Making Mixtapes: Autumn Edition

I know, I know, it's a massively-cliché stock photo... But hey! At least it's pretty!

I know, it’s a cliché stock photo… But hey! At least it’s pretty!

Late Autumn and early Winter is my favourite time of year – the searing heat of Summer turns into breezy, hazy sunshine, that soon finds itself becoming a satisfying brand of icy, crisp cold. Everything just seems so dreamy, so magical, so perfect. So maybe the climate is to blame for the fact that almost all of my favourite musical memories occur somewhere within the cooler months of the year. And considering that, in Australia, we are entering the final weeks of Autumn, I thought it would be especially appropriate to make a ‘mixtape’ of a few of these today!

‘Penny Lane’ – The Beatles

I remember the day I bought my first Beatles album (1, for the curious): it was the 10th of July, 2013. I’d never heard anything so thrilling in my short life, and I listened to it on endless repeat for the remainder of the year. The day after The Purchase, however, I was hanging out with my best friend at the time, a more seasoned Beatles fan who actually introduced me to them in the first place. We spent much of that afternoon listening our favourite songs, dancing and chanting the words we knew. I remember picking ‘Hello Goodbye’ and ‘Help!’ – and I remember that she picked ‘Lady Madonna’ and ‘Yesterday’, among others. But she also picked ‘Penny Lane’, a song I was yet to hear, then. And as I listened, there was something just so magical about the song – whether it be its surrealism or inventive band arrangement or the beautiful melody of the lyrics – something that moved me like no song had before… I couldn’t have had any idea as to how monumentally that moment would change the course of my life. I wouldn’t be a rock’n’roll fan without it.

‘Sugar Man’ – Rodriguez

I first learnt of Rodriguez – a cult musician who created quirky, psychedelic folk in the early ’70s – in April 2014, via a documentary on his life that lead to a major resurrection of his work. His discography fascinated me from the first listen – partly because it reminded me of The White Album, but also because it was ‘weird’ in a way I didn’t yet know music could be. The best-know track off Cold Fact – his debut – is a freakishly beautiful folk song called ‘Sugar Man’ – whirring synths and woodwind arrangements accompany his echoey guitar and his voice, which is only describable is incredible… At a time when I felt that listening to artists other than The Beatles equated betraying them, his music became one of my favourite things in the world.

The following Spring, I saw Rodrgiuez play in my hometown. It was my first proper gig, and what a great one it was! He still sounded incredible, and to this day I consider it one of the greatest nights of my life…

‘Sunday Morning’ – The Velvet Underground

I first heard the phrase ‘Velvet Underground’ on the night that Lou Reed died – everyone was talking about him, and though I remain mildly annoyed that I only got into his work afterwards, it was through this that I learnt of his first band. I never felt compelled to listen to them, however – that was, until, I first heard a cover of ‘Sunday Morning’ one night, in May 2014. I felt like I knew it (I didn’t), like it and I were meant to be – and it happened to be one of my mum’s favourite songs. As we listened, she told me of how The Velvet Underground had played a part in the the soundtrack of her 20’s, and she told me to go and look the original version up. The next day, I did just that, and its immense beauty captivated me – it is hard to explain in words the affect it had. The Velvets have continued to captivate, inspire and influence me ever since…

‘Lust For Life’ – Iggy Pop

In the Winter of 2014, my mum and I decided we’d listen to CDs in her car instead of the radio. So we sifted through the glovebox, and found – among the stacks of children’s novelty albums and musical soundtracks – the soundtrack to Trainspotting. We inserted the CD into the player, and soon enough, this ferocious rhythm burst out of the speakers – and then this sneering, couldn’t-care-less voice joined it all, too. ‘Lust For Life’ was dangerous, tough, fiery, in a way that I didn’t realise music could be. It didn’t matter that I didn’t know the next thing about Iggy Pop, that my days of blasting ‘Search and Destroy’ and ‘1969’ at maximum volume were still years off, that I hated punk rock; I wanted to dance. I was hooked.

‘Isn’t It A Pity’ – George Harrison

By the middle of 2014, I’d officially listened to every Beatles song, so I’d begun to delve into their solo catalogues as well. One particularly cold and dark July day that year, I was sitting – or shivering, rather – in an apartment in Melbourne  when I finally decided to listen to All Things Must Pass. There was something so dreamy, so warm about the album – it was the definition of ‘ethereal’, and it seemed so bright, in contrast to the dark clouds that loomed outside my window. I was introduced to ‘Isn’t It A Pity’ that afternoon – a song that was perhaps the warmest, the most shimmery of them all, and one that I’ve loved ever since. It is the perfect song for dark, cold Winter nights…

‘Hallelujah’ – Jeff Buckley

Jeff Buckley’s version of ‘Hallelujah’ is perhaps the definitive late-Autumn song. The warm, twinkling beauty of the guitar and Buckley’s beyond-incredible voice seem to be the sonic equivalent of the hazy, dying heat of Australian Aprils. Like the weather, the song seems like something of magic, too. I first heard it in June or July 2014, after my guitar teacher told me about it. All I remember was how overwhelmed I was, of how I thought it sounded almost as beautiful as my favourite Beatles songs. There weren’t too many songs that made me cry, then – but this was one of them.

‘I’m Only Sleeping’ – The Beatles

It was August, 2014 when I decided, rather innocuously, that I was going to listen to Revolver one afternoon. This, of course, wasn’t an uncommon decision at the time – Revolver was my all-time favourite album, after all. So I placed it on the turntable, and I began to listen. Everything seemed perfectly normal to me – until I reached ‘I’m Only Sleeping’. I’d listened to it a thousand times before, but that afternoon I felt something I’d never felt before. I realised just how incredible, how beautiful the song – and the album – was; I became entirely overwhelmed by this immense love for the music. I’d been a music fan for a while, at that point – but it wasn’t until that day that I realised how powerful it was.

