All Things Must Pass…

Rest in peace, George.

Rest in peace, Georgie.

In Adelaide, it is currently the 29th of November, 2014. The 13th anniversary of George Harrison’s death. There is only one Beatle I haven’t done a ‘Happy Birthday’ post for, and I’m sad that that I have to write an ‘anniversary of death’ post about this particular Beatle beforehand. I’m currently listening to Living In The Material World/All Things Must Pass (I might listen to my Cloud Nine vinyl later) and wearing my Yellow Submarine t-shirt in his memory.

I realise I haven’t done a post on George within this blog yet. In fact, I don’t think I’ve really written about George since June. Rather stupid of me, ‘cos he is my second-favourite Beatle. But anyway, I shall make up for such crimes over the school holidays…

George was the last Beatle I found out about, in around March 2013. I remember a friend (who actually introduced me to The Beatles) coming to school one day and telling me that she’d discovered The Beatles wrote all their own songs, her example being ‘While My Guitar Gently Weeps’ being credited to a ‘George Harrison’. Ah, I thought. The name of the elusive fourth Beatle. And ever since that rainy Autumn day nearly two years ago, I’ve never forgotten that name. For a few months, George was my least favourite Beatle. I don’t know why (nobody told you / how to unfold your love…) — my theory is that I placed him fourth purely because I knew next to nothing about him. But then — about a year ago (December 2013, if my memory serves correct) — George Harrison: Living In The Material World was played on Australian TV. I know for a fact that quite a few George fans have come out of watching that wonderful film, and I am among them. I became so interested with George and his music, and rightfully so. (Though I did love ‘What Is Life’ beforehand.) I can only say that I’ve listened to two of his solo albums in full (plus part of a third), but all of his songs that I’ve heard — Beatles (I’ve obviously heard all of those!) or otherwise — are absolutely impeccable. A truly underrated songwriter, I must say… (Yay! ‘Wah Wah’ — my favourite George song — is playing!).

Last year, I found out what day George died on the, well, day. I remember being quite sad, but George didn’t really mean that much to me at that point. I would have known under one-hundred Beatles songs (I now know over 250 Beatles songs…), and this was pre-Living In The Material World. I was slightly sad this morning, but now I am focusing on remembering George. As my mum said precisely a year ago, ‘Knowing what sort of person he was, George wouldn’t have wanted you to be sad.’ And whilst George’s death is very, very sad (he died far too young), it wouldn’t have been a surprise. By the time he passed on, the cancer had spread to his brain and he was ready to die. His death wasn’t as unexpected as John’s. From what I have read/watched, I think George was ready.

George (and John) inspired me to pick up guitar, earlier this year. And wow, how I thank them! Playing guitar is one of the few factors that completely changed my life in the past couple of years (The Beatles being another), and through it, not only have I come a long way in the music world, I’ve also found a heap of other good music. I can now play the large majority of my favourite songs, and I’m now dabbling in the world of songwriting. In fact, my two guitars are called John and George. And so I thank the two namesakes for inspiring me to try my hand at playing guitar!

Talking of guitar, George really was amazing at the instrument. When I listen to the licks on his solo stuff, they’re not just licks, or riffs. They swirl around the listener’s brain, like a butterfly that has been freed into an open field. They are, quite literally (in my mind), swirls. I count George as one of those iconic guitarists that you can pick from their playing within a few seconds. He really knew how to make his guitar ‘speak’. I also think he was a fabulous musician in general — he played everything from a Moog to violin, showing his versatility. Here are some of my favourite George moments (though I’m going to do a post on my favourite George songs at a later date):

‘Cloud Nine’ is a really groovy song. The guitar is awesome. George sings it wonderfully.

‘Long, Long, Long’ — George’s acoustic work in this song is stellar. The song is stellar. It sits right after a stellar song, as the last track of a stellar side of a stellar double album. (And I’m not being sarcastic. Serious.)

The obligatory ‘My Sweet Lord’! The solo in this is subject to the swirling effect I was discussing above. Beautiful.

(There are so many other George moments I love as well, others off the top of my head including ‘I Dig Love’, the two versions of ‘Isn’t It a Pity’ and ‘Art Of Dying’ — the latter rather appropriate for today, sadly.)

