goes to try and not get my iPad reflected on the vinyl! And for a record made in 1970, the vinyl is quite heavyweight. (A lot heavier than the flimsy ‘orange label’ reissues of the same time, anyway…) It plays really well, so I am pleased!

And there we go…done for another month. I am especially looking forward to doing this month’s ‘MBRC’, as it is time for a very special double album. And I am lucky enough to have an equally special pressing of this album…

Oh, and yesterday (February 28th) would have been the 73rd birthday of my favourite Stone, Brian Jones! Lately, I have been doing a lot of reading on Brian (and The Stones). Amongst other things, Brian was a huge influence on The Stones in the early days, and he was an amazing multi-instrumentalist who made many good Stones songs great. I shall write a proper post about him at some point in the future, but for now, I shall post a few pictures of him below. Happy birthday, Brian!

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I’ll go back to my normal blogging schedule next week, I think. I have a great Beatley idea which has been in the works for a very good while, and it shall see the light of day next week! But until then, good day sunshine 🙂