‘Waterloo Sunset’ – The Kinks

In the March of 2015, I borrowed a biography on The Kinks from a nearby library. I found their story fascinating – not always in a good way, yet endlessly interesting nonetheless. And, I mean, I’d heard ‘Waterloo Sunset’ countless times before reading the book, but I’d never appreciated it – I’d always liked their early garage ventures (‘You Really Got Me’; ‘All Day and All of the Night’) more. But as I read, I realised that Ray Davies is a certified songwriting genius, and I felt compelled to listen to it properly. And of course, I also realised how wrong I’d been to take it for granted, and by the time it was through, I’d concluded that it was among the greatest songs of our time. I do, after all, have ears…

‘The Real Me’ – The Who

I first heard Quadrophenia in the Autumn of last year. On May 19th – Pete Townshend’s birthday – to be exact… At this point in time, I was becoming a massive Who fan – I’d read Townshend’s autobiography, I’d played my CD of Tommy so many times that the fancy gatefold had started to ever-so-slightly fall apart… But Quadrophenia blew my mind like no other Who album ever had. It was ambitious, but it was also one of the greatest I’d ever heard – it was so passionate, so expertly crafted, so captivating, and oh, how I loved the brass arrangements! ‘The Real Me’ was what started it all – everything about it was so energetic, so flawlessly recorded and it made you want to dance, too. To this day, it’s my favourite Who song.

‘Miss Amanda Jones’ – The Stones

Some Kind of Wonderful – not The Breakfast Club, not Pretty in Pink – is my favourite ’80s movie. This is for a number of reasons; mainly because the protagonists are both quirky outsiders who, unlike PiP‘s Andie and TBC‘s Allison, never compromise who they are – but also for the fact that one of the characters is named after a Stones song. ‘Miss Amanda Jones’ (the song in question) is ridiculously underrated – it’s a seemingly conventional rock song on the surface, yet Keith Richards’ fuzzy guitar turns it into a darkly psychedelic freak-out. It also happens to be on my favourite Stones album, Between the Buttons. It’s the most perfect song for a movie about two people who never apologise for not ‘fitting in’ – it’s so freaky, yet it’s so great… I listened it on repeat all through the coldest, darkest Winter days last year!

‘Old Man’ – Neil Young

Like ‘Hallelujah’, Neil Young’s music is, to me, the sonic equivalent of the beauty of late Autumn. His voice, his guitar, his songwriting style all resonate with the most beautiful melancholy warmth that is so innately satisfying to the listener. Harvest is easily one of my all-time favourite albums because of this. And ‘Old Man’ happens to be one of my favourite songs, too. There’s just something about it – his achingly beautiful voice, the thoughtful lyrics, its catchiness, the exquisite guitar, backing vocals… It really is the perfect song to listen to as the final rays of sun shine on your back, as Summer draws to an end.

‘Another Girl, Another Planet’ – The Only Ones

Before the beginning of last year, I hated punk rock. But then I watched a documentary on Joy Division and decided it wasn’t so bad – and that Unknown Pleasures was amazing. But it wasn’t until I was introduced to the Only Ones that I grew to love it.

In the Winter of last year, my mum found her Only Ones album in her vinyl collection, and we decided to play it sometime. But first, we looked up ‘Another Girl, Another Planet’. I was instantly hooked. Listen to the song: the gritty power chords, the pretty melody. I decided it was one of the greatest I’d ever heard, and consequently, I finally felt compelled to listen to the punk bands that I’d read so much about. In hindsight, the Ones aren’t actually that punk (though this does nothing to diminish how much I like them). But they were an incredible gateway, and for that I owe them a lot!

‘Gloria’ – Patti Smith

I’d read a lot about Patti Smith, and of how Horses was supposedly one of the greatest albums of all time. So last July, I bought it. I wanted to see if it was really that amazing. I placed it in my CD player as soon as I had the chance – I turned it up loud, sat nearby and pressed ‘play’. The first track began innocuously enough, and it confused me; wasn’t Patti supposed to be punk? Why is it just piano chords? But then, she sang the first line: ‘Jesus died for somebody’s sins, but not mine.’ There are few times in my life where I’ve felt as liberated, as incredible as I did in that moment. And of course, ‘Gloria’ turned into the most incredible rollercoaster ride of poetry, bohemianism and her unique brand of minimalist rock. By the time it faded out, my life would never be the same again.

‘Suffragette City’ and ‘Oh! You Pretty Things’ – David Bowie

Funnily enough, David Bowie was one of my first musical discoveries – I became a music fan in 2013, after all, a year in which his presence was unavoidable. But it wasn’t until 2014 that I actually began to listen to him, and before August 2015, I really was only a casual fan. But the first Bowie song I loved predates that August by a couple of months – ‘Suffragette City’. I first heard it in an episode of Gilmore Girls, yet I didn’t realise how amazing it was until I listened to it minus the context of my favourite TV show. It is hard to forget how it blew my mind – how edgy and thrilling it sounded, how I couldn’t keep my feet still, how I couldn’t stop grinning for the entire duration of the song, how I couldn’t help but scream ‘Wham! Bam! Thank you ma’am!’ with him. I promptly added it to my last ‘Making Mixtapes’ post (from last July), and in one draft, added that I soon hoped to become more than a casual fan of his work…

By the time I heard ‘Oh! You Pretty Things’ – only a few months later – I was well beyond casual fandom. I’d seen the ‘David Bowie Is’ exhibition a couple of weeks beforehand, and he’d stormed into my life and almost entirely changed how I saw the world. I’d spent those weeks in a daze, so overwhelmed by his art, and I listened to him whenever I had the chance. Hunky Dory was among the first of his albums that I discovered, and there are few I love as much as it. I fell in love with ‘Pretty Things’ on my first listen – I loved the chords, and the singalong chorus, and his juxtaposition of darkly philosophical lyrics and upbeat melodies. I remember listening to it at school all the time last year, feeling cool and comfortable in myself in a way I hadn’t really experienced before. He made me realise that I didn’t have to change myself, that I didn’t have to ‘fit in’ to be comfortable in my own skin.