George also seemed like a genuinely nice person. Quite selfless, I think. There are so many stories about him being a really lovely person, ranging from the relatively well-known tale of him mortgaging Friar Park so he could create Handmade Films to fund Life of Brian (thank the not-Messiah (‘He’s not the Messiah! He’s a very naughty boy!) for that!), to him inviting fans to his house to meet him. And whilst he wasn’t perfect, who is?

And I really have only just started listening to the lyrics in his songs (stupid me), and they’re beautiful. I’m currently listening to ‘Beware Of Darkness’, and wow… His words — whether they be about God, or love, or the loss of friendship, or anything in particular — they really talk to those who care to listen. No wonder he is my second-favourite Beatle!

And one final thing: there’s a wonderful George quote that really resonates with me (well, a lot of his quotes resonate with me, but anyway), in particular. I posted it in ‘Words Are Flowing Out’, but here it is, anyway: “It’s nothing to do with how many years old you are, or how big your body is. It’s down to what your greater consciousness is, and if you can live in harmony with what’s going on in creation.” Something happened earlier this year (a story for later) that kind of threw me in at the deep end, and all of sudden made me feel very young. I had never been ‘the youngest’ before. And this quote helped me realise that age doesn’t really matter in the scheme of things. Although I connect with John the most, I feel a special kind of connection with George as well. He reminds me of, well, me a bit. George continuously inspires me, and whilst I’m not a religious person, his principles were very, very sensible. Thank you, George.

But anyway, rest in peace, Georgie. Whether it be the Dylanesque ‘Apple Scruffs’, or the swirling paisley (yep, my term) feel of ‘My Sweet Lord’, the slides on ‘I Dig Love’, or the heavy riffing on ‘Wah Wah’ and ‘What Is Life’, your music really was something special. You were something special. There is so much I could say about you, but I shall cover that another day. We love you and miss you like mad. But as you once said, all things must pass. Wherever you are, I hope you have a beautiful day. Say hello to John for us. tangerinetrees99

image

george with a border collie

george with a tambourine on his head

beautiful picture

Some Beatles demos/alternate takes/sessions to feast your ears on…

Taken in the Austrian Alps - made me smile :-) !

Taken in the Austrian Alps – made me smile 🙂 !

 

 Recently – whilst completing a science assignment – I decided to stop listening to Rubber Soul for the third time in a row (I still love it dearly, but I didn’t want to get sick of it – I’d debate whether that’s possible, though 🙂 …) and do some YouTubing as a means of finding something new to listen to (I don’t buy much music on iTunes – prefer it on vinyl). And under my ‘recommended videos’ thing(y) was a video containing a compilation of Magical Mystery Tour/White Album era demos. I gave it a listen, and then I found even more of these videos under ‘suggested videos’! So yeah, it did take two nights to finish my science, but I found a really cool idea for a post! I absolutely love listening to Beatles demos – I feel a little special, hearing a completely different (and often rare) version of such familiar songs that I know and love dearly. Obviously, though, not all such recordings are rare – as we all know, the Anthology project made some of these relatively well-known. So this post pays homage to those bits and pieces John, Paul, George and Ringo may or may not have wanted us to hear – enjoy!

‘The Beatles’ Home Demos: A Hard Day’s Night and Rubber Soul

‘If I Fell’: Crappy sound quality, but that is the case with most home demos (due to primitive recording equipment). I like this version, and it proves that John was good with falsetto notes, even in the early Beatles days.

‘World Without Love’: Funnily enough, my local classic hits station (what else would I listen to? Actually, I might listen to Triple J – the local indie rock station – at some point, ‘cos I like that sort of thing too) plays the Peter and Gordon version of this song all the time, but it took me a good year-and-a-half of Beatles fandom to work out it was a Lennon/McCartney (namely, McCartney) composition! Yeah – of course I knew that most (if not all) of Peter and Gordon’s songs were written by Paul ‘cos Peter was Peter Asher (Jane Asher’s brother) – but I cannot believe I did not clue on earlier. I like this version more than the original, I have to say – probably because Paul’s singing it… 🙂