‘Teen Age Riot’ – Sonic Youth

Sonic Youth was first recommended to me at the end of 2014. I tried listening to them then – and I decided I liked one of their songs (‘Sunday’) but that they were too ‘weird’ for me. But as 2014 turned into 2015, and as my music taste became progressively freakier, I tried again that Winter – but this time, I adored them. ‘Teen Age Riot’ is a song prone to obsessive fanaticism, and it isn’t hard to see why. It’s magical, hypnotic – as Kim Gordon chants about ‘sweet desire’ to clashing guitars, and as Thurston Moore frantically sings its lyrics to punky, noisy rhythms. It’s one of the songs that enters and changes your life so fast – one that you’ll listen to on endless repeat while chanting the lyrics by heart. It’s so unconventional, yet it’s so rewarding. I’ve proudly called myself a Youth fan ever since my first listen.

 

‘Kiss Off’ – Violent Femmes

When it was announced that the Violent Femmes were on the bill for this year’s WOMADelaide (a music festival I’ve attended every year since I was 8 or 9), my mum and I were so excited. I’ve been a Femmes fan ever since she played me their 1991 album, Why Do Birds Sing, in the Spring of 2014. But in the months that lead up to the festival, I dived deeper and deeper into their catalogue, and listened to their classic debut on constant repeat for at least a month or two… ‘Kiss Off’ was my favourite track off it, even if mainly for the frantic chant of ‘Everything! Everything! Everything!’ at the end of the bridge.

And of course, their set at the festival was every bit as amazing as I expected. I sang the lyrics to almost every song, dancing madly and raucously applauding at the end of each. I even managed to get my CDs signed by bassist Brian Ritchie afterwards!

‘Just Like Honey’ (The Jesus and Mary Chain)/’Boys Don’t Cry’ (The Cure)

For some reason, these songs are linked in my mind. I first (deliberately) heard them, back to back, while working on an assignment for my Music class a month or so ago. ‘Just Like Honey’ was first: it appeared as a ‘recommended video’ on YouTube, and I decided to listen – I’d been meaning to try the Jesus and Mary Chain for a while, after all. I had high expectations for the song, yet I couldn’t have predicted how amazing it would be: the booming drums, the guitar (so laden with gritty effects that it seemed to shimmer and twinkle), Jim Reid’s flowing voice, the melody. It was just so impossibly pretty – it sent shivers down my spine. I haven’t been able to get enough of it since!

Despite trying multiple times, I’ve never been able to ‘get’ The Smiths – so perhaps that’s why I only began listening to The Cure earlier this year. On the day that I discovered ‘Just Like Honey’, I’d only listened (yet also really liked) to a couple of their songs – so when YouTube recommended ‘Boys Don’t Cry’ after ‘Just Like Honey’, I thought I’d try it, too. I wasn’t surprised to discover I loved the song, as well – Robert Smith’s voice sounded so great, and I loved the hook that ran between the verses. I ended up singing it to myself for the rest of the day, and right now, it’s definitely among my favourite songs…

‘The Ballad of El Goodo’ – Big Star

Sometimes it takes only one song to entirely fall in love with a band’s discography. ‘The Ballad of El Goodo’ is one of those songs. I first listened to it a month or so ago, during my Art class, as the Autumnal sun poured through the window and onto my sketchbook. Its beauty entirely overwhelmed me. And it really is beautiful – the achingly exquisite guitar, Alex Chilton’s stunning voice, the dreamy backing vocals, the lyrics, the chiming, pretty melodies… It is one the most perfect songs in history. It’s just incredible.

‘God Only Knows’ – The Beach Boys

Last month, my mum and I went to see Brian Wilson perform Pet Sounds. We decided, quite literally, a few hours before, but it was certainly among the better decisions we’ve made… While we may have been sitting in the back row, and Brian’s voice mightn’t have been so great anymore, it was one of the most incredible experiences of my life. Just knowing that the man sitting in front of the white grand piano on stage wrote one of the greatest albums of all time was enough. As one would expect, the performance of ‘God Only Knows’ was one of the greatest moments of the night – the silence, the admiration that spread through the theatre was spine-chilling. At its end, we all gave him a standing ovation – and then he told us to sit down so he could start the next song!

‘Here Comes Your Man’ – Pixies

I feel like I came to the Pixies kind of late. I was so busy obsessing over Sonic Youth that I almost forgot about the other definitive 80s’ alternative band. Yet, not too long ago, I listened to Doolittle for the first time with slightly strange expectations – I wanted it to be amazing, but I never thought it could equal Daydream Nation. But as I played it, I became more and more hooked as the album progressed – their combination of arty noise and conventional melodies fascinated me. ‘Here Comes Your Man’ must be my most-played YouTube video of late – there is something so great about Black Francis’s voice on the track, the pretty, poppy melodies in the context of, well, the Pixies… So I’ve been listening to it on repeat ever since, and you know what? I reckon I like them just as much as SY!

‘I Can’t Give Everything Away’ – David Bowie

Despite the fact that I’d been beyond excited about it since rumours started spreading of its existence, I didn’t listen to Blackstar on the day it was released. I’d preordered it on vinyl as soon as the chance was available, and I knew it was going to be incredible – so I decided I would wait until my vinyl arrived, so I could truly appreciate its greatness on the first listen. Of course, between its release and its arrival on my doorstep, something happened: it was announced that David Bowie had passed away. That night, a lot of things flew through my head as I tried to contend with my grief – one of these things was an incredible regret, as I’d never have the chance to listen to the album without its now-apparent context…

My copy of Blackstar arrived a week later, almost to the minute. It sat on my record player for a couple of weeks, but eventually, I worked up the courage to play it. This was a strange experience; musically, I loved it, yet I found it incredibly difficult and emotional to listen to, as well. ‘I Can’t Give Everything Away’  was perhaps the pinnacle of this – it was such a great song, yet it also happened to the most melancholy on the album. Yet, I still love it. It sounds like the future, so heady and positively intergalactic – proof that Bowie will always be 20 years ahead of the rest of us. A few weeks ago, a music video was released for it. It was so beautiful – surprisingly uplifting, too – and I gained even more of an appreciation for the song. As I watched the video, it proved to me that my sadness at his passing would never lessen the incredible way his art makes me feel – it remains too powerful, too brilliant for that…

‘Perfect Day’ – Lou Reed

And so, I find myself at the beginning, again. I, too, first heard this on the Trainspotting soundtrack – yet unlike ‘Lust For Life’, it wasn’t love at first hearing. ‘It’s not as good as the Velvets,’ I remember telling my mum at the time. Yet, at some point – last year? this year? – something really changed. Because now it – a song recorded by one of my favourite artists and produced by another (Bowie!) – is among my all-time favourite. It’s so incredible, so beautiful, so moving. I’d be glad to spend any day with this song, perfect or not…

So, what are your go-to songs as the cold weather begins to set in? Be sure to tell me in the comments!

You can listen to the whole thing here!

And here’s an appropriately-themed song to finish off…

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And so this is Christmas…

Merry Christmas! (via pinterest.com)

Merry Christmas!
(via pinterest.com)

I have an admission to make: I haven’t been in the Christmassy mood this year. Blame this on the fact that I’m Australian. Aussie Christmasses basically consist of hot weather  (this year in Adelaide, it’s set to be just below 40 degrees Celsius) and following traditions started in England and America that are probably more suited to weather around the 40 degree-Fahrenheit mark. Blame this also on the world’s mad rush that begins with the festive season, and the stress of leaving one’s house that ensues. Oh, how I’d love a cold, calm Christmas…

But considering today is Christmas Eve, my Christmassy apathy is something I am going to change. And I’m going to go about this one of the few ways a music blogger knows how: with some Christmas tunes! So here are some of my favourite festive-themed tracks… Enjoy!

‘Christmas Time Is Here Again’: The Beatles

‘Happy Xmas (War Is Over)’: John Lennon, Yoko Ono, The Plastic Ono Band and the Harlem Community Choir

‘Peace on Earth/Little Drummer Boy’: David Bowie & Bing Crosby

‘Father Christmas’: The Kinks

‘Christmas’: The Who

‘Merry Xmas Everybody’: Slade

‘Jesus Christ’: Big Star

‘Ghost of Christmas’: The Manic Street Preachers

‘Winter Wonderland’: Cocteau Twins

‘Christmas Wrapping’: The Waitresses

‘Santa Claus’: Throwing Muses

‘Got Something For You’: Best Coast and Wavves

If you’d like to listen to the playlist in its entirety, here it is!

So, what are your favourite Christmas songs? Be sure to tell me in the comments!

Hope you all have a very merry Christmas, and a great final week of 2015! 🙂

Making Mixtapes…

The disappearance of mixtapes is sad, in my opinion. Making someone a YouTube playlist of their favourite tunes is a nice gesture, but it doesn’t seem to have as much thought and effort behind it. Plus, nothing beats listening to “physical” music.

So, in keeping with my mixtape-ish mood, I thought I’d make just that! Of course, for the sake of the Internet, a YouTube playlist will have to do, but anyway… And in keeping within the general theme of this blog, my mixtape will consist of all the songs from the ’60s and ’70s that are most important to me. So, here goes…

‘I’m Only Sleeping’, ‘Happiness Is A Warm Gun’, ‘Here There and Everywhere’, ‘You Never Give Me Your Money’, ‘While My Guitar Gently Weeps (Anthology 3 Version)’ & ‘Long, Long, Long’: The Beatles

Revolver

‘I’m Only Sleeping’ is perhaps my most important Beatles song. I first heard it in late 2013, and was captivated by its psychedelic, lazy vibe, unlike anything I’d ever heard before. But in August 2014, I was listening to Revolver on vinyl, and the song came on. I felt a love for the music that I’d never felt before, and I realised just how special it was. I’d called The Beatles my favourite band for over a year prior, but it was only then that I knew what it meant…

‘Happiness Is A Warm Gun’ is my current favourite Beatles song. I love how, in under three minutes, it covers the history of rock’n’roll. Stretching from psychedelic imagery to Zeppelin-esque hard rock to a doo-wop parody, plus one of John’s best vocal performances, it’s definitely one of The Beatles’ best!

‘Here, There & Everywhere’ was one of John’s and Paul’s favourite Beatles songs, and it’s my favourite Paul-penned song. It has such a delicate vibe to it. The vocals from all parties are hypnotically beautiful – not to even mention the drums, and bass… A wondrous song!

‘Long, Long, Long’ & the Anthology 3 version of ‘While My Guitar Gently Weeps’ are both folky, George-written tunes from the White Album era. The former has long been a favourite of mine. In contrast to the cacophony of ‘Helter Skelter’ before it, it’s a beautifully peaceful tune, with the wonderful guitar, organ and drums among its highlights. The latter song is my favourite version of the tune. Whilst I love the official version, with its Clapton-played lead guitar, there isn’t much better than the gentle acoustic guitar and the shimmery organ of the Anthology 3 version, for me…

‘My Generation’, ‘The Real Me’, ‘I’m Free’ & ‘See Me, Feel Me’: The Who

Thewho-therealme1

Though I love the musical work from each Who member on ‘My Generation’ (John Entwistle’s bass, in particular!), my favourite part of the song is the lyrics. Where I live, among the mainstream media’s favourite pastimes is criticising anyone under the age of 30. ‘My Generation’, like the generations before who listened to the song, made for a good antidote to their criticism & generalisations.

‘The Real Me’ is my favourite Who song at the moment. Like most of their tunes, the guitars/bass/drums/vocals are amazing – one of my favourite things about the band is how each band member was really good at what they did. The perfect opener to one of my favourite Who albums, Quadrophenia!