‘One And One Is Two’: Never heard this song before, but it’s groovy! I like the way Paul sings it…

‘We Can Work It Out’: Ahh – back to actual Beatles songs again! I really like the folksiness of the original, but this version is still folky and still really cool. In fact, the official version of this was just on the radio (spooky!)…

‘She Said, She Said’

Although I am forever saying that I do not have one favourite Beatles song (if an ever-changing list of about 100 tunes counts, well I do), I would cite this one as top dog if my life depended on it. As I said in my ‘Favourite Beatles Song’ post, I love this song, so I find the above very, very cool! Two completely different versions from the psychedelic masterpiece that ended Side One of my favourite Beatles album (Revolver)!

Demo One: This could not sound more different than the original, but I still love it! John was still clearly working on the lyrics (He said//I know what it’s like to be dead…), and Paul appears to be with John at the time (hence dialogue at end). Writing session at Kenwood, perhaps?

Demo Two: This is my favourite out of the two. John had mostly completed the lyrics by this point, and appears to practising it. I love how the acoustic guitar sounds so trippy, even though it likely hasn’t been edited – John had a semi-acoustic (meaning he can amp it up – I, too, have one), so I wonder if he put a pedal on it, or something? I’d love to know what he put on it, if he did anything… Oh, and there is a little bit of language in this bit – such things don’t bother me in the slightest, but just thought I should cover myself.

‘Revolution’

Wow – those people who think that John is no good as a guitarist need to listen to this! That riff at the beginning is incredibly hard to play – and I should know, ‘cos I play guitar myself! And I love John’s vocals in this, too – need I say more?

‘Something’

‘Something in the way she moves//attracts me like a pomegranate!’ Ha, ha 🙂 – need I say more? Also, George and John making up more of those random lyrics…in need for another smiley 🙂 !

Oh, and I didn’t know George could sing like that! Wow, George, wow! Normally, his anyway-gorgeous voice is quite smooth and sweet, but on this, he rocks really hard! And of course, I love this song anyway – in fact, it was this that taught me that George wrote songs, too…

A Random Bloopers Reel

This one – unlike the clips above – is a medley of all sorts of bloopers, in no kind of order whatsoever. It’s very funny, though – lots of laughing (pity a certain version of ‘And Your Bird Can Sing’ ain’t on there) and jokes 🙂 ! Oh, and I s’pose I should cover myself over usage of ‘language’, too – it’s mostly from Paul (naughty Paul 🙂 !)!

‘You Can’t Do That’/’Love Me Do’/’Gimme Some Truth’/’She Said, She Said’ (Get Back sessions)

Not all of the Get Back sessions were shown in Let It Be. ‘Of course they weren’t,’ you’re probably thinking. ‘Otherwise we’d have proper of footage of George leaving the band, and we’d probably also have footage of Yoko screaming sufficient enough to make us deaf.’ Well, yeah – you’re right – but what many people don’t know is that The Beatles recorded a lot more material than first apparent within that period of time – whether that be alternate versions of past songs, or the beginnings of songs that will eventually end up on solo albums. The songs I chose to post were swamped-down versions of ‘You Can’t Do That’ and ‘Love Me Do’, that sound so damn cool (!), a version of ‘Gimme Some Truth’, a song that would appear on John’s 1971 masterpiece Imagine, and that song I keep on rambling about – ‘She Said, She Said’ (+ a version of ‘She Came In Through The Bathroom Window), the Get Back edition. Apparently they also did ‘Norwegian Wood’ – can’t find it, though… 😦

‘I’m So Tired’…sung by Paul! Oh, and ‘Get Back’/’Yesterday’…sung by John!

Yep, I’m serious; Paul is singing a song off the White Album, which – I might add – was written about Yoko. Paul singing a love song for Yoko – hmm. As I’ve said before, I really like Yoko (excepting the screaming) and have tremendous respect for her, but we all know that Paul did not feel the same way… But anyway (who he is singing about aside), his version is really quite good. In fact, it’s really good – gives John a run for his money. At the end of the day, though, John wins for me 🙂 ! As for ‘Get Back’ – oh my God! This might just be my favourite version of this song – especially love the tempo, John’s voice and Ringo’s fills. When I listened to this to test its eligibility for this post, all I could do was stomp my foot, clap along, dance and air-guitar along – that is all I need to say… And ‘Yesterday’ – John fooling about with a famously-Paul-only song. Sure, all the Macca Maniacs will not like it at all, but I think it’s funny! By the way, videos one & two are from Get Back, too.