‘I’m Free’ & ‘See Me, Feel Me‘ are both from Tommy, my other favourite Who album.The former is a rocker, with a standout rhythm guitar performance from Pete Townshend. It’s only recently that I began to listen to it more “in-depth”, but since I have, it has quickly become a favourite. The latter in contrast, was one of my original favourites. Roger Daltrey’s falsetto vocals and Keith Moon’s drums during the “listening to you” chorus, in particular, make the song a very deserved classic…

‘Stray Cat Blues’, ‘No Expectations’, ‘Under My Thumb’, ‘2000 Light Years From Home’ & ‘Midnight Rambler (Get Yer Ya Ya’s Out version)’: The Rolling Stones

their satanic majesties request

‘Stray Cat Blues’ & ‘No Expectations’ are from The Stones’ 7th album, Beggar’s Banquet. I’ve been listening to ‘Stray Cat Blues’ almost exclusively for the past few days. It’s edgy; it’s hard; it’s great! The instruments and vocals are all awesome, and I love it. ‘No Expectations’ is another favourite. Brian Jones’s slide guitar on the song is one of the last things he did with The Stones. It’s beautiful, and only proves Brian’s musical genius.

‘Under My Thumb’ & ‘2000 Light Years From Home’ are from my favourite Stones period, the mid-’60s. Despite the horribly misogynistic lyrics, I love ‘Under My Thumb’. The fuzzed bass and stabbing guitar are great, but the highlight of the song is definitely Brian’s marimba riff. And ‘2000’ is my favourite song on The Stones’ album that everyone loves to hate, and I love to love: Their Satanic Majesties Request. The mellotron, the keyboards, the guitar & the vocals bring a song by a primarily R&B band to sound more like Pink Floyd… Probably my favourite Stones song!

My dad introduced me to Get Yer Ya Ya’s Out, and ‘Midnight Rambler’ is perhaps my favourite song on the album. I love its rawness. But the most special bit about it, for me, is the cry of “Paint it black, you devil!” at the end. Dad and I joked about it for months, and continue to do so…

‘Venus In Furs’, ‘I’ll Be Your Mirror’, ‘White Light/White Heat’, ‘I’m Waiting For The Man’ & ‘Sunday Morning’: The Velvet Underground

All_Tomorrow's_Parties--I'll_Be_Your_Mirror

‘Venus In Furs’ was my original favourite Velvets song. I remember being captivated by the cacophony of violas, guitars and drums the first time I listened to it. To this day, it’s one of my very favourites. I tried to cover it whilst busking earlier this year, with less-than-successful results…

It was only recently that I realised the beauty of ‘I’ll Be Your Mirror’. I never really liked Nico’s songs on The Velvets’ debut, The Velvet Underground and Nico, and ‘Mirror’ is one that she sings. It was only after listening to Beck’s cover of the song for his Record Club project that I realised how beautiful the song is. I particularly like the guitar part!

‘I’m Waiting For The Man’ is one of the rockier songs on Nico, yet is just as great. After the beauty of ‘Sunday Morning’, it’s refreshingly hard and punk-esque. I’ve always loved the song, and continue to do so today!

‘Sunday Morning’ was the song that introduced me to The Velvets, and perhaps the first non-Beatles song to have an impact on me. After hearing a cover of it on one of our favourite shows, my mum played me the song. And so began my love of a wonderful band…

‘White Light/White Heat’ is the title track of The Velvets’ second album. The songs are less “beautiful” than The Velvet Underground and Nico, but are no less experimental. It’s a tough, distorted avant-garde rock tune, and its influence on punk rock is easy to hear…

‘The End’, ‘L.A. Woman’, ‘Alabama Song (Whisky Bar)’ & ‘People Are Strange’: The Doors

TheDoorsTheDoorsalbumcover

‘The End’ & ‘Alabama Song’ are from The Doors’ self-titled debut. ‘The End’ is often regarded as one of The Doors’ masterpieces, and for good reason! Jim Morrison’s lyrics are some of his best, and the mysterious, psychedelic vibe that floats throughout the song is magical. The ending, with Jim’s infamous Oedipal spoken word section and rhythmic usage of the f-bomb, is also intriguing and helps create a magnificently climactic ending to the album. ‘Alabama Song’, in contrast, is a cover, but I love it all the same. Jim’s vocal performance on the song is one of my favourites, and I love Ray Manzarek’s pulsating, off-beat organ!

‘L.A. Woman‘ is the first song I can remember. One of my first memories is of my parents playing the song, and of being appalled once being informed that the song included the word ‘damn’! The album of the same name was in high rotation during my childhood, too. And now that I’m older, it has since become one of my favourite songs…

‘People Are Strange’ has always fascinated me, ever since I first heard it last year. The song was such a departure from any Doors stuff I’d heard before, at that point. Perhaps my favourite part of the song is the guitar, though the piano and, of course, the vocals give it quite a different vibe. It’s quite an understated song, and I like it a lot!

‘Welcome To The Machine’, ‘Interstellar Overdrive’, ‘The Gnome’ & ‘Wish You Were Here’: Pink Floyd

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‘Welcome To The Machine’‘Wish You Were Here’ are both from, well, Wish You Were Here. The former is the song that introduced me to Floyd, and what made me a fan. I remember listening to the song last year – its hypnotising synths, the swirling vocals. It completely blew my mind, and I remain in utter awe of it. And ‘Wish You Were Here’ speaks for itself, really… The acoustic guitar that runs throughout the song is beautiful, and I love David Gilmour’s vocals, too. It’s easy to see why it’s perhaps Floyd’s best-known song!

‘Interstellar Overdrive’‘The Gnome’ are both from Pink Floyd’s debut, and the only album with input from Syd Barrett, The Piper at the Gates of Dawn. ‘Interstellar Overdrive’ is an edgy, almost-overwhelming psychedelic cacophony. A favourite of mine since watching a video of Pink Floyd performing it live in 1967 with their notoriously-incredible stage show, I find the combination of experimental guitars, organs and drums captivating! ‘The Gnome’ is perhaps not a Floyd masterpiece. However, I’ve always loved the song, and it never fails to make me smile. My favourite part of the song is Barrett’s lyrics – they’re quite simple, and they almost read like some kind of whimsical fairytale, which I love!

‘Get It While You Can’: Janis Joplin + ‘Piece Of My Heart’ & ‘Turtle Blues’: Big Brother and the Holding Company

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Whilst Pearl is not my favourite Janis Joplin album, it was the one that introduced me to her work. And ‘Get It While You Can’ is my favourite song on Pearl. Much like the rest of the album, it features a prominent organ part, which adds an almost psychedelic element to the song. And of course, Janis’s vocals are amazing!

‘Piece Of My Heart’ & ‘Turtle Blues’ are both from my favourite Joplin-fronted album, Cheap Thrills, by Big Brother and the Holding Company. ‘Piece Of My Heart’ not only features yet another amazing Janis vocal performance – but the guitar is great, too! The guitarists in the band – Sam Andrew and James Gurley – were ridiculously good, and I have a huge appreciation of them, as a guitarist myself. ‘Turtle Blues’, too, is one of my favourites. Janis’s vocals again go without saying, and the piano is awesome! One can only imagine what Janis would have gone on to do…

‘Dazed and Confused’, ‘Misty Mountain Hop’ & ‘Tangerine’: Led Zeppelin

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For a while, I thought of Led Zeppelin as a bit overrated. Then I heard ‘Dazed and Confused’. I listened attentively to Jimmy Page’s “weeping” guitar; John Paul Jones’s almost-mysterious bass; John Bonham’s thrashing drums; Robert Plant’s vocals, which I consider to be some of his best. And I’ve loved Zeppelin ever since.

I don’t know what it is about ‘Misty Mountain Hop’, but I really like it. I love the keyboard riff that runs throughout the song, and the drums, and the lead guitar, and the vocals, but even then… Maybe it’s the memories – it’s on Led Zeppelin IV, my first Zeppelin album, and it’s also featured in Almost Famous, a film I love. Either way, though, it’s a great song!

And I took my ‘tangerinetrees99’ from ‘Lucy In The Sky With Diamonds’, but you can imagine my pleasure when I discovered that Zeppelin had a song named ‘Tangerine’, a few months ago! I was even more pleased after listening to the song itself (one of the band’s folkier tunes), which I enjoyed. It’s now one of my favourites…

‘All Day And All Of The Night’ & ‘Sunny Afternoon’: The Kinks

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‘All Day And All Of The Night’ was among my top-5 songs of all time for ages, and still remains one of my favourites. The fuzzed guitar riff, Ray Davies’ snarly vocals and Dave Davies’ flashy solo all make for a great rock’n’roll classic! It was perhaps this song that turned me onto the harder rock which I now also enjoy.

‘Sunny Afternoon’ is my current favourite Kinks song. I read someone comparing it to ‘I’m Only Sleeping’, the other day, and I can certainly see the similarities. The lazy vibe, paired with the bassline and another great Ray Davies vocal performances, make for a great song!

‘Suffragette City’: David Bowie

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‘Suffragette City’ is my favourite Bowie song right now, and the first one I consciously enjoyed. Throughout last year, the song would often appear on iTunes Radio, and I immediately liked it. The guitar, in particular, is great, and I can’t help but smile whenever I hear it!

‘Gloria’: Patti Smith

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‘Gloria’ begins with understated piano chords, but soon turns into an exciting, protopunk epic – the perfect opening to Smith’s highly acclaimed debut, Horses. Although I only listened to the song for the first time about a month ago, its impact on me is huge. ‘Gloria’ is what hooked me on Horses, and what inspired me to check out the rest of Patti Smith’s work. She has quickly turned into one of my favourite artists – for her unique brand of alternative rock, for her fascinating punk poetry. And as a female musician myself, she is one of my biggest influences, alongside Kim Gordon of Sonic Youth and Courtney Barnett.

‘God’: John Lennon

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‘God’ is my current favourite John Lennon song. I absolutely adore John’s vocals, and his piano – whilst not overly complicated and intricate – is perfect for the song. Ringo’s drums are great, too. And though I certainly believe in The Beatles, the lyrics are such typical John, and I love them all the same…

‘What Is Life’: George Harrison

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‘What Is Life’ was the first George solo song I ever heard. Way back when I got George and Ringo confused in pictures (!), I absolutely adored the song and would turn the radio up really loud whenever it came on. A couple of years on, I still find that guitar riff utterly irresistible!

‘Our House’ & ‘Helpless’: Crosby, Stills, Nash & Young

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‘Our House’ was my favourite song for the year before I discovered The Beatles. It was always played on the radio, and the melody, in combination with the piano, must have appealed to me. It was only recently that I began to realise how great the song is, and it has since become one of my favourites, again…

‘Helpless’, however, is my current favourite Crosby, Stills, Nash & Young song. Written and sung by Neil Young (who has one of my favourite voices, ever), it’s a wondrously beautiful, yet somewhat sad, ballad. I particularly love the lead guitar and, of course, Neil Young’s vocals.

‘Knockin’ On Heaven’s Door’: Bob Dylan

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‘Knockin’ On Heaven’s Door’ is far from my favourite Dylan song. But it has an important place in my musical history, for it was the first song I learnt to play on guitar. Guitar has since become a huge part of my identity. There is little more I enjoy than playing my instruments, and playing has given me a greater understanding and love of the music I’d begun to like beforehand. So thanks, Bob!

And there. Here’s the entire playlist mixtape:

If you were making a mixtape of the songs most important to you, what would you put on it? Be sure to tell me in the comments!

My Favourite Bands from the ’60s (and 70s)

As one might guess, I grew up to a soundtrack of  ’60s and ’70s tunes. And the love of mid-20th-century tunes held by 5-year-old me has well and truly stuck! So today, I’m going to write about my favourite bands from the ’60s and ’70s, and why I like them — so in no particular order…

The Doors

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The Doors are an extremely interesting band. For one, their sound was a little jazzier than their contemporaries. And Ray Manzarek, John Densmore and Robby Krieger were all impeccable musicians. (Especially Ray Manzarek! That man was a genius on the organ!) And of course, Jim Morrison. His voice was incredible, and you really don’t hear anything like it from any other band from the era. And not to even mention his lyricism! His poetry is a huge thing that makes The Doors unique. He touched on themes like love, death, individuality, life and the human race in general, and I really enjoy listening to his writing. The Doors were certainly very unique, in the best possible way!