‘Cry Baby Cry’

As I repeatedly state in various places on this blog, my favourite Beatles songs change from day to day. But ‘Cry Baby Cry’ is a bit like ‘She Said, She Said’ – it always remains somewhat near (if not at) the top of my list. In fact, it was the first song I played on my steel-stringed guitar, and I can still remember listening to it for the first time earlier this year, and being completely blown away. I especially love the almost proto-metal electric-guitar version near the end, with John screaming out the vocals in a, well, proto-metal-type way – a complete contrast to the folky official version (which I still love). Sounds really cool however it is played, let’s just say!

‘Yes It Is’

a) ‘One, two, three, bread.’ Deserves a smiley, Johnny 🙂 ! Next time I have to do a count-in, I know what I’m going to do…

b) I know I posted the Anthology version of this song (a mash-up of takes 2 & 14) in an earlier post, but here is the complete evolution of that Beatles song that everyone sadly forgets (except those who know it, of course). I love this song (okay – I love every Beatles song, with the exception of ‘Revolution 9’ and ‘Wild Honey Pie’ – which I appreciate at the very least), so I find this absolutely fab!

‘While My Guitar Gently Weeps’

‘You cheat, tangerinetrees99,’ you’re probably thinking. ‘That’s not rare at all! It’s off blooming Anthology!’ Yes, and I am well aware of that, but I really wanted it in this post. And it is an alternate version of the official, after all, isn’t it? But anyway, I swear I heard this version of ‘WMGGW’ far before I heard the White Album edition. In fact, I prefer this to the Eric Clapton guitar-god version everyone knows. I love everything about this demo – the acoustic-ness of the whole thing, the fact it is in G minor (as opposed to A minor), just – well – everything! Thank you, George, for recording such a gorgeous version of this song.

Paul sings John a very sweet tribute

Aww! How sweet of Paul? I like his versions, too – I also like what he said before he started… I won’t say too much about this one, apart from the fact that it made me a little emotional – you’ll have to watch it yourself… 🙂

So there we have it – an incredibly long post (I’ll try and be shorter next week), but I hope it was all worth it. Enjoy listening to things you may or may not have heard before – but nonetheless (whether you’ve heard them or not), it’ll make for a fab listening marathon! Hope you have a good rest of your day (whichever hemisphere you’re in), and I’ll leave you with this really funny clip of 1965 Christmas record outtakes, which I guarantee will have you hysterically laughing by the minute-mark (excusing one or two grotty jokes, that might or might not bother you – I’m in the latter, so just covering myself again… Still, it is really funny!)! Good day sunshine 🙂

 

A ‘Good Night’ (pun intended) at The White Album Concert!

 

The promotional poster for the gig.

The promotional poster for the gig.

And me before the show, in my White Album shirt (which was my only Beatles shirt until last month!). Yes, and I do wear things other than Beatles shirts...

And me before the show, in my White Album shirt (which was my only Beatles shirt until last month!). Yes, and I do wear things other than Beatles shirts…

 

Hey Bulldog/Jude/all,

Well, as you have probably gathered, I went to a gig last night. And that gig was none other than the critically-acclaimed White Album Concert! As I explained in my previous post, The White Album Concert is made up of four well-known Australian musicians (Tim Rodgers of You Am I, Chris Cheney of The Living End, Phil Jamieson of Grinspoon and Josh Pyke, an ARIA-Award-winning singer/songwriter – a soloist, too, unlike the other three) singing/playing the entirety of The Beatles (better known as The White Album), along with a 17-piece band. The show was toured once before – in 2009 – and has been travelling around Australia since the 13th of this month. As you can probably guess, Adelaide had one of their last shows – the second-to-last, to be exact. The show was held in the Festival Centre – our fancy theatre where a lot of shows are held (also the second-biggest venue in SA).