The Doors are one of two bands on this list that I’ve known for as long as I can remember. One of  my earliest memories involves a very young me being appalled at Jim’s inclusion of the word ‘damn’ in the song ‘LA Woman’, and the album of the same name was in frequent rotation during my early childhood. These days, The Doors are one of my favourite bands!

FAVOURITE ALBUMS: The Doors (1967), Waiting For The Sun (1968) + LA Woman (1971)

Pink Floyd

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Pink Floyd’s ’60s-era work is not their better-known stuff, but it’s really cool. Their first album, The Piper At The Gates of Dawn (1967), was their only album with major input from founding member Syd Barrett, who left in ’68. The album is very psychedelic, as one would expect, and there are some awesome guitars and keyboards and effects! (I especially dig ‘Astronomy Domine’! And ‘The Gnome’.) I also really like Syd Barrett’s lyrics — his writing’s quite direct and the vocab is quite simple, but it really works! A few of them read like fairytales, too, which gives them a certain air of magic.  So the ’60s Pink Floyd are probably my favourite by a smidgeon — but that’s not to say that I don’t like the ’70s Floyd, too! Wish You Were Here, for example, is one of my favourite albums of all time. ‘Welcome To The Machine’ is one of my favourite Floyd songs, and the many parts of ‘Shine On You Crazy Diamond’ are plain awesome, and I think ‘Wish You Were Here’ speaks for itself…

I started to get into Pink Floyd after listening to Wish You Were Here on vinyl last November, and my mind was blown! I’ve been listening to Floyd quite a bit, lately. Really groovy!

FAVOURITE ALBUMS: The Piper at the Gates of Dawn (1967) + Wish You Were Here (1975)

The Velvet Underground

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Laden with biting guitars, avant-garde instrumentation, controversial lyrics and everything else ‘art rock’, The Velvet Underground are a band I love! Though not many people paid attention to their work in the ’60s, their music now receives the recognition it deserves. The early Velvet Underground were very avant garde in their sound — founding member John Cale was a classically-trained violist, and often played it on tracks. Their innovative guitar-ing and drumming (and Lou Reed’s singing) also helped to influence countless punk and indie bands! In my opinion, The Velvet Underground are one of the quintessential ’60s alternative bands.

My mum introduced me to The Velvet Underground. One day mid last year, she played me ‘Sunday Morning’, and I was hooked! Soon after, we got a copy of The Velvet Underground and Nico, and The Velvet Underground quickly became one of my very favourite bands…

FAVOURITE ALBUMS: The Velvet Underground and Nico (1967) + White Light/White Heat (1968)

The Who

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At the moment, the band I’ve been listening to the most is probably The Who. One thing I really love about them is how each member was/is extremely good at their role in the band; Roger Daltrey is an amazing singer, Pete Townshend is an amazing guitarist, John Entwistle was an amazing bassist and Keith Moon was an amazing drummer! I also think that Pete is one of the greatest songwriters ever — it’s only after I attempted to play a few songs from Tommy that I realised how complex his stuff is.  And along with The Kinks, The Who created the rock opera. Listening to Tommy and Quadrophenia and following their stories is a wonderful experience! And that’s not even mentioning the fact that their innovative usage of guitar amps, or their live shows…

I first listened to The Who after getting a best-of CD back in December. It was only in March when I really got into them, and since then, I’ve become a huge fan!

FAVOURITE ALBUMS: My Generation (1965), The Who Sell Out (1967), Tommy (1969) + Quadrophenia (1973)

The Rolling Stones

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Though The Stones were probably the first band I was ever aware of, it was really only 6 or so months ago that I really started to get into them. But it’s the Stones from the ’60s that I love. Their very early stuff is biting and fresh and has the blues written all over it. And by the mid ’60s, Brian Jones’s multi-instrumental genius made a number of their songs from good to absolutely wonderful! (Take a listen to the marimba on ‘Under My Thumb’, the sitar on ‘Paint It Black’, the recorder on ‘Ruby Tuesday’, the Mellotron on ‘2000 Light Years From Home’; that’s all Brian!) That stuff is my favourite — hence why I’m one of the few that likes Satanic Majesties! I also really like the stuff from Beggar’s Banquet, and Get Yer Ya Ya’s Out is my favourite live album of all time.

Like The Doors, I’ve known The Stones for as long as I can remember. My dad is a fan, so they’ve always been around the place. I can’t remember a time when I didn’t know the names of Brian Jones, Keith Richards and Mick Jagger. And excepting a brief period in 2013 when I thought that all Beatles fans had to hate The Stones, I’ve had a favourite Stones song since I was 8 or 9. (I think it was ‘Get Off My Cloud’.)

FAVOURITE ALBUMS: The Rolling Stones (1963), Aftermath (1966), Between The Buttons (1967) + Their Satanic Majesties Request (1967)

The Beatles

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As much as I adore the other bands on this list, The Beatles will always remain my favourite. There is something very special about them. Very. How they went from ‘Love Me Do’ to ‘Tomorrow Never Knows’ to ‘Revolution’ to ‘The Long and Winding Road’ (and everything in between)  in EIGHT years is mindblowing. And of course, each Beatle played their instrument really uniquely and it sounded fab! And The Beatles had four lead singers, too, and three songwriters; they each brought a different perspective to their eager listeners, and that set them apart. I also consider The Beatles some of the greatest lyric-writers, especially in the later days. And that’s not even mentioning how they not only influenced music, but how they turned the world on its head; pretty much every rock band since 1964 has been influenced by The Beatles someway or another. Their immense cultural impact changed everything, too. And the fact that nearly everyone knows who they are 53 years later says quite a lot!

The Beatles changed everything for me. I’ve been a fan since February, 2013, when I decided that they were more than just a band that’s on the radio all the time. And ever since that fateful day, my life has never been the same!

FAVOURITE ALBUMS: Everything Rubber Soul onwards!

Special mentions go to Janis Joplin, Jefferson Airplane, Led Zeppelin, Bob Dylan, The 13th Floor Elevators and The Kinks, the songs of whom I’m currently exploring and enjoying but don’t know well enough to write about…

What are your favourite bands from the ’60s and ’70s? Be sure to send me a postcard, drop me a line…

Hope you all have a great day, and good day sunshine ’till next post! 🙂

Haddy Grimble* to y’all! (A Christmas post…)

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Well, it’s that time of year again. Christmas time, in case you haven’t noticed. It’s Christmas Eve down here in our rather large, isolated corner of the globe known as Australia, so I decided I should do a post wishing all my followers a very haddy Crimble and a merry New Year**!

Most of you who are reading this might be freezing in the Northern Hemisphere, and experiencing a White Christmas! But it is Summer in Australia, and as usual, Christmas in Adelaide will be in the mid-twenties. (Which is surprisingly cool for Summer…) And I haven’t been in a very Christmassy mood this year. We only put up a few Christmas decorations on the weekend. I haven’t listened to any Christmas songs of my own will, excepting The Beatles’ Christmas Records and ‘Happy Xmas (War Is Over)’. Bah humbug. But anyway, I thought I would prove I am not the Grinch in disguise and do a post on how to celebrate a ‘All You Need Is The Beatles’-style Christmas with an ‘All You Need Is The Beatles’-style Christmas playlist! So here goes…

Those of you who've watched 'George Harrison: Living In The Material World', you'll remember that story about the Apple Christmas Party and the Hells Angels. (Google it.) This is from the same event...

Those of you who’ve watched ‘George Harrison: Living In The Material World’, you’ll remember that story about the Apple Christmas Party and the Hells Angels. (Google it.) This is from the same event…

 

‘Christmastime (Is Here Again)’ — The Beatles!

A Beatles Christmas song! With Beatle harmonies! Yay! tangerinetrees’ perfect Christmas song…

For those of you who don’t know anything about this song, The Beatles released Christmas records every year. But these records were only available to their fan club. This song is from the 1967 Christmas Record, which was originally about seven minutes long. This edit was used in 1995 as the B-side to ‘Free As A Bird’. The Smithereens did a very enjoyable cover, which I will post below:

 

‘Happy Xmas (War Is Over)’ — John Lennon

Hands down my favourite officially released and easily obtainable Christmas song! (The above is my favourite of all time.) The song was based off a 1969 Johnandyoko campaign using billboards reading ‘WAR IS OVER!’ in 11 cities. The mantra chanted by the children’s choir/Yoko is all the more relevant today — war will be over, if we want it. Clearly the governments don’t want it to be over…

But on a less serious note, I need to deal with the subject of Yoko. So Yokes, I love your contemporary art, and I think you were a great influence on John, but you and singing… Erm, you and “singing”… Let’s just say that I wouldn’t encourage to give up your day job.

John sings wonderfully, though. In fact, ‘Happy Xmas’ is one of my favourite Lennon vocals. (Among everything else he ever sang! 🙂 )

‘Wonderful Christmastime’ — Paul McCartney

Okay, so this isn’t exactly Paul’s best. (And yes, I like Wings a lot more than I did six months ago. ‘Band On The Run’, ‘Mrs Vandebilt’ and ‘Call Me Back Again’ are three of my favourite songs. And pretty much all of their good songs are really dance-able.) Yes, it’s a bit cheesy. Yes, I think the lyrics are a bit limited. But anyway, it’s Christmas. And it’s Paul. I’d rather listen to Paul sing a bad Christmas song than, say, Wham! (*shudders*). And I guess I do like this song. 🙂

‘Oh, Little Town Of Bethlehem’ — Belle and Sebastian

Belle and Sebastian are a Scottish indie-pop band that wrote one of my favourite films, God Help The Girl. And they did a Christmas hymn! And it sounds good! Festive sounding guitar…

The Yeah Yeah Yeahs — ‘All I Want For Christmas’

I’ve just started to get into The Yeah Yeah Yeahs, and I found this whilst trying to find a nonexistent Black Keys Christmas cover. (The Black Keys are one of my other favourite bands, by the way.) I dig it! Christmas songs sound strangely good when recorded indie-style…

The Kinks — ‘Father Christmas’

I love The Kinks. And whilst I’d rather listen to ‘All Day and All Of The Night’ or ‘Sunny Afternoon’ than I would the above, I have to admit that it’s pretty damn good for a Christmas song. The overdriven guitars are pretty awesome, too.

‘Jingle Bell Rock’ — Arcade Fire

Arcade Fire sound drunk, but I don’t really care. I really like Arcade Fire, and this is just how I’d imagine an Arcade Fire Christmas song to be.

(And finally…)

The Beatles’ Christmas Records!

Every year from 1963 to 1969, The Beatles recorded a short “Christmas record” which was distributed among their fan club. I’ve already posted part of their 1967 Christmas record above, but here are all seven in their entirety. My personal favourite is the 1966 record known as ‘Everywhere It’s Christmas’, which begins at 15:40. But I, of course, enjoy all of the records… John’s wit is in full bloom, and George is also very, very funny. They must have had a lot of fun making these records!

And there you go! tangerine’s Christmas playlist in a (you guessed it) nutshell! And now I’ll take the opportunity to wish you all a merry Chrimble, haddy Grimble and a festal Christmas! Hope you all have a really gear holiday season. Good day sunshine until another day 🙂

*No, I have not lost my ability to spell. I’m referencing a poem in one of John’s books — In His Own Write — called ‘Haddy Grimble, Randoob!’

**Referencing The Beatles’ 1963 Christmas record.