After being forced to park on the other side of town (the CBD isn’t particularly big, though – one could probably drive from one side to the other in ten minutes) due to the premiere of a play in the Dunstan Playhouse and some soccer match, we finally came to the Festival Centre. We (or more specifically, my Dad – thanks!) bought a program, which can be seen in the picture above, and, soon enough, we had entered the theatre and the lights were dimmed.

The show was begun with the band playing ‘Can You Take Me Back’ (the unrelated coda at the end of ‘Cry Baby Cry’, if you are not familiar with the title), before Chris Cheney ran onto the stage, and began playing ‘Back In The USSR’! This was followed by the entire contents of the first disc, each song being covered by either Cheney, Jamieson, Rodgers or Pyke. And then, twenty minutes after the last strum of ‘Julia’, the second half again started with Cheney – this time, though, playing ‘Birthday’. After the end of ‘Good Night’, however, the show did not finish – all four musicians came together (pun intended) to cover ‘A Day In The Life’ and a reprise of ‘Revolution’ (and most of the audience stood up and danced/sang at this point – including me)! And I should probably add that by the entirety of the White Album, I mean the entirety – this means their repertoire included ‘Wild Honey Pie’ and ‘Revolution No. 9’ (which didn’t sound much like the real thing – thankfully… But then, I listened to the entire track for the first time yesterday, and it was nowhere near as bad as I thought. I found John and George’s (non-edited) voices quite comforting, though – not sure I would have listened to the whole thing otherwise…)!

I don’t have a stand-out favourite performance, as all the covers were so darn good! I was, however, incredibly impressed by the fact that the White Album version of ‘Revolution’ was performed specifically as ‘Revolution No. 1’, and that the single version of ‘Revolution’ was kept for the encore. If I did have to choose a favourite bit, though, it would probably be ‘Cry Baby Cry’ (sang by Josh Pyke), ‘Rocky Racoon’ (Pyke, again – I don’t normally like this song too much, but it sounded like a ‘Oh! Yoko’ and ‘Racoon’ mash up!), ‘Everybody’s Got Something To Hide Except Me And My Monkey’ (Tim Rodgers), ‘Long, Long, Long’ (Pyke, again), ‘Yer Blues’ (Phil Jamieson) and Chris Cheney’s guitar-god moment, ‘While My Guitar Gently Weeps’! Other favourites included their versions of ‘Martha My Dear’, ‘I’m So Tired’ and ‘Happiness Is A Warm Gun’, but to be honest, I really didn’t do too much favouring!

And did I prefer The Beatle Boys to the WAC? As with above, I really cannot choose, as they were both so different. (On a random note, I’m listening to Anthology 3 at the moment, and the acoustic version of ‘While My Guitar Gently Weeps’ has just come on – I forgot how beautiful the demo is! I prefer it to the real thing…) As we all know, The Beatle Boys dressed up in the suits and boots and had their hair cut in moptops and put on Scouse accents – and what a great job of their tribute they did! The WAC was completely different, though – no dressing up, no accents (though Tim Rodgers did make a ‘rattle your jewellery’ joke in a Liverpudlian accent), no haircuts – just a night of electrifyingly-good music, sung by four relatively-famous musos. So again, I have no preference – let’s just say that they were both two of the best nights of my life! But this time, however, I took a lot of pictures, and only one video (0f ‘Cry Baby Cry’), so I will have something to show you of my own, for once – we were sitting in Row E of the dress circle, so I was in the perfect position to get some full stage shots! See below for my pictures and some YouTube clips of the concert in other states:

white album one

white album two

white album three

Note all the psychedelic lighting - I couldn't quite capture the beauty of them in single shots, but I tried! The acoustics were also amazing - it was so loud, but God, did it sound good!

Note all the psychedelic lighting – I couldn’t quite capture the beauty of them in single shots, but I tried! The acoustics were also amazing – it was so loud, but God, did it sound good!

white album five

The whole band!

The whole band!

 

The promo.

‘Birthday’

‘Revolution No. 1’ (gives you a good idea of the atmosphere – everyone singing!)

 

So there you – a review of my lovely night! I think I posted this last time, but here is the link to their website, so please check it out! Hope you’re all having a great day, wherever you are, and good day sunshine! 🙂